本文選題：許渾 + 晚唐��； 參考：《四川師范大學(xué)》2017年碩士論文

【摘要】：晚唐詩人許渾詩歌中反復(fù)出現(xiàn)的佛道二教題材、意象、觀念等直接反映了佛道二教對(duì)許渾詩歌創(chuàng)作的影響。許渾詩歌中深深的佛道情結(jié)既是唐代對(duì)佛道二教兼收并蓄的大環(huán)境下的縮影,也與詩人的自身經(jīng)歷緊密相關(guān)。本文試圖結(jié)合晚唐歷史、許渾的生平經(jīng)歷以及許渾的詩歌文本揭示在佛道二教影響下的許渾詩歌的獨(dú)特性。第一章“緒論”綜述許渾詩歌創(chuàng)作與佛道二教的研究現(xiàn)狀;第二章“晚唐時(shí)代背景及許渾生平”通過概述晚唐時(shí)期佛道二教的基本情況和許渾生平經(jīng)歷,得出許渾詩歌中的佛道情結(jié)既是時(shí)代背景下的產(chǎn)物也與其自身經(jīng)歷相關(guān)的結(jié)論;第三章“許渾詩歌與佛教”從題材和觀念兩個(gè)方面分析許渾詩歌與佛教的關(guān)系,通過拜謁寺廟、交游僧人以及親自修行等與佛教相關(guān)的經(jīng)歷進(jìn)入許渾詩歌的題材,以及佛教“人生如夢(mèng)”“五蘊(yùn)皆空”等觀念影響許渾詩歌的思想這一現(xiàn)象,結(jié)合晚唐時(shí)期的社會(huì)背景,得出許渾詩歌中的佛教因素反映了唐代文人推崇佛教的社會(huì)風(fēng)氣和王朝接近尾聲時(shí)文人難以實(shí)現(xiàn)抱負(fù)因而將佛教作為精神寄托這一結(jié)論;第四章“許渾詩歌與道教”從題材、典故和觀念等方面分析許渾詩歌與道教的關(guān)系,結(jié)合許渾拜謁道觀、交往修道之人和親自修道等題材的詩歌,以及反映道教養(yǎng)生觀念、長生觀念的詩歌,得出許渾詩歌中的道教因素既是唐代尊崇道教的社會(huì)風(fēng)氣所致也是體弱多病的許渾在家鄉(xiāng)道教氛圍影響下的產(chǎn)物;第五章“許渾詩歌中的二教融合”從許渾對(duì)佛道二教的接受、許渾詩歌中的二教融合現(xiàn)象以及許渾對(duì)佛道二教的態(tài)度三個(gè)方面加以分析,得出許渾的詩歌反映出他希望通過道教獲得身體安寧,通過佛教獲得精神安寧的愿望。前者更多地與許渾的自身經(jīng)歷相關(guān),后者更多地與晚唐的時(shí)代背景相關(guān)這一結(jié)論。
[Abstract]:The themes, images and concepts of Buddhism and Taoism in the poems of Xu Hun, a poet of late Tang Dynasty, reflected directly the influence of Buddhism and Taoism on the creation of Xu Hun's poems. The deep complex of Buddhism and Taoism in Xu Hun's poems is not only the epitome of the all-inclusive environment of Buddhism and Taoism in the Tang Dynasty, but also closely related to the poet's own experience. This paper attempts to reveal the uniqueness of Xu Hun's poems under the influence of Buddhism and Taoism by combining the history of the late Tang Dynasty, the life experience of Xu Hun and the poetic texts of Xu Hun. The first chapter "introduction" summarizes the present situation of Xu Hun's poetry creation and the study of Buddhism and Taoism, the second chapter "the background of the late Tang Dynasty and Xu Hun's life" summarizes the basic situation of the Buddhism and Taoism two religions in the late Tang Dynasty and Xu Hun's life experience. The conclusion that the complex of Buddhism and Taoism in Xu Hun's poetry is not only the product of the times but also related to his own experience. Chapter three, "Xu Hun's Poetry and Buddhism", analyzes the relationship between Xu Hun's poetry and Buddhism from two aspects of subject matter and concept, and pays a visit to the temple by paying homage to the temple. The Buddhist related experiences, such as friends monks and personal practice, entered the themes of Xu Hun's poems, and the Buddhist concepts such as "life is a dream" and "five possessions are empty" influenced the thought of Xu Hun's poetry, and combined with the social background of the late Tang Dynasty. It is concluded that the Buddhist factors in Xu Hun's poems reflect the social ethos of the scholars in the Tang Dynasty who respected Buddhism and that the Wen people were unable to realize their aspirations at the end of the dynasty. The fourth chapter, "Xu Hun's Poetry and Taoism", is based on the theme of "Xu Hun's Poetry and Taoism". The relationship between Xu Hun's poems and Taoism is analyzed in allusion and concept. The poems on the topics of Xu Hun's worship of the Taoism, the contact between the people who practice the Tao and the people who practice the Taoism personally, as well as the poems that reflect the Taoist concept of health preservation and the concept of living forever, are analyzed. It is concluded that the Taoist factors in Xu Hun's poems are not only the result of the social atmosphere of respecting Taoism in Tang Dynasty, but also the product of the weak and sickly Xu Hun under the influence of Taoist atmosphere in his hometown. Chapter five, "the Integration of two religions in Xu Hun's Poems", is based on Xu Hun's acceptance of the two religions of Buddhism and Taoism. This paper analyzes the phenomenon of the integration of the two religions in Xu Hun's poems and his attitude towards the Buddhism and Taoism, and concludes that Xu Hun's poems reflect his desire to obtain physical peace through Taoism and spiritual tranquillity through Buddhism. The former is more related to Xu Hun's own experience, and the latter is more related to the background of the late Tang Dynasty.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 夏菽;;宇文所安研究視角下的晚唐詩人許渾再解讀[J];名作欣賞;2016年05期

