論晉美丹曲嘉措詩(shī)歌
發(fā)布時(shí)間：2018-08-28 09:52
【摘要】：藏族古典文學(xué)作為我國(guó)傳統(tǒng)文學(xué)中一顆璀璨的明珠,自贊布時(shí)期至二十世紀(jì)初的歷史發(fā)展的長(zhǎng)河之中,不斷吸收和融匯了印度文學(xué)與中原文學(xué)等的精髓,海納百川,使其成為了一種在青藏高原獨(dú)樹(shù)一幟的文化現(xiàn)象。在藏傳佛教的后弘期,藏族文學(xué)的發(fā)展可謂是百家爭(zhēng)鳴、百花齊放,作為藏族文化腹地之一的東部青海等地也涌現(xiàn)出了眾多學(xué)富五車(chē)的智者。這其中文殊上師永藏洛桑華丹及其眾弟子的不斷研究、修持與發(fā)揚(yáng),將藏族古典文學(xué)再一次推向了頂峰,也為藏族文學(xué)的傳承和 ·發(fā)揚(yáng)作出了卓越的貢獻(xiàn)。晉美丹曲嘉措是永藏洛桑華丹大師的弟子之一,是一位集各派智慧于一身,慧根深淵,志勇無(wú)雙的集大成者。尊者在他二十六歲時(shí),撰寫(xiě)了《晉美智慧無(wú)畏獅吼辯書(shū)》一書(shū),該書(shū)在當(dāng)時(shí)撼動(dòng)了藏傳佛教界各大智者,創(chuàng)造了萬(wàn)人崇辯的盛況,同時(shí)也讓尊者聲名遠(yuǎn)揚(yáng)。在四十六歲時(shí),尊者撰寫(xiě)了《辯了不了議論明釋嘉言心要一切義辯別論嘉言心要之門(mén)經(jīng)》一書(shū),登上了藏傳佛教界的無(wú)畏寶座,被眾多佛學(xué)界的智者視為學(xué)習(xí)宗喀巴大師諸多要義之鑰。像《贊頌集》和《書(shū)函》等尊者所撰寫(xiě)的典籍之中也匯集了藏族傳統(tǒng)文化中的辭藻、古詞、經(jīng)籍等,成為了藏族古典文學(xué)中的一朵絢麗奪目的瑰寶。時(shí)至今日,對(duì)尊者著作的研究者翎毛鳳角,對(duì)其著作的文體、形式、格律、素材和內(nèi)容等方面的研究更是處于空白之中。筆者雖學(xué)識(shí)淺薄,但懷著對(duì)大師敬仰的一顆赤誠(chéng)之心,同時(shí)為了珍惜研究生短暫而緊迫的三年時(shí)光,在恩師的指導(dǎo)與查閱典籍、走訪歷史古跡的基礎(chǔ)上,試論尊者的《贊頌集》與《書(shū)函集》兩部經(jīng)典的獨(dú)特的文學(xué)風(fēng)格及內(nèi)涵。望能夠?qū)Σ刈骞诺湮膶W(xué)的傳承、發(fā)揚(yáng)做出一絲自己力所能及的貢獻(xiàn)。鑒于此,筆者將本論文的結(jié)構(gòu)共分為五個(gè)章節(jié)。在第一章中,筆者主要論述了晉美丹曲嘉措大師所處的歷史背景與生平事跡、鉆研佛學(xué)的人生信條以及其生活遺跡的現(xiàn)狀,對(duì)本論文的后續(xù)寫(xiě)作做了鋪墊;第二章主要論述了晉美丹曲嘉措大師的《贊頌集》、《書(shū)函集》要義,同時(shí)試著了解歷史情境下的學(xué)者的歷史觀、價(jià)值觀以及對(duì)后世的教誨;第三章部分是對(duì)大師著作文體的多樣化的詞組、修辭手法的寫(xiě)作形式進(jìn)行了簡(jiǎn)易論述。第四章,主要是對(duì)大師著的華麗的辭藻、深?yuàn)W的內(nèi)涵與奇美一聚的文學(xué)風(fēng)格和形成緣由進(jìn)行了論述。最后一章論述了尊者作品對(duì)當(dāng)代藏族文學(xué)產(chǎn)生的影響。
[Abstract]:As a bright pearl in Chinese traditional literature, Tibetan classical literature has continuously absorbed and merged the essence of Indian literature and Central Plains literature from the Zambo period to the beginning of the 20th century. It has become a unique cultural phenomenon in the Qinghai-Tibet Plateau. In the later period of Tibetan Buddhism, the development of Tibetan literature can be described as a hundred schools of thought contend, a hundred flowers bloom, as one of the hinterland of Tibetan culture in the eastern Qinghai and other places have emerged a number of rich and five-cart wise men. The continuous study, practice and development of Lobsang and his disciples on Manjusri once again pushed Tibetan classical literature to the top, and also made outstanding contributions to the inheritance and development of Tibetan literature. Jin Mei Dan qu Jia Cuo is one of the disciples of Master Lobsang Huatan Yongzang. He is a master who gathers wisdom from all factions, wisdom rooted in the abyss, and unparalleled ambition. When he was 26 years old, the Venerable wrote the book, "Jin Beauty, Wisdom, fearless Lion," which shook the great wisdom of the Tibetan Buddhist world, created the reputation of thousands of people, and made the Venerable Man famous at the same time. At the age of 46, the Venerable wrote the book, "cannot argue, explain, exhort, want all righteousness, debate, and the door to praise," and ascended the fearless throne of Tibetan Buddhism. It is regarded by many Buddhist scholars as the key to learning the essentials of Master Zongkaba. Among the books written by the Venerable, such as the Book of praise and the Book of Letters, are the rhetoric, ancient words and classics of the Tibetan traditional culture, which have become a splendid treasure in the Tibetan classical literature. To this day, the research on the style, form, rhythm, material and content of his works is still blank. Although the author has a shallow knowledge, but with a sincere heart of admiration for the master, and in order to cherish the short and urgent three years of graduate students, on the basis of the guidance and reference of the teachers, visiting historical sites, On the unique literary style and connotation of the Venerable works of praise and the Book of Letters. Hope to be able to pass on the Tibetan classical literature, carry forward to make a bit of their own contribution. In view of this, the author divides the structure of this paper into five chapters. In the first chapter, the author mainly discusses the historical background and life story of Master Jin Mei Dan qu Jiatuo, studies the life creed of Buddhism and the present situation of its living relics, and paves the way for the follow-up writing of this paper. The second