時代語境轉(zhuǎn)換下王林的小說創(chuàng)作轉(zhuǎn)型研究
發(fā)布時間：2018-11-01 16:00
【摘要】：本論文想在時代語境轉(zhuǎn)換下,結(jié)合王林文本創(chuàng)作和批評理論研究,挖掘作者的精神動態(tài)和創(chuàng)作理念,動態(tài)立體地分析王林作品與他所在文化語境之下復(fù)雜的互動關(guān)系。希望通過對王林個案研究,將時代與王林的創(chuàng)作緊密結(jié)合,挖掘在新文藝秩序建構(gòu)過程中被批判的一些理念,并深入反思時代、作家、文學(xué)、政治等諸多因素在創(chuàng)作過程中是如何的相互影響和展開對話的。本論文主要分為三章。第一章主要分析時代轉(zhuǎn)折下王林小說的創(chuàng)作活動,內(nèi)容包括王林的小說創(chuàng)作特色以及人物分析。主要分為三節(jié),第一節(jié)主要分析王林早期鄉(xiāng)土題材小說,通過對各色底層人物形象塑造及性格刻畫,對古舊中國農(nóng)村的進行了真實的書寫;第二節(jié)寫抗日戰(zhàn)爭爆發(fā)后王林由鄉(xiāng)村敘事轉(zhuǎn)向革命言說,描繪了在艱苦斗爭下冀中土地上的各色人物;第三節(jié)主要闡述新中國成立后《腹地》遭到批判,王林的創(chuàng)作發(fā)生的轉(zhuǎn)變。第二章主要分析王林創(chuàng)作轉(zhuǎn)型過程中自身創(chuàng)作心態(tài)和創(chuàng)作理念。主要分為兩節(jié),第一節(jié)通過分析作家在轉(zhuǎn)型過程中主動調(diào)適和艱難融入,體現(xiàn)時代轉(zhuǎn)換下作家創(chuàng)作的所面臨的困惑以及執(zhí)著的創(chuàng)作精神,了解作家復(fù)雜的創(chuàng)作狀態(tài)。第二節(jié)主要探討王林在創(chuàng)作實踐中表現(xiàn)出的獨特之處,包括英雄刻畫、現(xiàn)實主義等方面,體現(xiàn)王林個性化的創(chuàng)作理念。第三章主要闡述在新文藝秩序建構(gòu)的歷史趨勢下王林的邊緣化命運以及王林個案對當下文學(xué)的啟示。本章主要分為三節(jié),第一節(jié)闡述以《講話》為指南的新文藝秩序在建構(gòu)過程中對作家的要求。第二節(jié)主要分析王林的文學(xué)創(chuàng)作與文藝秩序建構(gòu)的錯位。第三節(jié)主要從重寫文學(xué)史的角度對王林及其作品給予重新的定位,進而分析王林個案對當下文學(xué)的有益啟示。
[Abstract]:This thesis aims to explore the author's spiritual dynamics and creative ideas under the changing context of the times, combining with the research of Wang Lin's text creation and criticism theory, and to analyze the complex interaction between Wang Lin's works and his cultural context dynamically and stereoscopically. It is hoped that through the case study of Wang Lin, the times and the creation of Wang Lin will be closely combined to excavate some ideas that have been criticized in the construction of the new literary and artistic order, and to reflect deeply on the times, writers and literature. Politics and many other factors in the creative process of how to influence and dialogue. This paper is divided into three chapters. The first chapter mainly analyzes the creative activities of Wang Lin's novels under the turning of the times, including the characteristics of Wang Lin's novels and the analysis of characters. Mainly divided into three sections, the first section mainly analyzes Wang Lin's early vernacular novels, through all kinds of bottom image shaping and character portrayal, to ancient China's rural areas for the real writing; The second section describes Wang Lin changed from rural narrative to revolutionary speech after the outbreak of the War of Resistance against Japan, depicting various characters on the land in the middle of Hebei under the arduous struggle. The third section mainly expounds the transformation of Wang Lin's creation after the founding of New China. The second chapter mainly analyzes Wang Lin's creation mentality and idea in the process of creation transformation. The first section is mainly divided into two sections. The first section analyzes the writer's active adjustment and difficult integration in the process of transformation to reflect the confusion and persistent creative spirit faced by the writer under the transition of the times and to understand the writer's complex creative state. The second section mainly discusses Wang Lin's unique features in his creative practice, including heroic portrayal, realism and so on. The third chapter mainly expounds the fate of Wang Lin's marginalization under the historical trend of the construction of new literary and artistic order and the enlightenment of Wang Lin's case to the present literature. This chapter is mainly divided into three sections. The first section expounds the requirements of the new literary and artistic order in the process of construction. The second section mainly analyzes the dislocation of Wang Lin's literary creation and literary order construction. The third section reorientates Wang Lin and his works from the perspective of rewriting the history of literature, and then analyzes the beneficial enlightenment of Wang Lin's case to the present literature.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.42
本文編號：2304407
[Abstract]:This thesis aims to explore the author's spiritual dynamics and creative ideas under the changing context of the times, combining with the research of Wang Lin's text creation and criticism theory, and to analyze the complex interaction between Wang Lin's works and his cultural context dynamically and stereoscopically. It is hoped that through the case study of Wang Lin, the times and the creation of Wang Lin will be closely combined to excavate some ideas that have been criticized in the construction of the new literary and artistic order, and to reflect deeply on the times, writers and literature. Politics and many other factors in the creative process of how to influence and dialogue. This paper is divided into three chapters. The first chapter mainly analyzes the creative activities of Wang Lin's novels under the turning of the times, including the characteristics of Wang Lin's novels and the analysis of characters. Mainly divided into three sections, the first section mainly analyzes Wang Lin's early vernacular novels, through all kinds of bottom image shaping and character portrayal, to ancient China's rural areas for the real writing; The second section describes Wang Lin changed from rural narrative to revolutionary speech after the outbreak of the War of Resistance against Japan, depicting various characters on the land in the middle of Hebei under the arduous struggle. The third section mainly expounds the transformation of Wang Lin's creation after the founding of New China. The second chapter mainly analyzes Wang Lin's creation mentality and idea in the process of creation transformation. The first section is mainly divided into two sections. The first section analyzes the writer's active adjustment and difficult integration in the process of transformation to reflect the confusion and persistent creative spirit faced by the writer under the transition of the times and to understand the writer's complex creative state. The second section mainly discusses Wang Lin's unique features in his creative practice, including heroic portrayal, realism and so on. The third chapter mainly expounds the fate of Wang Lin's marginalization under the historical trend of the construction of new literary and artistic order and the enlightenment of Wang Lin's case to the present literature. This chapter is mainly divided into three sections. The first section expounds the requirements of the new literary and artistic order in the process of construction. The second section mainly analyzes the dislocation of Wang Lin's literary creation and literary order construction. The third section reorientates Wang Lin and his works from the perspective of rewriting the history of literature, and then analyzes the beneficial enlightenment of Wang Lin's case to the present literature.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.42
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