2 張紅;;論唐宋學(xué)人對(duì)許渾的批評(píng)[J];廣東廣播電視大學(xué)學(xué)報(bào);2014年06期

3 錢志熙;;論王維玄佛結(jié)合的人生哲學(xué)及與藝術(shù)的關(guān)系[J];北京大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2014年06期

4 鄒定霞;;從《宗教學(xué)研究》看二十年來中國的道教文學(xué)研究[J];宗教學(xué)研究;2014年03期

5 孟國棟;;許渾隱逸生活研究[J];西安電子科技大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2011年01期

6 梁必彪;;佛禪隱逸思想對(duì)許渾仕途及其創(chuàng)作的影響[J];武夷學(xué)院學(xué)報(bào);2008年01期

7 高華平;;中國佛教文學(xué)的概念、研究現(xiàn)狀及其走向[J];鄭州大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2007年04期

8 胡遂;論許渾詩中的佛教“四苦”之嘆[J];河北大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2005年02期

9 呂華明;太白之月意象[J];江西社會(huì)科學(xué);2001年03期

10 賀秀明;論許渾詩中的水[J];華中師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);2000年06期

相關(guān)博士學(xué)位論文 前2條

1 胡果雄;王維的精神世界[D];湖南大學(xué);2013年

2 胡遂;佛教禪宗與唐代詩風(fēng)之發(fā)展演變[D];河北大學(xué);2005年

相關(guān)碩士學(xué)位論文 前6條

1 沈小娣;論許渾與江南地域文化[D];華僑大學(xué);2012年

2 莊曉燕;佛教對(duì)晚唐詩人許渾、杜荀鶴及其詩歌的影響[D];云南民族大學(xué);2010年

3 耿輝;韋應(yīng)物、許渾山水田園詩比較[D];信陽師范學(xué)院;2010年

4 展永福;論李白的詩歌創(chuàng)作與道教[D];青島大學(xué);2008年

5 王鎮(zhèn)寶;李白詩歌與上清派關(guān)系考論[D];福建師范大學(xué);2007年

6 黃懿;許渾詠史懷古詩研究[D];華中科技大學(xué);2006年

，

本文編號(hào)：2082834