施補(bǔ)華詩(shī)歌批評(píng)理論研究
發(fā)布時(shí)間：2018-08-03 18:28
【摘要】：施補(bǔ)華是晚清重要詩(shī)人、詩(shī)論家,歷經(jīng)道光、咸豐、同治、光緒四朝,他與戴望、陸心源等相交甚密,常與張?jiān)ａ摗侨昃]往復(fù)詩(shī)文,然而學(xué)界對(duì)施補(bǔ)華的關(guān)注尚少,他的理論著作《峴傭說詩(shī)》作為"晚清詩(shī)話中的上乘之作"極具研究?jī)r(jià)值,其論詩(shī)觀點(diǎn)多被后人引用。本文以施補(bǔ)華的詩(shī)歌批評(píng)為研究對(duì)象,側(cè)重于對(duì)施補(bǔ)華的歷代詩(shī)歌批評(píng)觀點(diǎn)進(jìn)行整理和闡述,進(jìn)而總結(jié)出施補(bǔ)華的詩(shī)歌批評(píng)觀,以期對(duì)施補(bǔ)華作較為全面的分析和研究。全文共分為以下幾個(gè)部分:第一章:施補(bǔ)華生平、交游考述。生平部分,主要依托具體文獻(xiàn)考察了施補(bǔ)華的生平經(jīng)歷,勾勒出較為詳細(xì)的人生軌跡;交游部分,通過施補(bǔ)華與戴望等同郡人,以及與譚獻(xiàn)、李慈銘、袁昶幾人的交游情況進(jìn)行分析,依據(jù)《澤雅堂詩(shī)集》、《澤雅堂詩(shī)二集》、《澤雅堂文集》及交游者所著詩(shī)文集,找出有關(guān)詩(shī)文補(bǔ)充說明,從而從交游角度來進(jìn)一步了解施補(bǔ)華詩(shī)學(xué)思想形成的影響因素。第二章:施補(bǔ)華的歷代詩(shī)歌批評(píng)。本章根據(jù)《峴傭說詩(shī)》所涉及到的作家所屬朝代,分為漢魏、唐代、宋代三個(gè)部分,考察施補(bǔ)華對(duì)各個(gè)朝代的各體詩(shī)作、作家作品的認(rèn)識(shí)和評(píng)述。第一節(jié)論述了施補(bǔ)華對(duì)兩漢及魏晉南北朝詩(shī)歌的批評(píng),側(cè)重論述施補(bǔ)華對(duì)五言詩(shī)、七言詩(shī)的詩(shī)人詩(shī)作的批評(píng)。第二節(jié)論述了施補(bǔ)華對(duì)唐代詩(shī)歌的批評(píng),主要分為初唐、盛唐和中晚唐三個(gè)時(shí)間段。著重論述了施補(bǔ)華對(duì)盛唐和中晚唐的詩(shī)歌批評(píng),其中,施補(bǔ)華大力推崇杜甫,對(duì)杜詩(shī)成就作了細(xì)致的分析論述。第三節(jié)論述了施補(bǔ)華對(duì)宋代詩(shī)歌的批評(píng),較多的評(píng)析了蘇軾詩(shī)歌,其對(duì)元明清的詩(shī)基本不評(píng),由此可見施補(bǔ)華的詩(shī)學(xué)傾向。第三章:施補(bǔ)華的詩(shī)歌批評(píng)論。這一章主要建立在施補(bǔ)華對(duì)歷代詩(shī)人詩(shī)歌作品的批評(píng)的基礎(chǔ)上,分為兩個(gè)部分,首先,施補(bǔ)華對(duì)歷代詩(shī)歌的批評(píng)大體是以朝代為主,以詩(shī)體為輔,對(duì)歷朝歷代的詩(shī)體都有自己獨(dú)到的見解,由此可以總結(jié)出施補(bǔ)華的詩(shī)歌辯體意識(shí)。施補(bǔ)華論詩(shī),大體以五言為主,進(jìn)而推及其他各體,對(duì)各種詩(shī)體都作了總結(jié)評(píng)論。其次,論述了施補(bǔ)華的詩(shī)歌審美論,其論詩(shī)有著自己獨(dú)到的審美指向,主要總結(jié)為:"詩(shī)貴含蓄,忌直貴曲"、"詩(shī)教為本,得體為上"、"詩(shī)貴真情,各具面目"和"剛筆見魄力,柔筆出神韻"四個(gè)方面,由此形成施補(bǔ)華的詩(shī)學(xué)批評(píng)觀。
[Abstract]:Shi Buhua was an important poet and poet in the late Qing Dynasty. After the four dynasties of Daoguang, Xianfeng, Tongzhi, Guang Xu, he was very close to Dai Wang and Lu Xin-yuan, often with Zhang Yuzhao and Wu Rulun. However, the academic circles paid little attention to Shi Buhua. His theoretical work "Xianhe said Poems" is of great research value as "the best works in the late Qing Dynasty", and his views on poetry are often cited by later generations. This article takes Shi Buhua's poetry criticism as the research object, focusing on sorting out and expounding Shi Buhua's poetic criticism views in the past dynasties, and then summing up Shi Buhua's poetic criticism view, in order to make a more comprehensive analysis and study on Shi Buhua. The full text is divided into the following parts: the first chapter: Shi Bu Hua's life, travel research. In the life part, it mainly relies on the specific documents to investigate Shi Buhua's life experience, and outlines a more detailed life track. In the part of friends, through Shi Buhua and Dai Wang, the same county people, as well as with Tan Xian and Li Tzu Ming, Based on the analysis of the friends of Yuan Chang, according to "Ze Yatang Poems", "Ze Yatang Poems II", "Ze Yatang Literature Collection" and the poems and essays by the acquaintances, we can find out the supplementary explanations of the poems and essays. From the angle of friendship, we can further understand the factors that influence the formation of Shi Bu Hua's poetics. The second chapter: Shi Buhua's poetry criticism in the past dynasties. This chapter is divided into three parts: Han Wei, Tang Dynasty and Song Dynasty. The first section discusses Shi Buhua's criticism of the poems of the Han Dynasty and the Wei, Jin and Northern and Southern dynasties, with emphasis on his criticism of the poems of five characters and seven characters. The second section discusses Shi Buhua's criticism of Tang poetry, which is divided into three periods: the early Tang Dynasty, the prosperous Tang Dynasty and the Middle and late Tang Dynasty. Shi Buhua's poetry criticism to the prosperous and the middle and late Tang Dynasty is emphatically discussed. Among them, Shi Buhua highly admires du Fu, and makes a detailed analysis of du's achievements. The third section discusses Shi Buhua's criticism of Song Dynasty poetry, more comments on Su Shi's poetry, whose poetry is basically not evaluated in Yuan, Ming and Qing dynasties, so it can be seen that Shi Buhua's poetics tendency. Chapter three: Shi Buhua's criticism of poetry. This chapter is mainly based on Shi Benhua's criticism of poets' poetic works in past dynasties, and it is divided into two parts. Firstly, Shi Benhua's criticism of poems of the past dynasties is mainly on the dynasty, supplemented by the