【摘要】：“60后”作家是中國當代文壇的絕對主體與中堅力量,是支撐中國當代文學的重要支柱,他們中間的優(yōu)秀作家層出不窮。歷經時間的歷練與考驗,他們中間的很多作品開始走向經典化,并且已經表現出可以被經典化的基本文學氣質。在“60后”作家群中畢飛宇可能不是最突出的一位,他進入文壇的時間相對晚近,直到1991才以中篇小說《孤島》正式進入文壇,而那時的余華、格非、蘇童等人早已聲名顯赫。在作品數量上畢飛宇同樣不引人注目,前后發(fā)表文字不足200萬,可以說是一位低產作家。但無疑他卻是中國當代文壇的一道獨特風景線,他無法被復制更無法被替代,他的審美特質與文學追求為中國當代文壇注入清新之氣。他的作品少有自我重復,烙印著清晰的個體思想與文學觀念的發(fā)展軌跡,依循畢飛宇的創(chuàng)作歷程,我們能夠準確把握中國文學20多年的發(fā)展與演進,可以說畢飛宇代表著中國當代文學的一種現象。尤其在新世紀之后,隨著畢飛宇創(chuàng)作的日漸成熟,他的作品無論是在思想的深度、藝術的高度還是表現的寬廣度方面,都已經達到了中國當代文學的一流水準,在“60后”作家群中占有重要一席。畢飛宇的代表作品很多,如《哺乳期的女人》、《蛐蛐蛐蛐》、《地球上的王莊》、《青衣》、《玉米》、《玉秀》、《玉秧》、《平原》、《推拿》等,他在人生的每一個階段都能夠以自己獨特的生命體驗和嫻熟的藝術技巧描摹出紛繁的社會人生圖景,傳達出自己的審美情趣,表現出對于社會人生的思考方向,充盈著豐沛的人文關懷精神。從而在審美、敘事、思想與社會干預等多種維度抵達了小說藝術本質的理想彼岸。因此我們對于畢飛宇小說創(chuàng)作的整體研究,既是事關一位作家的個案分析,也是對中國當代文學景觀的一次系統(tǒng)梳理,借此可以深入思考中國當代文學在世紀之交的劇變中如何奠定基調、把握方向,在中國傳統(tǒng)文學資源的當下化與外國文學資源的本土化基礎之上,建構起屬于我們自己的中國新世紀文學。基于此本論文圍繞畢飛宇的小說創(chuàng)作展開深入、系統(tǒng)的研究,在大量占有畢飛宇小說研究資料的前提下,進行全面分析、歸納、總結,避免先入為主、理論前置、審美偏執(zhí)等研究弊端,并在前人研究基礎上厘清重點與盲點,以期確定自己的研究方向與研究框架。在具體研究過程中,首先從創(chuàng)作源頭入手,從“源”上解決畢飛宇創(chuàng)作的基本心理與思想狀態(tài),發(fā)現畢飛宇的生命體驗與小說創(chuàng)作之間的內在關聯。第二論述畢飛宇小說關于歷史、權力和人性的主題,無論對于歷史還是權力的描寫,其最終的落腳點都是對人性的反思;第三論述畢飛宇小說中的弱勢群體:農民、盲人、知青和右派、兒童。通過日常生活場景與細節(jié),他們的行為、情感、心理和個性被細膩的文字生動呈現,直逼人物的心靈深處,深刻而直擊靈魂;第四論述畢飛宇小說的敘事策略。從“自我救贖”式敘事模式、敘事的節(jié)制和敘述視角的創(chuàng)新、細節(jié)等方面梳理和總結畢飛宇小說的敘事特征,重點分析了畢飛宇式“第二”人稱敘述視角的產生與在文本中應用及效果。第五論述畢飛宇小說的語言風格、修辭和審美特征,力求對畢飛宇的美學訴求做宏觀把握。結語從“寫什么”、“怎么寫”這兩方面對畢飛宇小說創(chuàng)作做一個相對完整的總結和觀照。
[Abstract]:"After 60" The writer is the absolute subject and middle strength of the contemporary literary world in China. It is an important pillar to support the contemporary Chinese literature. After the experience and test of time, many of them began to become classical, and have shown the basic literary temperament that can be classical. At "After 60" In the family group, Bi Feiyu may not be the most prominent one, he entered the literary world relatively late, until 1991 only in the Middle Jurassic formally entered the literary world, while Yu Hua, Ge Fei, Su Tong and others were already outstanding. In the number of works, Bi Feiyu is also not eye-catching, and the post-and-back text is less than 2 million, and can be said to be a low-yield writer. But there is no doubt that he is a unique scenic spot in Chinese contemporary literary world, he cannot be copied more irreplaceable, his aesthetic characteristics and literature pursue to inject fresh air to the contemporary literary world of China. His writing is a rare self-repetition, with a clear idea of individual thought and the development track of literary concept, according to Bi Feiyu's creation course, we can accurately grasp the development and evolution of Chinese literature for more than 20 years, and can say Bi Feiyu represents a phenomenon of Chinese contemporary literature. Especially after the new century, with the development of Bi Feiyu, his works have reached the first-class standard of contemporary Chinese literature, whether in the depth of thought, the height of art or the breadth of performance. "After 60" There is an important seat in the family group. There are a lot of