本文選題：仇遠(yuǎn) + 文學(xué)思想��； 參考：《陜西師范大學(xué)》2015年碩士論文

【摘要】：論文緒論部分首先對(duì)仇遠(yuǎn)的情況進(jìn)行了簡(jiǎn)單的介紹,凸顯出他在文學(xué)史上的重要地位,其次分析了學(xué)界對(duì)仇遠(yuǎn)的研究現(xiàn)狀,指出其中的不足之處,最后闡述了本論文的研究意義和目標(biāo)。第一章：仇遠(yuǎn)的生平、著作和交友簡(jiǎn)述。本章首先探究的是仇遠(yuǎn)的生平。其次探究的是仇遠(yuǎn)的著作情況,著重介紹了筆記小說《稗史》。最后探討的是仇遠(yuǎn)的交友,考察了幾個(gè)對(duì)仇遠(yuǎn)文學(xué)思想的形成和發(fā)展起到重要作用的人物。第二章：“近體吾主于唐,古體吾主于選”。本章主要是從仇遠(yuǎn)尊唐復(fù)古思想形成的大背景、“近體吾主于唐”、“古體吾主于選"三個(gè)方面來論述的。仇遠(yuǎn)尊唐復(fù)古思想形成的大背景有兩個(gè)：一是當(dāng)時(shí)的社會(huì)文化氛圍；二是詩(shī)歌自身發(fā)展的規(guī)律性。仇遠(yuǎn)尊唐主要是尊盛唐和晚唐。在尊古方面,仇遠(yuǎn)學(xué)習(xí)漢魏古詩(shī)、陶淵明和屈原。第三章：“體物緣情,多感慨興亡之意”。仇詩(shī)有兩個(gè)特點(diǎn)：一是抒情性,即詩(shī)歌應(yīng)該反映人內(nèi)心的真實(shí)情感；二是寫實(shí)性,即詩(shī)歌應(yīng)該反映廣闊的社會(huì)現(xiàn)實(shí)。第四章：“其頓挫沉郁,仿佛杜少陵之風(fēng)”。與尊唐復(fù)古相對(duì)應(yīng)地,仇詩(shī)具有“頓挫沉郁”和“清真”、“清瘦"、“沖淡閑曠”的藝術(shù)風(fēng)格。第五章：“言順律舛,律協(xié)言謬,俱非本色”。本章是從協(xié)律可歌、“言順”與“言謬”、本色論三個(gè)方面來論述的。仇遠(yuǎn)認(rèn)為作詞要難于作詩(shī),言順律不協(xié)或律協(xié)言不順,都不能稱得上是本色。第六章：“清麗和雅,清名正似孤山逋”。仇遠(yuǎn)主張人品與詞品的高度統(tǒng)一。仇遠(yuǎn)“言為心聲”的人格追求表現(xiàn)在詞的思想內(nèi)容方面就是對(duì)亡國(guó)之痛、懷鄉(xiāng)之苦和隱逸之思的反映。仇遠(yuǎn)“清”、“雅”、“言為心聲”的人格追求表現(xiàn)在詞的藝術(shù)特色方面就是“清麗和雅”風(fēng)格的形成。
[Abstract]:In the introduction part of the paper, the author introduces the situation of Qiu Yuan briefly, highlights his important position in the history of literature, and then analyzes the current research situation of Qiu Yuan in academic circles, and points out the shortcomings. Finally, the research significance and goal of this paper are expounded. Chapter one: the life of Qiu Yuan, his works and a brief account of making friends. This chapter first explores the life of Qiu Yuan. Secondly, it explores the works of Qiu Yuan, focusing on the introduction of the Notebook the History of Paspalum. Finally, it discusses the friendship of Qiu Yuan, and examines several characters who play an important role in the formation and development of Qiu Yuan's literary thought. The second chapter: "near the body of my master in the Tang Dynasty, the ancient style of my master in the election." This chapter is mainly from Qiu Yuan Zun Tang Fu Gu thought formation big background, "near body I master in the Tang Dynasty", "ancient style my master chooses" three aspects to discuss. There are two backgrounds for the formation of Qiu Yuan Zun's Tang Fu Gu thought: one is the social and cultural atmosphere at that time; the other is the regularity of the development of poetry itself. Qiu Yuan Zun Tang Dynasty is mainly respected prosperous Tang Dynasty and late Tang Dynasty. In respect of respecting ancient times, Qiu Yuan studied ancient poems of Han and Wei dynasties, Tao Yuanming and qu Yuan. The third chapter: "physical origin, more feelings for the rise and fall of the meaning." There are two characteristics of the poems: one is lyricism, that is, poetry should reflect the true feelings of human heart, the other is realism, that is, poetry should reflect the broad social reality. The fourth chapter: its depression, like du Shaoling's wind. In contrast to the reversion of the Tang Dynasty, the poems of feud have the artistic style of "depression", "halal", "thinness" and "dilute leisure". Chapter V: "the law of the law, the law is wrong, is not the true color." This chapter is discussed from the following three aspects: hymns, adversaries and absurdities, and essence theory. Qiu Yuan thinks that it is difficult to write poems, and it is not true to say that the words are not in harmony with the law or that the words are not obedient. Chapter VI: Qingli and elegant, the name is just like Gu Shan Bu. Qiu Yuan advocates a high degree of unity between character and ci. The personality pursuit of Qiu Yuan's words is reflected in the thought content of ci, which reflects the pain of national subjugation, the hardship of home and the thought of seclusion. The pursuit of personality of Qiu Yuan's Qing Dynasty, elegance and speech is manifested in the formation of Qing Li and Ya style of ci.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I206.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 彭潔瑩;;宋遺民仇遠(yuǎn)《無弦琴譜》人文意象研究[J];廣西大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2009年01期

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本文編號(hào)：2073625