poetic style. It has its own unique opinions on the poetic style of successive dynasties, which can sum up Shi Buhua's consciousness of poetic argumentation. Shi Bu Hua's poems, mainly in five characters, and then all other types of poetry are summarized and commented. Secondly, it discusses Shi Buhua's aesthetic theory of poetry, whose poems have their own unique aesthetic direction, which are mainly summarized as follows: "poetry is implicit, not straight and expensive", "poetry teaching is based, appropriate is the top", "poetry is precious and true feelings, each has its features" and "just pen, bold and bold," There are four aspects of the charm of soft pen, thus forming Shi Buhua's view of poetic criticism.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22
本文編號(hào)：2162599
[Abstract]:Shi Buhua was an important poet and poet in the late Qing Dynasty. After the four dynasties of Daoguang, Xianfeng, Tongzhi, Guang Xu, he was very close to Dai Wang and Lu Xin-yuan, often with Zhang Yuzhao and Wu Rulun. However, the academic circles paid little attention to Shi Buhua. His theoretical work "Xianhe said Poems" is of great research value as "the best works in the late Qing Dynasty", and his views on poetry are often cited by later generations. This article takes Shi Buhua's poetry criticism as the research object, focusing on sorting out and expounding Shi Buhua's poetic criticism views in the past dynasties, and then summing up Shi Buhua's poetic criticism view, in order to make a more comprehensive analysis and study on Shi Buhua. The full text is divided into the following parts: the first chapter: Shi Bu Hua's life, travel research. In the life part, it mainly relies on the specific documents to investigate Shi Buhua's life experience, and outlines a more detailed life track. In the part of friends, through Shi Buhua and Dai Wang, the same county people, as well as with Tan Xian and Li Tzu Ming, Based on the analysis of the friends of Yuan Chang, according to "Ze Yatang Poems", "Ze Yatang Poems II", "Ze Yatang Literature Collection" and the poems and essays by the acquaintances, we can find out the supplementary explanations of the poems and essays. From the angle of friendship, we can further understand the factors that influence the formation of Shi Bu Hua's poetics. The second chapter: Shi Buhua's poetry criticism in the past dynasties. This chapter is divided into three parts: Han Wei, Tang Dynasty and Song Dynasty. The first section discusses Shi Buhua's criticism of the poems of the Han Dynasty and the Wei, Jin and Northern and Southern dynasties, with emphasis on his criticism of the poems of five characters and seven characters. The second section discusses Shi Buhua's criticism of Tang poetry, which is divided into three periods: the early Tang Dynasty, the prosperous Tang Dynasty and the Middle and late Tang Dynasty. Shi Buhua's poetry criticism to the prosperous and the middle and late Tang Dynasty is emphatically discussed. Among them, Shi Buhua highly admires du Fu, and makes a detailed analysis of du's achievements. The third section discusses Shi Buhua's criticism of Song Dynasty poetry, more comments on Su Shi's poetry, whose poetry is basically not evaluated in Yuan, Ming and Qing dynasties, so it can be seen that Shi Buhua's poetics tendency. Chapter three: Shi Buhua's criticism of poetry. This chapter is mainly based on Shi Benhua's criticism of poets' poetic works in past dynasties, and it is divided into two parts. Firstly, Shi Benhua's criticism of poems of the past dynasties is mainly on the dynasty, supplemented by the poetic style. It has its own unique opinions on the poetic style of successive dynasties, which can sum up Shi Buhua's consciousness of poetic argumentation. Shi Bu Hua's poems, mainly in five characters, and then all other types of poetry are summarized and commented. Secondly, it discusses Shi Buhua's aesthetic theory of poetry, whose poems have their own unique aesthetic direction, which are mainly summarized as follows: "poetry is implicit, not straight and expensive", "poetry teaching is based, appropriate is the top", "poetry is precious and true feelings, each has its features" and "just pen, bold and bold," There are four aspects of the charm of soft pen, thus forming Shi Buhua's view of poetic criticism.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22
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相關(guān)期刊論文 前2條
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