【摘要】：正在中國(guó)現(xiàn)代學(xué)術(shù)史上,朱光潛主要的角色是一個(gè)美學(xué)家和翻譯家。但同樣不能忽視的是,在20世紀(jì)30和40年代,朱光潛在文學(xué)批評(píng)界也是一位非�；钴S的人物,他不僅創(chuàng)辦刊物,參與文學(xué)論爭(zhēng),而且寫(xiě)下了不少現(xiàn)實(shí)感很強(qiáng)的批評(píng)文章,對(duì)現(xiàn)代文學(xué)批評(píng)有切實(shí)的貢獻(xiàn)�？疾熘旃鉂摰奈膶W(xué)批評(píng)實(shí)踐,不難發(fā)現(xiàn)他對(duì)自由、寬容原則的推崇,對(duì)美的推崇,真正體現(xiàn)出自由主義文學(xué)的內(nèi)涵和精髓。同時(shí),他比同時(shí)代批
[Abstract]:In the modern academic history of China, Zhu Guangqian's main role is an aesthetician and translator. However, it can not be ignored that in the 1930s and 1940s, Zhu Guangqian's potential literary criticism circle was also a very active figure. He not only founded publications, participated in literary debates, but also wrote many realistic critical articles. Zhu Guangqian's literary criticism has made a great contribution to contemporary literary criticism. It is not difficult to find that Zhu Guangqian's advocacy of freedom, tolerance and beauty truly embodies the connotation and essence of liberal literature.
【作者單位】： 上海交通大學(xué)人文學(xué)院;
【基金】：國(guó)家社科基金項(xiàng)目“京派文學(xué)與中國(guó)現(xiàn)代都市文化空間關(guān)系研究”(項(xiàng)目號(hào):13BZW110)的階段性成果
【分類(lèi)號(hào)】：I206.6

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