chapter mainly discusses Master Jin Mei Dan qu Jia Cuo's "praise Collection", "Book letter Collection" main meaning, at the same time tries to understand the historical view, values and later generations of scholars in the historical context; In the third chapter, the author makes a brief exposition of the various phrases and rhetorical forms of the master's works. The fourth chapter mainly discusses the magnificent rhetoric of the master's works, the profound connotation and the literary style of Qimei Yi Ju and the reasons for its formation. The last chapter discusses the influence of the Venerable works on the contemporary Tibetan literature.
【學(xué)位授予單位】：青海民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.2
本文編號(hào)：2209037
[Abstract]:As a bright pearl in Chinese traditional literature, Tibetan classical literature has continuously absorbed and merged the essence of Indian literature and Central Plains literature from the Zambo period to the beginning of the 20th century. It has become a unique cultural phenomenon in the Qinghai-Tibet Plateau. In the later period of Tibetan Buddhism, the development of Tibetan literature can be described as a hundred schools of thought contend, a hundred flowers bloom, as one of the hinterland of Tibetan culture in the eastern Qinghai and other places have emerged a number of rich and five-cart wise men. The continuous study, practice and development of Lobsang and his disciples on Manjusri once again pushed Tibetan classical literature to the top, and also made outstanding contributions to the inheritance and development of Tibetan literature. Jin Mei Dan qu Jia Cuo is one of the disciples of Master Lobsang Huatan Yongzang. He is a master who gathers wisdom from all factions, wisdom rooted in the abyss, and unparalleled ambition. When he was 26 years old, the Venerable wrote the book, "Jin Beauty, Wisdom, fearless Lion," which shook the great wisdom of the Tibetan Buddhist world, created the reputation of thousands of people, and made the Venerable Man famous at the same time. At the age of 46, the Venerable wrote the book, "cannot argue, explain, exhort, want all righteousness, debate, and the door to praise," and ascended the fearless throne of Tibetan Buddhism. It is regarded by many Buddhist scholars as the key to learning the essentials of Master Zongkaba. Among the books written by the Venerable, such as the Book of praise and the Book of Letters, are the rhetoric, ancient words and classics of the Tibetan traditional culture, which have become a splendid treasure in the Tibetan classical literature. To this day, the research on the style, form, rhythm, material and content of his works is still blank. Although the author has a shallow knowledge, but with a sincere heart of admiration for the master, and in order to cherish the short and urgent three years of graduate students, on the basis of the guidance and reference of the teachers, visiting historical sites, On the unique literary style and connotation of the Venerable works of praise and the Book of Letters. Hope to be able to pass on the Tibetan classical literature, carry forward to make a bit of their own contribution. In view of this, the author divides the structure of this paper into five chapters. In the first chapter, the author mainly discusses the historical background and life story of Master Jin Mei Dan qu Jiatuo, studies the life creed of Buddhism and the present situation of its living relics, and paves the way for the follow-up writing of this paper. The second chapter mainly discusses Master Jin Mei Dan qu Jia Cuo's "praise Collection", "Book letter Collection" main meaning, at the same time tries to understand the historical view, values and later generations of scholars in the historical context; In the third chapter, the author makes a brief exposition of the various phrases and rhetorical forms of the master's works. The fourth chapter mainly discusses the magnificent rhetoric of the master's works, the profound connotation and the literary style of Qimei Yi Ju and the reasons for its formation. The last chapter discusses the influence of the Venerable works on the contemporary Tibetan literature.
【學(xué)位授予單位】：青海民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.2
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