發(fā)布時(shí)間：2018-10-25 21:06

【摘要】：土家族作家田耳無(wú)意追求戲劇化效果,這決定了他的小說(shuō)結(jié)尾的敞開(kāi)性狀態(tài)和敘事結(jié)構(gòu)推動(dòng)力的構(gòu)成,其小說(shuō)往往充滿一種意外和旁枝逸出,以及因之而來(lái)的"去價(jià)值判斷"傾向。某種程度上,面對(duì)日常生活的日益豐富復(fù)雜與全球化多重時(shí)空的交織,作者以其對(duì)變與不變的辯證法思考所呈現(xiàn)出來(lái)的是小說(shuō)內(nèi)在的情感認(rèn)同和理性認(rèn)識(shí)間的沖突和矛盾。
[Abstract]:Tian er, a Tujia writer, has no intention of pursuing the dramatic effect, which determines the opening state at the end of his novel and the composition of the driving force of the narrative structure. And the resulting tendency to "devalue judgment". To a certain extent, in the face of the increasing complexity of daily life and the interweaving of globalization and time, the author presents the conflict and contradiction between the emotional identity and rational cognition of the novel with his dialectical thinking of change and invariance.
【作者單位】： 浙江師范大學(xué)人文學(xué)院;中國(guó)人民大學(xué)外國(guó)語(yǔ)學(xué)院;
【分類號(hào)】：I207.42

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1 翟業(yè)軍;去價(jià)值化與價(jià)值的催眠術(shù)[N];文學(xué)報(bào);2012年

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