本文選題：新疆 + 歌謠　； 參考：《西北民族大學學報(哲學社會科學版)》2017年04期

【摘要】："口頭程式理論"也叫"帕里—洛德理論",源于美國學者帕里對《荷馬史詩》演唱和創(chuàng)作傳統(tǒng)的理論總結,它由三個結構性單元組成,該理論的核心是"程式"。對于地方歌謠而言它的文本組織形式包含"程式系統(tǒng)",通過分析歌謠語言結構的平行式、韻律特征和頻密度,發(fā)現(xiàn)新疆民間漢語歌謠文本也有大量的描寫程式、句式程式、襯詞程式和套語程式,歌謠"主題"的創(chuàng)作圖式呈現(xiàn)出口頭詩學創(chuàng)作過程中的快速儉省原則。歌謠是民間口頭文學的一種,它既有語言現(xiàn)象又有民俗現(xiàn)象,因此,在對歌謠進行語言學實證研究時運用民俗學的相關理論,能更全面而客觀地認識其特質(zhì).
[Abstract]:The oral program theory, also called the Parry-Lord theory, originated from the theoretical summary of the tradition of singing and writing Homer Epic by American scholar Parry. It consists of three structural units, the core of which is "procedure". For the local ballad, its form of text organization includes the "program system". By analyzing the parallel style, rhythmic characteristics and frequency density of the ballad language structure, it is found that the folk Chinese ballad text in Xinjiang also has a large number of descriptive programs and sentence patterns. The schemata of "theme" of ballad show the principle of quick frugality in the process of oral poetics creation. Ballad is a kind of folk oral literature, which has both linguistic and folklore phenomena. Therefore, using the relevant theories of folklore in the empirical study of ballad, we can fully and objectively understand its characteristics.
【作者單位】： 陜西師范大學文學院;昌吉學院中語系;
【基金】：國家社科基金重大項目“中國西北地區(qū)戲曲歌謠語言文化研究”(項目編號:13&ZD119)
【分類號】：I207.7

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本文編號：2108420