宗喀巴大師詩作研究
發(fā)布時間：2018-09-11 18:14
【摘要】：眾所周知,宗喀巴大師的詩作堪稱藏族古典文學(xué)之典范,其詩詞雄渾天然,意境高遠(yuǎn)，，字字珠璣,量體適裁,沒一句缺憾,也沒有一句累贅,誠至如斯!宗喀巴大師對古典詩體情有獨鐘,她的敘述與情感都有特有的趣味和欣賞價值,《常啼菩薩傳》和《贊頌妙音天女》、《無量壽佛的頌詞》等詩作在藏族傳統(tǒng)詩歌的續(xù)承和發(fā)展上邁出了重要一步。宗喀巴詩作中所營造的意境和描述細(xì)膩,表現(xiàn)手法都注重形象和象征,以豐富的喻體來襯托心底的情結(jié),時光的流逝,生命的運轉(zhuǎn),面對現(xiàn)實苦難,空靈慈悲的追求,尋求清靜、安樂、平和的佛家禪境其情操、意境實在令人驚嘆。尤其是他對《詩鏡》修辭法融會貫通的運用將藏族古典文學(xué)推向了一個鼎盛時期,同時,宗喀巴大師的詩作風(fēng)格對藏族后世的文學(xué)起了很大的影響。從藏族文學(xué)史上可以看出,從私人書信到歷史典籍都憑借其規(guī)整的韻體散發(fā)著濃濃的詩意,宗喀巴的詩作風(fēng)格在作品中的表現(xiàn)形式借由語言的特殊表現(xiàn)形態(tài)，一部分被表現(xiàn)者的心理特征所決定,一部分則被表現(xiàn)的內(nèi)容和意境所決定。每一類詩風(fēng)既有共性特點,又有細(xì)膩的個性特點這一客觀存在,通過分析、把握宗喀巴詩作的創(chuàng)作風(fēng)格,從藏族文學(xué)風(fēng)格的演變?nèi)胧?對其詩歌風(fēng)格的形成特點和背景、因素作較深入的分析研究。談詩歌的前提條件是首先要具備良好的文學(xué)素養(yǎng),這篇論文對宗喀巴大師的詩作從廣義和狹義兩個方面進(jìn)行分析,按這樣的內(nèi)涵為中心對宗喀巴大師的詩作做批判研究。宗喀巴大師的詩作在藏族古典詩中具有特殊性、代表性、具體性和高度、深度、細(xì)節(jié)等文藝色彩,因此對探索藏族古典詩的文藝風(fēng)格有借鑒意義。論文圍繞宗喀巴大師文學(xué)代表作《宗喀巴作品拾零》為例,其作品在頌詞、贊頌、祈禱、教義、答復(fù)、傳記、書信、祝詞、體會等論述了一百三十左右為中心詩作。正文從三個方面探討；緒言部分簡要歸納了藏族歷代詩歌的一般發(fā)展規(guī)律及其藝術(shù)特色。第一章主要分析了宗喀巴詩作的總體特點和審美意境；第二章論述了宗喀巴詩作在古今藏族文學(xué)中的重要地位；第三章對宗喀巴詩作進(jìn)行了注釋和評論,從藏族古典詩歌的發(fā)展歷史過程著手,運用語言學(xué),詩學(xué)、修辭學(xué)、韻律學(xué)、美學(xué)以及人類學(xué)等諸多學(xué)科的理論方法進(jìn)行了比較全面細(xì)致的分析和圈點。風(fēng)格是是詩歌賴以存在的形式載體,是文學(xué)理論和美學(xué)理論的重要研究對象,也是作家作品研究的切入點之一。研究一批優(yōu)秀作家的文學(xué)風(fēng)格和特點能較透徹地了解該民族特定階段詩歌發(fā)展的高度。因為文學(xué)風(fēng)格是一個民族的詩學(xué)從模仿的幼稚階段,擺脫了教條主義模式的僵硬束縛,從而趨向成熟的標(biāo)志。本文第二章就對佛教詩歌的文學(xué)風(fēng)格和特點進(jìn)行了較細(xì)致的分析研究,旨在透視佛教詩歌的藝術(shù)內(nèi)涵,即基本特點。以立宗持戒為己任的宗喀巴大師,其詩歌內(nèi)涵或內(nèi)容更多地觀照佛家旨趣,直到今天,”藏傳佛學(xué)”依然是藏學(xué)的核心部分,再說古典文學(xué)的核心也依然是以《詩境》為理論的敘述佛教教義的詩作,因此我們要認(rèn)識古典文學(xué)就一定要對藏傳佛學(xué)有所了解。文學(xué)批評是文學(xué)活動的一個重要組成部分,是以文學(xué)作品為中心的研究規(guī)律和演變的一門科學(xué)。本文用較長的篇幅對宗喀巴詩作的前后社會歷史背景進(jìn)行分析,并對時空格局進(jìn)行了綜合分析。通過宗喀巴詩作研究進(jìn)而梳理藏族傳統(tǒng)古典文學(xué)的歷史脈絡(luò)。宗喀巴大師的詩作在藏族古典文學(xué)史上具有里程碑式的意義,但是我們運用當(dāng)代文學(xué)理論和唯物辯證法來看,他的詩作有內(nèi)容單一和結(jié)構(gòu)繁復(fù)等的不足。另外我們通過宗喀巴詩作研究為中心而認(rèn)識古今藏族詩歌淵源思潮和格局、發(fā)展方向等具有很大的作用,進(jìn)而用來比較和認(rèn)識其他民族的文藝手法也有很大幫助。
[Abstract]:As we all know, Master Zongkaba's poems are the model of Tibetan classical literature. Her poems are powerful and natural, artistic conception is far-reaching, words are beaded, and the style is suitable. There is no defect, nor is there any cumbersome. Sincerely, Master Zongkaba has a special fondness for the style of classical poetry. Her narrative and emotions are of special interest and appreciation value. The poems such as Chuan > and Praise the Wonderful Sound of Heaven Lady and Ode to the Infinite Longevity Buddha have taken an important step in the continuation and development of Tibetan traditional poetry. It is amazing to see the real misery, the unrestrained and compassionate pursuit, the pursuit of quiet, peaceful and peaceful Buddhist Zen and its mood. Especially his application of the rhetoric of Poetry Mirror has pushed Tibetan classical literature to its heyday. Meanwhile, the poetry style of Master Zongkaba has exerted a great influence on Tibetan literature of later generations. It can be seen in the history of clan literature that from private letters to historical books, the regular rhythm of Tsongkaba's poems exudes a strong poetic flavor. The form of expression in his works is determined by the special form of language, part by the psychological characteristics of the performers, part by the content and artistic conception of the performances. Poetry style has both common characteristics and delicate individuality, which is an objective existence. Through the analysis, the author grasps the writing style of Zongkaba's poems, proceeds with the evolution of Tibetan literary style, and makes a deeper analysis and Study on the formation characteristics, background and factors of his poetic style. This paper analyzes Master Zongkaba's poems in broad and