【摘要】：王十月的長(zhǎng)篇小說《收腳印的人》是一部披著現(xiàn)代主義外衣的現(xiàn)實(shí)主義長(zhǎng)篇小說,它立足本土資源,將帶有地域特色的民間故事、傳說與當(dāng)下現(xiàn)實(shí)有效融合;它又是一部雜語(yǔ)體長(zhǎng)篇小說,鑲嵌著敘事、詩(shī)歌、演講、獨(dú)白、議論、散文等不同體裁。作品中深刻而決絕的自省姿態(tài)令人印象深刻,表現(xiàn)出由"他者審判"轉(zhuǎn)向"自我審判"、由"宗教懺悔"轉(zhuǎn)向"道德懺悔"、個(gè)人自省與階層批判相結(jié)合三個(gè)特點(diǎn),深入地書寫了一個(gè)靈魂的掙扎與面臨的困境,并借王端午救贖的"未竟"呈現(xiàn)出"復(fù)活"之難。
[Abstract]:Wang's novel "the Man who collects footprints" is a realistic novel with modernism cloak. It is based on local resources and combines the folklore with regional characteristics effectively with the present reality. It is also a miscellaneous novel, inlaid with narrative, poetry, speech, monologue, argumentation, prose and other different genres. The profound and determined introspection in the works is impressive, showing three characteristics: from "other trial" to "self-judgment", from "religious repentance" to "moral confession", and from individual introspection to class criticism. It deeply describes the struggle of a soul and the predicament it faces, and presents the difficulty of "resurrection" through the "unfinished" of Wang's Dragon Boat Festival redemption.
【作者單位】： 中山大學(xué)中文系;
【分類號(hào)】：I207.425
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本文編號(hào)：2191416