【摘要】：八十年代以來的文學和文學期刊從八十年代的巔峰期到九十年代的轉型期再到新世紀的平穩(wěn)發(fā)展期,已經走過了有起有伏的三十多個年頭。近年來,文學期刊領域逐漸成為研究當代文學演變的一個切入點。本論文以大型純文學期刊《收獲》作為研究對象,選擇“先鋒”精神為視角,在“先鋒”精神內核定義不變的前提下,將“先鋒”精神作為一個動態(tài)的概念,聯(lián)系具體的時代語境,考察這三十年來雜志自我定位的變化、選擇作家作品的標準,從而對各個時期雜志“先鋒”精神內涵的具體嬗變過程做盡可能詳盡的梳理和分析�！妒斋@》始終堅守著先鋒精神內核——對藝術可能性的探索,對藝術媚俗的拒斥。由于時代語境的一再更迭,各個時期具體的先鋒精神內涵發(fā)生了嬗變。八十年代是《收獲》以先鋒文學為內在動力的先鋒精神高潮期。雜志的自我定位是先鋒文學能夠崛起于《收獲》的根據(jù),《收獲》和先鋒作家的合作則初步奠定了雜志的純文學形象。九十年代在市場經濟的沖擊下,隨著先鋒文學潮流衰退,《收獲》之前的先鋒精神不得不沉潛了�！妒斋@》運用八十年代積累下來的純文學形象,建立純文學品牌,其自我定位發(fā)生了極大的調整。新世紀《收獲》的先鋒精神內涵因社會語境的一再更迭而出現(xiàn)了新面貌。在商業(yè)和傳媒話語的合流下,作為文學媒介的《收獲》選擇與有“后先鋒”之稱的“新生代”作家聯(lián)合,在堅持作家審美自由、創(chuàng)新和嚴肅寫作態(tài)度的前提下,適應文學消費者的文化品位,而不是一味迎合市場。具體分為以下三大章節(jié)進行詳細論述。第一章以八十年代的開放革新期作為時代背景,考察《收獲》在此語境下的先鋒精神具體內涵。八十年代實施的是開放政策,西方現(xiàn)代及后現(xiàn)代理論和作品的引入剛好契合中國文學自覺求新求變的意識�！妒斋@》抓住時機極力推舉在此氣候下破土而出的先鋒文學。兩者的合作與雜志的自我定位及文學觀念是相符的。《收獲》將先鋒文學推向文學史,雜志以先鋒文學為動力的先鋒精神也達到高潮期。第二章以九十年代市場經濟轉型期作為時代背景,考察《收獲》因文學環(huán)境巨變而做的自我定位調整與其先鋒精神沉潛的過程。九十年代的文學在市場經濟和傳媒的沖擊下邊緣化,先鋒作家寫作轉向,先鋒文學潮流衰退,雜志的先鋒精神隨之潛沉�！妒斋@》將八十年代的純文學形象轉換為純文學的品牌,以此獲得讀者的青睞,使其在文學期刊危機中得以生存。第三章以新世紀社會進入相對平穩(wěn)期作為時代背景,考察《收獲》在比較成熟的市場經濟體系下先鋒精神具體內涵的蛻變�！妒斋@》進一步修飾“純文學”品牌形象的同時,開始與新生代作家聯(lián)合�！妒斋@》在他們未得到文學界的一致認可之前給予他們大量文學空間,肯定他們“后先鋒”的文學價值和嚴肅寫作態(tài)度。新生代作家也為《收獲》帶來新的文學血液以及實利。兩者的聯(lián)合使新世紀的《收獲》先鋒精神展現(xiàn)了新面貌。《收獲》的“先鋒”精神有其獨特性,它在各個時期表現(xiàn)不同,這與其所處的時代有著不可分割的關系,也與雜志的審美判斷力和對文學發(fā)展趨勢的把握有關。雜志將會一如既往而又不動聲色地傳承著“先鋒”精神內核,始終秉持進步立場,與舊傳統(tǒng)斗爭�？傊�,回顧《收獲》發(fā)展歷史中先鋒精神嬗變的過程,呈現(xiàn)主流文學媒介視野下的當代文學及其觀念變化的歷程,能夠窺探當代文學的發(fā)展軌跡。
[Abstract]:Since the 1980s, literary journals have gone through more than 30 years of ups and downs, from the peak period of the 1980s to the transition period of the 1990s and then to the stable development period of the new century. In recent years, the field of literary journals has gradually become an entry point for studying the evolution of contemporary literature. Huo > as the research object, chooses the "vanguard" spirit as the angle of view, takes the "vanguard" spirit as a dynamic concept under the premise that the definition of the "vanguard" spirit core remains unchanged, links with the specific context of the times, inspects the change of the magazine's self-orientation in the past 30 years, selects the standard of the author's work, thus to each period magazine "vanguard" "Harvest" always sticks to the core of avant-garde spirit, exploring the possibility of art and rejecting the vulgarity of art. As the context of the times changes over and over, the specific connotation of avant-garde spirit has changed in various periods. In the 1980s, Harvest was written in avant-garde style. Learning is the climax of the vanguard spirit. The self-orientation of the magazine is the basis for the rise of the vanguard literature in Harvest. The cooperation between Harvest and the vanguard writers preliminarily established the pure literary image of the magazine. Under the impact of the market economy in the 1990s, with the decline of the vanguard literature trend, the vanguard spirit before Harvest had to sink. Harvest has undergone tremendous adjustments in its self-orientation by using the pure literary images accumulated in the 1980s to establish a pure literary brand. The vanguard spirit of Harvest has taken on a new look in the new century because of the changing social context. The "new generation" writers'union, which is called the "post-vanguard", adapts to the cultural taste of literary consumers rather than catering to the market on the premise of insisting on the writers' aesthetic freedom, innovation and serious writing attitude. It is divided into three chapters. Chapter 1 examines the opening and innovation period of the 1980s as the background of the times. Harvest > the specific connotation of the avant-garde spirit in this context. In the 1980s, the implementation of an open policy, the introduction of Western modern and post-modern theories and works coincide with the consciousness of Chinese literature to seek new changes consciously. < Harvest > seize the opportunity to promote the avant-garde literature in this climate. Harvest pushes avant-garde literature into literary history, and the vanguard spirit driven by avant-garde literature reaches its climax. Chapter 2 examines the self-orientation adjustment of Harvest and the process of its avant-garde spirit sinking in the background of market economy transition in the 1990s. Literature in the decade was marginalized under the impact of the market economy and the media, Pioneer Writers turned to writing, the trend of pioneer literature declined, and the pioneer spirit of magazines sank. Taking the new century society into a relatively stable period as the background, this paper examines the transformation of the specific connotation of the vanguard spirit in the relatively mature market economy system. They have plenty of literary space and affirm their "post-vanguard" literary value and serious writing attitude. The new generation of writers also bring new literary blood and material benefits to Harvest. The magazine will continue to carry forward the spirit of "vanguard" as always, and will always uphold the progressive position and struggle against the old traditions. In short, review the vanguard spirit in the development of "harvest" history. The process of change, presenting the contemporary literature and the course of its concept change under the vision of the mainstream literary media, can peep into the development track of contemporary literature.
【學位授予單位】：浙江師范大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：I206.7

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