representative works of Bi Feiyu, such as" Women in Lactation ">," Women in the Republic of China>, Wang Zhuang> on Earth, <0.05, , , , , etc. "In every stage of life, he can trace the colorful social life picture with his own unique life experience and his artistic skill, convey his aesthetic taste, show the direction of thinking about the social life, and fill the humanistic care spirit of Fengjing. so as to arrive at the ideal other side of the artistic essence of the novel in a variety of dimensions such as aesthetic, narrative, thought and social intervention. Therefore, the whole study of the creation of Bi Feiyu's novels is not only a case analysis of a writer, but also a systematic combing of the contemporary Chinese literature landscape, which can deeply reflect on how to lay the key and grasp the direction of contemporary Chinese literature at the turn of the century. On the basis of the localization of Chinese traditional literature resources and the localization of foreign literature resources, we construct our own Chinese new century literature. On the basis of this thesis, the research on Bi Feiyu's novels in depth and systematic research, on the premise of a great deal of research data of Bi Feiyu's novels, carry on the comprehensive analysis, induction, summary, avoid the advance in the main, the theory front, the aesthetic bigotry and so on research malpractice, The focus and blind spot were clarified on the basis of previous research, so as to determine their research direction and research framework. in that course of concrete research, first, starting with the source of creation, from the source of creation," Source "On the basis of solving the basic psychology and thought state of Bi Feiyu's creation, it is found that Bi Feiyu's life experience is associated with the novel's creation. Second, the theme of Bi Feiyu's novels about history, power and human nature is the reflection of human nature, whether history or power, and the third chapter discusses the vulnerable groups in Bi Feiyu's novels: the peasants, the blind people, the educated and the right, and the children. Through the scenes and details of daily life, their behavior, emotion, psychology and personality are vividly presented, the deep and deep soul of the character's soul, and the narrative strategy of Bi Feiyu's novel. from self-redemption The narrative features of Bi Feiyu's novels are analyzed and summarized in terms of narrative mode, control of narrative and the innovation and detail of narrative perspective." Second "The author claims to describe the generation of visual angle and its application and effect in the text. The fifth discusses the language style, rhetoric and aesthetic characteristics of Bi Feiyu's novels, and tries to grasp the aesthetic appeal of Bi Feiyu. The conclusion is that" What do you write "," How do you write "These two aspects make a relatively complete summary and reflection on the creation of Bi Feiyu's novels.
【學位授予單位】：東北師范大學
【學位級別】：博士
【學位授予年份】：2015
【分類號】：I207.42

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