【摘要】：作為現(xiàn)代雜文的重要一脈,通俗文學作家的時評雜感在文體上自有特質。通俗文學作家活用舊文體,變雅為俗,莊諧互用,以諧著的方式實現(xiàn)了傳統(tǒng)文體的現(xiàn)代轉型,成為過渡時期副刊政論的重要方式;為適應時變,他們積極探索新文體,形成了"短評"式的雜感與"談話"式的雜感兩種新的雜文形式。無論是活用的舊文體還是創(chuàng)造的新文體,都各具特質,體現(xiàn)了市民趣味的審美追求。本文試圖通過闡釋通俗文學作家時評雜感的文體特質,評估其在中國現(xiàn)代雜文史上的價值和意義。
[Abstract]:As an important part of modern essays, popular writers have their own stylistic characteristics. The popular literature writers used the old style, refined into vulgar, and used each other harmoniously, and realized the modern transformation of traditional style in the way of harmony, which became an important way of the political theory of the transitional supplement. In order to adapt to the change of time, they actively explore new styles and form two new forms of essays, one is "short comment" and the other is "conversational". Both the old style and the new style have their own characteristics, reflecting the aesthetic pursuit of the citizen's taste. This paper attempts to evaluate the value and significance of popular literary writers in the history of modern essays by explaining their stylistic characteristics.
【作者單位】： 揚州大學文學院;
【基金】：江蘇省教育廳哲學社會科學基金項目“民國報人雜感研究”(2016SJB750008) 江蘇省社科基金項目“民國報人雜感研究”(16ZWC001) 揚州大學校級人文社科項目“民初揚州小說家群與中國文學現(xiàn)代化研究”(206510885)的階段性成果
【分類號】：I207.65
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本文編號：2317667