發(fā)布時間：2018-07-11 15:00

  本文選題：蕭綱 + 宮體�。� 參考：《紹興文理學院》2017年碩士論文

【摘要】：蕭綱成長于中國歷史上動蕩頻發(fā)的南朝,他是亂世中偏安一隅的文學家,也是被人艷羨的帝王。他因其宮體創(chuàng)作而名聲顯赫,又因其宮體創(chuàng)作而被世人遺棄。本文將對蕭綱的文學創(chuàng)作進行全面分析,從多個角度解讀他的思想,意在展現(xiàn)一個性格飽滿的蕭綱形象。本文分為緒論、正文和結語三個部分。緒論是對本文研究現(xiàn)狀、文獻綜述、研究方法等進行梳理與敘述。正文由四個部分組成。第一章是對蕭綱的生平和家世進行介紹,重點解決的是蕭何、蕭望之是否為齊梁帝王祖先,齊梁帝王故里是丹陽或是常州的問題,同時也對蕭綱的人生軌跡進行了簡單描述。第二章探討的是蕭綱的文學創(chuàng)作與文學思想。蕭綱一生創(chuàng)作了大量的文學作品,體裁、題材都很豐富,他的文學創(chuàng)作也展現(xiàn)了其獨特的語言魅力。一代之文學有一代之思想,將蕭綱的文學思想與同時代的裴子野、鐘嶸、蕭統(tǒng)等對比,結合其創(chuàng)作進行分析進而展現(xiàn)出其文學思想的獨創(chuàng)性。第三章分析蕭綱的政治處境對其創(chuàng)作的影響。蕭綱能夠入主東宮得益于他的戍邊經(jīng)歷,而入主東宮后他的境況不是十分得意,他的作品是他情感與渴望的表達。從蕭綱邊塞詩的用典情況出發(fā),挖掘其內(nèi)心深處的政治熱情。從宮體詩題材的選取中看出蕭綱的仁德與不得意。第四章分析佛教思想對蕭綱文學創(chuàng)作的影響。佛教從漢代傳入中國,逐漸為人們所熟知,到了南朝,佛教發(fā)展的勢頭愈加激烈,一度有成為國教的趨勢,這與梁武帝佞佛的行為有著不容區(qū)分的聯(lián)系。梁蕭衍的佛教信仰對蕭綱的生活與創(chuàng)作的影響也是不容小覷的,體現(xiàn)在詩中是對微觀事物整體性的把握和對于圓滿念想的追求;體現(xiàn)在文中是其融佛理與治國為一體,化神權為王權。結語部分是對全文的總結與概括,結合蕭綱的文學創(chuàng)作,綜合前人對蕭綱的評價,勾勒出蕭綱的人物形象。
[Abstract]:Xiao Gang, who grew up in the Southern Dynasties with frequent turmoil in the history of China, was a litterateur in the turmoil and was the envied emperor of the world. He was famous for his palace creation and was abandoned by the world for his palace creation. This article will make a comprehensive analysis of the literary creation of Xiao Gang and unscramble his thoughts from many angles to show one. This article is divided into three parts: introduction, text and conclusion. The introduction is the present situation, the literature review, the research method and so on. The text is composed of four parts. The first chapter is the introduction to Xiao Gang's life and family life, and the emphasis is on whether Xiao He is the emperor of Qi Liang emperor. First, the hometown of the emperor of Qi and Liang Dynasty is the question of Danyang or Changzhou. At the same time, the life track of Xiao Gang is briefly described. The second chapter discusses Xiao Gang's literary creation and literary thought. There is a generation of ideas in literature. Comparing Xiao Gang's literary ideas with Pei Ziye, Zhong Rong and Xiao Tong in the same era, the author analyzes the originality of his literary thought in combination with his creation. The third chapter analyses the influence of Xiao Gang's political situation on his creation. The situation is not very proud, his work is his expression of emotion and desire. From the allusions of Xiao Gang's frontier poems, he excavates his deep political enthusiasm. From the selection of the theme of the palace poetry, he can see the benevolence and incompetence of Xiao Gang. The fourth chapter analyses the influence of Buddhism on the creation of the study of Buddhism. Buddhism was introduced into China from the Han Dynasty. Gradually, it is well known to people that in the Southern Dynasties, the momentum of the development of Buddhism became more and more intense, and there was a tendency to become a national religion for a time. This was not to be separated from the behavior of emperor Liang Wu. Liang Xiaoyan's Buddhist belief could not be underestimated by the influence of his Buddhist belief on the life and creation of Xiao Gang. As for the pursuit of success, it is reflected in the integration of Buddhism and the governing of the country and the transformation of theocracy into the power of the king. The concluding part is a summary and summary of the full text, combined with the literary creation of Xiao Gang, and the evaluation of Xiao Gang by his predecessors, and outlines the figure of Xiao Gang.
【學位授予單位】：紹興文理學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I206.2

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