narrow sense, and makes a critical study of Master Zongkaba's poems in light of this connotation. Master Zongkaba's poems have the characteristics of particularity, representativeness, concreteness, height, depth and detail in Tibetan classical poems. Therefore, it explores Tibetan classical poems. The main body of this paper is a brief introduction to the Tibetan poetry of the past dynasties. The first chapter mainly analyzes the general characteristics and aesthetic conception of Zongkaba's poems; the second chapter discusses the important position of Zongkaba's poems in ancient and modern Tibetan literature; the third chapter annotates and comments on Zongkaba's poems, starting from the historical development process of Tibetan classical poetry, using Linguistics, poetics, rhetoric, prosody, aesthetics, anthropology and many other disciplines of the theoretical method of a more comprehensive and detailed analysis and circle. Style is the existence of poetry in the form of carrier, is an important research object of literary theory and aesthetic theory, but also one of the breakthrough points in the study of writers'works. Literary style and characteristics can thoroughly understand the height of the development of the poetry in a particular stage of the nation.Literary style is a symbol of the maturity of a nation's poetics from the childish stage of imitation to the rigid bondage of dogmatism.In the second chapter of this paper, the literary style and characteristics of Buddhist poetry are discussed in detail. The purpose of this study is to reveal the artistic connotation of Buddhist poetry, i.e. its basic characteristics. The connotation or content of Tsongkaba's poetry, which is dedicated to establishing Buddhism and admonishing Buddhism, is more concerned with the purport of Buddhism. To this day, "Tibetan Buddhism" is still the core of Tibetan studies, and the core of classical literature is still the narration of "poetic conception". Literary criticism is an important part of literary activities and a science of research law and evolution centered on literary works. This paper divides the social and historical background of Zongkaba's poems with a longer space. Through the study of Tsongkaba's poems, the historical context of Tibetan traditional classical literature is sorted out. Master Tsongkaba's poems are of milestone significance in the history of Tibetan classical literature, but we use contemporary literary theory and materialist dialectics to see that his poems have a single content and structure. In addition, through the study of Zongkaba's poems, we can understand the origin, pattern and development direction of ancient and modern Tibetan poetry, which is of great help to compare and understand the literary techniques of other nationalities.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.2
本文編號：2237477
[Abstract]:As we all know, Master Zongkaba's poems are the model of Tibetan classical literature. Her poems are powerful and natural, artistic conception is far-reaching, words are beaded, and the style is suitable. There is no defect, nor is there any cumbersome. Sincerely, Master Zongkaba has a special fondness for the style of classical poetry. Her narrative and emotions are of special interest and appreciation value. The poems such as Chuan > and Praise the Wonderful Sound of Heaven Lady and Ode to the Infinite Longevity Buddha have taken an important step in the continuation and development of Tibetan traditional poetry. It is amazing to see the real misery, the unrestrained and compassionate pursuit, the pursuit of quiet, peaceful and peaceful Buddhist Zen and its mood. Especially his application of the rhetoric of Poetry Mirror has pushed Tibetan classical literature to its heyday. Meanwhile, the poetry style of