本文選題：黃吉安 + 劇本�。� 參考：《四川師范大學(xué)》2017年碩士論文

【摘要】：黃吉安是著名的川劇劇作家,他的劇作是川劇史上的一座高峰。由他創(chuàng)作和改編的劇本豐富了川劇劇目的典藏,曾推動(dòng)了四川的戲曲改良運(yùn)動(dòng),促進(jìn)了川劇劇種特色的形成。他的劇本在思想上力求進(jìn)步,內(nèi)容可讀可演,語言雅俗共賞,頗受后人推崇。當(dāng)前對(duì)黃吉安及其劇作的研究大多集中在劇作精神和劇作成就方面,對(duì)劇本本體的分析較少,故筆者擬對(duì)黃吉安劇本本體進(jìn)行剖析。本文首先對(duì)其創(chuàng)作和改編的劇本數(shù)目、現(xiàn)當(dāng)代演出情況進(jìn)行考略。其次,分析其劇本的思想和主題,根據(jù)黃吉安的生平推導(dǎo)出其戲劇思想的形成原因,論述思想的局限性,并將劇本的主題歸納為“弘揚(yáng)愛國主義思想”、“反對(duì)封建思想”、“諷刺統(tǒng)治階級(jí)昏庸”三類。第三,對(duì)其劇本結(jié)構(gòu)情節(jié)編排的規(guī)律,矛盾推進(jìn)和高潮顯現(xiàn)的方法,以及利用結(jié)構(gòu)塑造人物的技巧進(jìn)行研究。第四,分析劇本中的唱詞和念白,總結(jié)其劇本唱詞在音韻格律上“全劇一轍,一韻到底”和“韻響和諧”的特征。說明其劇本詩白對(duì)塑造人物所起的作用,探討唱詞與賓白的搭配規(guī)律,提煉出其劇本語言的特點(diǎn)。最后,總結(jié)出黃吉安劇本對(duì)當(dāng)代川劇劇本創(chuàng)作在故事選題、語言撰寫等方面帶來的啟示。
[Abstract]:Huang Ji-an is a famous dramatist of Sichuan opera, his plays is a peak in the history of Sichuan opera. The script he wrote and adapted enriched the collection of Sichuan opera repertoire, promoted the Sichuan opera improvement movement, and promoted the formation of the characteristics of Sichuan opera. His plays strive for ideological progress, readable content and common appreciation of language, highly respected by later generations. At present, most of the researches on Huang Ji'an and his plays are focused on the spirit and achievements of the plays, but the analysis of the script ontology is less, so the author intends to analyze Huang Ji'an script ontology. This article first of all to its creation and adaptation of the number of plays, contemporary performances were studied. Secondly, it analyzes the thought and theme of his script, deduces the forming reason of his drama thought according to Huang Ji'an 's life story, discusses the limitation of thought, and sums up the theme of the script as "carrying forward patriotism thought" and "opposing feudal thought". There are three types of satirical ruling class. Thirdly, the author studies the rules of plot arrangement, the methods of advancing contradiction and climax, and the techniques of using structure to shape characters. Fourth, it analyzes the singing words and reading words in the script, and summarizes the characteristics of its lyric words in the rhyme rhythm of the whole play, the one rhyme in the end, and the rhyme in harmony. This paper explains the function of his script and poetry in shaping characters, probes into the collocation of lyrics and objects, and abstracts the features of his script language. Finally, the author summarizes the inspiration of Huang Jian's plays on the selection of stories and language writing.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.36

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本文編號(hào)：2081985