【摘要】：中國(guó)現(xiàn)代文學(xué)界對(duì)作家楊騷的文學(xué)觀念尚未有一清晰的描述,給人留下的只是其左翼偏激的單向印象,從而影響到對(duì)其在文學(xué)史價(jià)值上的定位。作為一位從浪漫的純情轉(zhuǎn)向左翼的激憤,強(qiáng)調(diào)過(guò)詩(shī)歌創(chuàng)作主體性及反對(duì)創(chuàng)作公式化,主張文藝批評(píng)家要求大同存小異的詩(shī)人、作家,楊騷是一個(gè)多種精神傾向、多重文學(xué)追求的綜合體,是一個(gè)復(fù)雜豐富的立體的生命構(gòu)成。
[Abstract]:There is not a clear description of Yang Sao's literary concept in modern Chinese literary circles. What he leaves is the one-way impression of his left wing, thus affecting his orientation in the value of literary history. As a poet who has changed from romantic innocence to left-wing indignation, has emphasized the subjectivity of poetry creation and opposed the formulaic creation, and advocated that literary and art critics demand that great differences be preserved, Yang Sao is a poet with a variety of spiritual tendencies. The complex of multi-literary pursuit is a complex and rich solid life composition.
【作者單位】： 廈門大學(xué)中文系;
【分類號(hào)】：I206.6
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本文編號(hào)：2307077