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麥家小說創(chuàng)作研究

發(fā)布時間:2018-08-31 10:01
【摘要】:自2002年起,麥家第一部長篇小說《解密》與讀者見面,便一舉拿下中國小說協(xié)會2002年中國長篇小說排行榜第一名,從此便開啟了麥家諜戰(zhàn)類型題材文學(xué)作品的創(chuàng)作之路,并在2008年憑借《暗算》獲得第七屆茅盾文學(xué)獎,這也是國內(nèi)第一部關(guān)于諜戰(zhàn)類型題材的文學(xué)作品獲此殊榮,至此,在他的身上便被貼上了“中國諜戰(zhàn)之父”的顯赫標(biāo)簽。從新世紀(jì)的中國小說格局來看,中國的小說創(chuàng)作日趨頹勢,麥家的橫空出世為當(dāng)下的中國文壇輸入了新的創(chuàng)作模式,他是少有能夠?qū)⑸鲜兰o(jì)80年代先鋒傳統(tǒng)繼承并發(fā)展下來的作家。在他的作品中,讀者能夠清晰地感受到麥家是用密碼意象和密碼思維在講述故事,其次,他將“密碼”作為敘事的新資源、新核心,是故事承轉(zhuǎn)的關(guān)鍵要素。在創(chuàng)作技法上結(jié)合博爾赫斯式的迷宮敘事,使其作品呈現(xiàn)出與當(dāng)下小說敘事格局迥異的藝術(shù)魅力。麥家持續(xù)有效的創(chuàng)作,極大提升了諜戰(zhàn)類型題材的作品在漢語小說中地位,研究和探討麥家的小說創(chuàng)作過程具有一定的現(xiàn)實意義。本文欲以麥家的諜戰(zhàn)類型題材的長篇小說為研究對象。本論文分為三個主要部分對麥家小說創(chuàng)作進行研究。第一部分,從麥家的寫作意象、選材角度、敘事手法以及文學(xué)和影視傳媒結(jié)合的角度對麥家的小說創(chuàng)作進行一次概要梳理。第二部分,從麥家小說創(chuàng)作主題的深度出發(fā),揭秘特情世界、書寫人物人性和英雄悲劇三個方面深入地分析作家的創(chuàng)作內(nèi)涵和創(chuàng)作精神。第三部分,將麥家的文學(xué)價值融入到當(dāng)下社會環(huán)境,從多個角度探討麥家文學(xué)創(chuàng)作的成功之道。
[Abstract]:Since 2002, the Mai family's first novel, decryption, has met with readers and won the first place in the 2002 Chinese novel list of the Chinese Fiction Association, thus opening the way to the creation of Mai Jia's espionage genre literary works. He won the seventh Mao Dun Literature Award in 2008, which is the first literary work on espionage type in China. So far, he has been affixed with the "father of Chinese espionage" label. Judging from the pattern of Chinese novels in the new century, the creation of Chinese novels is declining day by day, and the birth of the Mai family has brought in a new creative model for the present Chinese literary world. He is one of the few writers who can inherit and develop the vanguard tradition of the 1980 s. In his works, the reader can clearly feel that Mai Jia is telling the story with cipher image and cipher thinking. Secondly, he regards "cipher" as the new resource and core of narration, which is the key element of story transfer. Combining the labyrinth narrative of Borges in the creative techniques, his works present a different artistic charm from the current novel narrative pattern. The continued and effective creation of the Mai family has greatly promoted the position of the espionage genre works in Chinese novels. It is of certain practical significance to study and discuss the process of mai Jia's novel creation. This paper aims to study the novel of the type of espionage by Mai Jia. This thesis is divided into three main parts to study Mai Jia's novel creation. The first part, from the perspective of Mai's writing image, talent selection, narrative techniques and the combination of literature and film and television media, a summary of Mai's novel creation. The second part, starting from the depth of the theme of Mai Jia's novels, reveals the world of special feelings, and analyzes the writer's creative connotation and spirit in three aspects: human nature of characters and heroic tragedy. In the third part, the author combines the literary value of Mai Jia into the present social environment, and discusses the successful way of Mai Jia's literary creation from many angles.
【學(xué)位授予單位】:東北師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:I207.42

【參考文獻】

相關(guān)期刊論文 前3條

1 高金艷;;諜戰(zhàn)劇崇高英雄形象的塑造[J];文學(xué)界(理論版);2011年03期

2 雷達;;麥家的意義與相關(guān)問題[J];南方文壇;2008年03期

3 陳曉明;;在黑暗中寫作,于是有光——麥家小說簡評[J];上海文學(xué);2004年06期

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