【摘要】：程小青作為中國(guó)偵探小說(shuō)的“鼻祖”,畢生致力于偵探小說(shuō)的創(chuàng)作和理論研究。多元的知識(shí)背景和旺盛的創(chuàng)作生命力,使得他的偵探小說(shuō)創(chuàng)作和理論奠定了中國(guó)近現(xiàn)代偵探小說(shuō)的基本格局。程小青通過(guò)《霍桑探案》開(kāi)辟了中國(guó)近現(xiàn)代通俗小說(shuō)現(xiàn)代化道路,他以不渲染色情、不鼓勵(lì)暴力的嚴(yán)肅態(tài)度,結(jié)合當(dāng)時(shí)社會(huì)實(shí)際和現(xiàn)代化欲求,落腳于《霍桑探案》創(chuàng)作的思想內(nèi)涵和敘事模式的現(xiàn)代性寫作實(shí)踐,其現(xiàn)代性寫作命意和價(jià)值遠(yuǎn)遠(yuǎn)超出同時(shí)代通俗小說(shuō)。本文嘗試以“現(xiàn)代性”為焦點(diǎn),采取文本細(xì)讀的方式,從思想啟蒙和敘事模式兩個(gè)層面,分析研究《霍桑探案》的現(xiàn)代性特征。全文主要分為緒論、正文和結(jié)語(yǔ)三個(gè)部分。緒論部分主要梳理了程小青作品的研究現(xiàn)狀,提出從思想啟蒙和敘事現(xiàn)代性角度研究《霍桑探案》的必要性。正文部分分為三章。第一章是對(duì)中國(guó)偵探小說(shuō)發(fā)展的系統(tǒng)梳理。該部分從近現(xiàn)代中國(guó)社會(huì)文化思潮、偵探小說(shuō)形成和程小青創(chuàng)作選擇三個(gè)角度進(jìn)行分析,點(diǎn)明《霍桑探案》的中西交融特征和現(xiàn)代性價(jià)值取向。第二章從思想啟蒙的角度對(duì)《霍桑探案》進(jìn)行深入解讀。第一節(jié)通過(guò)小說(shuō)人物設(shè)置分析了程小青植根于讀者的啟蒙姿態(tài)；第二節(jié)對(duì)小說(shuō)文本中思想觀念進(jìn)行歸類整合,從“人”與自由、理性與科學(xué)、道德與法律和教育現(xiàn)代化四個(gè)角度申明作者的啟蒙焦點(diǎn)；第三節(jié)從傳統(tǒng)倫理淪落、自由放縱兩個(gè)角度分析程小青對(duì)于現(xiàn)代文明的反思。第三章以小說(shuō)敘事模式為觀察點(diǎn)挖掘《霍桑探案》現(xiàn)代性特征。第一節(jié)通過(guò)敘事時(shí)間長(zhǎng)短和時(shí)序變形兩個(gè)方面細(xì)分?jǐn)⑹聲r(shí)間的現(xiàn)代性實(shí)踐；第二節(jié)著重分析小說(shuō)中第一人稱敘事、限知敘事與純客觀敘事交融的敘事角度；第三章通過(guò)敘事結(jié)構(gòu)的局限,點(diǎn)明《霍桑探案》敘事探索中“中西結(jié)合”的特征。結(jié)語(yǔ)部分對(duì)《霍桑探案》思想啟蒙和敘事現(xiàn)代性進(jìn)行概括,論述程小青在近現(xiàn)代偵探小說(shuō)創(chuàng)作和中國(guó)小說(shuō)現(xiàn)代化進(jìn)程中的前沿地位,進(jìn)而指出由于其本身眼界和時(shí)代的限制,《霍桑探案》的現(xiàn)代性表達(dá)并不徹底。
[Abstract]:As the originator of Chinese detective novels, Cheng Xiaoqing devoted his life to the creation and theoretical research of detective novels. The diverse knowledge background and vigorous creative vitality make his detective novel creation and theory lay the basic pattern of modern Chinese detective novel. Cheng Xiaoqing opened up the road to modernization of modern Chinese popular novels through "the investigation of Hawthorne". With a serious attitude of not exaggerating pornography and not encouraging violence, he combined the reality of the society at that time and the desire for modernization. Settled in the modern writing practice of the ideological connotation and narrative mode of the writing of Hawthorne, its modern writing life and value far exceed the popular novels of the same era. This paper attempts to analyze and study the modernity characteristics of Hawthorne from the two aspects of ideological enlightenment and narrative mode with the focus of "modernity" and the way of careful reading of the text. The full text is divided into three parts: introduction, text and conclusion. The introduction mainly combs the present situation of the research of Cheng Xiao-qing 's works and puts forward the necessity of studying Hawthorne from the angle of ideological enlightenment and narrative modernity. The text is divided into three chapters. The first chapter is a systematic analysis of the development of Chinese detective novels. This part analyzes the modern Chinese social and cultural trend of thought, the formation of detective novel and the choice of Cheng Xiao-qing 's creation, and points out the characteristics of the blending of Chinese and Western characters and the value orientation of modernity in Hawthorne case. The second chapter deeply interprets Hawthorne from the angle of ideological enlightenment. The first section analyzes Cheng Xiao-qing 's enlightening attitude rooted in the reader through the character setting of the novel, the second section classifies and integrates the ideas in the novel text, from "people" and freedom, rationality and science, The third section analyzes Cheng Xiao-qing 's reflection on modern civilization from the aspects of traditional ethics and free indulgence. The third chapter excavates the modernity characteristic of Hawthorne probing case with the narrative mode of novel as the observation point. The first section divides the modern practice of narrative time from two aspects: the length of narrative time and the variation of time sequence, the second section focuses on the narrative angle of the combination of first-person narration and pure objective narrative. The third chapter points out the characteristics of the combination of Chinese and Western narration through the limitation of narrative structure. The conclusion part summarizes the ideological enlightenment and narrative modernity of Hawthorne, and discusses the leading position of Cheng Xiao-qing in the modern detective novel creation and the modernization process of Chinese novel. Furthermore, it is pointed out that the modernity expression of Hawthorne is not thorough because of the limitation of its own vision and times.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.42

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