Master Zongkaba has exerted a great influence on Tibetan literature of later generations. It can be seen in the history of clan literature that from private letters to historical books, the regular rhythm of Tsongkaba's poems exudes a strong poetic flavor. The form of expression in his works is determined by the special form of language, part by the psychological characteristics of the performers, part by the content and artistic conception of the performances. Poetry style has both common characteristics and delicate individuality, which is an objective existence. Through the analysis, the author grasps the writing style of Zongkaba's poems, proceeds with the evolution of Tibetan literary style, and makes a deeper analysis and Study on the formation characteristics, background and factors of his poetic style. This paper analyzes Master Zongkaba's poems in broad and narrow sense, and makes a critical study of Master Zongkaba's poems in light of this connotation. Master Zongkaba's poems have the characteristics of particularity, representativeness, concreteness, height, depth and detail in Tibetan classical poems. Therefore, it explores Tibetan classical poems. The main body of this paper is a brief introduction to the Tibetan poetry of the past dynasties. The first chapter mainly analyzes the general characteristics and aesthetic conception of Zongkaba's poems; the second chapter discusses the important position of Zongkaba's poems in ancient and modern Tibetan literature; the third chapter annotates and comments on Zongkaba's poems, starting from the historical development process of Tibetan classical poetry, using Linguistics, poetics, rhetoric, prosody, aesthetics, anthropology and many other disciplines of the theoretical method of a more comprehensive and detailed analysis and circle. Style is the existence of poetry in the form of carrier, is an important research object of literary theory and aesthetic theory, but also one of the breakthrough points in the study of writers'works. Literary style and characteristics can thoroughly understand the height of the development of the poetry in a particular stage of the nation.Literary style is a symbol of the maturity of a nation's poetics from the childish stage of imitation to the rigid bondage of dogmatism.In the second chapter of this paper, the literary style and characteristics of Buddhist poetry are discussed in detail. The purpose of this study is to reveal the artistic connotation of Buddhist poetry, i.e. its basic characteristics. The connotation or content of Tsongkaba's poetry, which is dedicated to establishing Buddhism and admonishing Buddhism, is more concerned with the purport of Buddhism. To this day, "Tibetan Buddhism" is still the core of Tibetan studies, and the core of classical literature is still the narration of "poetic conception". Literary criticism is an important part of literary activities and a science of research law and evolution centered on literary works. This paper divides the social and historical background of Zongkaba's poems with a longer space. Through the study of Tsongkaba's poems, the historical context of Tibetan traditional classical literature is sorted out. Master Tsongkaba's poems are of milestone significance in the history of Tibetan classical literature, but we use contemporary literary theory and materialist dialectics to see that his poems have a single content and structure. In addition, through the study of Zongkaba's poems, we can understand the origin, pattern and development direction of ancient and modern Tibetan poetry, which is of great help to compare and understand the literary techniques of other nationalities.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.2
本文編號：2237477
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