本文選題：王小波 + 接受研究��； 參考：《西南交通大學》2017年碩士論文

【摘要】：作為中國當代頗具影響力的作家,王小波在消費文化語境中受到了現(xiàn)代傳媒、出版商、人文學者、批評家、文學青年、大眾讀者等群體的廣泛注意。從王小波去世算起,他的文學地位經歷了從文學場域邊緣向中心位置滑動的轉變。本論文以讀者的接受史為出發(fā)點,考察王小波從開始進入文學場直至當下的文學接受狀況。論文試圖以王小波去世為時間節(jié)點,深入歷史語境,在細節(jié)性史實的層面上進行發(fā)生學的探究,并在大眾化接受和精英化接受兩個向度上宏觀考察王小波作品在當代中國的接受情況,系文學外部研究。論文分引言、正文和結語三部分,主要分以下幾個部分進行論述:引言部分:論述論文的選題意義與價值、王小波在當代接受研究中的研究現(xiàn)狀以及本論文研究的思路與方法。第一章:考察王小波在1990年代文化空間中的文學入場接受。以王小波1997年去世為時間節(jié)點,追上溯下,把王小波的文學創(chuàng)作放置在90年代中國文化語境中考察分析,歷時性地梳理王小波在其生前的文壇接受狀況。對王小波的有意誤讀是因為學者、青年、媒體等群體有各自的利益訴求。面對誤讀,需要還原歷史場景,通過對“文壇外高手”等概念的辨析、以及對王小波生前出版情況、對王小波和媒體的關系、對王小波在臺港文學場域占位狀況分別進行考察,還原王小波生前真實的文學接受歷程,在主流文化、大眾文化和精英文化的關系中探求王小波的身份認同。第二章:從大眾化接受的向度考察王小波在消費文化語境中的文學接受情況。王小波真正意義上被大眾接受,源于“王小波死亡事件”。王小波去世之后,王小波在大眾化接受歷程中熱度不減,各式各樣的報紙報道、紀念活動、作品改編等“不亦樂乎”,文學愛好者和青年學子以王小波為師承,在消費文化語境中自成一景。王小波在走向流行性經典的過程中,媒體既是王小波的一個極其有力量的傳播平臺,也是王小波形象的主要塑造者,而當媒體權力滲透到文學本身,王小波的文學意義已被改寫。在消費文化語境中,王小波背向大眾,背向商業(yè),但其作品的復義性跨越了雅俗界限,是王小波能被廣泛認可的主要原因之一。在無盡的狂歡和推舉中,王小波作品成為當代群選經典,但與此同時,王小波作品的意義在一定程度上被削平。第三章:從精英化接受的向度考察王小波在學院派精英讀者中的接受情況。王小波在學院批評的研究歷程中是何如被評價和闡釋的,這些批評在研究過程中發(fā)生了何種變化,對這些問題的回答有必要從宏觀角度考察王小波的動態(tài)闡釋過程。抽取有代表性的當代文學史和文學選本樣本,在時間譜系上考察王小波的文學地位,以此探究王小波文學地位的變化情況。第四章:當代經典的形成是大眾化接受和精英化接受的雙向互動的結果,王小波的當代文學接受是多種參與機制與權力話語共同作用的結果。此部分在前兩章基礎上,從經典建構角度分析王小波在在消費文化視域下的文學接受狀況。結語部分:總結全文,得出結論。
[Abstract]:As a contemporary Chinese influential writer, Wang Xiaobao has received extensive attention from modern media, publishers, humanists, critics, literary critics, literary youth, and public readers in the context of consumer culture. From Wang Xiaobao's death, his literary status has gone through the transition from the edge of the field of literary field to the central position. The readers' history of acceptance is the starting point to investigate Wang Xiaobao's literary acceptance from the beginning of the literary field to the present. The thesis attempts to take Wang Xiaobao's death as a time node, to deepen the historical context, to explore the genesis of the details, and to examine Wang Xiaobao in a macroscopic view on the acceptance of popular acceptance and the acceptance of the elite in the two dimensions. The acceptance of the works in contemporary China is an external study of literature. The thesis is divided into three parts: introduction, text and conclusion, which are mainly discussed in the following parts: Introduction: the significance and value of the topic, the present situation of Wang Xiaobao in the study of contemporary acceptance and the thought and method of the research in this thesis. Chapter 1: the investigation of King The acceptance of literature in the cultural space of 1990s. With Wang Xiaobao's death in 1997 as the time node, it traced and traced Wang Xiaobao's literary creation in the context of the Chinese cultural context in 90s, and analyzed Wang Xiaobao's acceptance of the literary world in his life. The intentional misreading of Wang Xiaobao is because scholars, young people, The media and other groups have their own interests. In the face of misreading, it is necessary to restore the historical scene. Through the discrimination of the concepts of "high hands in the literary world", and the relationship between Wang Xiaobao and the media, Wang Xiaobao's relationship in the literary field of Taiwan and Hong Kong is inspected to restore the true literary connection before Wang Xiaobao's life. Through the course, Wang Xiaobao's identity is explored in the relationship between mainstream culture, mass culture and elite culture. The second chapter is to examine the literary acceptance of Wang Xiaobao in the context of consumer culture from the perspective of popular acceptance. Wang Xiaobao is truly accepted by the masses, originates from the "Wang Xiaobao death event". After Wang Xiaobao's death, Wang Xiaobao In the course of popular acceptance, all kinds of newspaper reports, commemorative activities and works adaptation are "very happy". The literary enthusiasts and young students take Wang Xiaobao as the teacher, and become a scene in the context of the consumption culture. In Wang Xiaobao's journey towards the popular classics, the media is an extremely powerful of Wang Xiaobao. The communication platform is also the main creator of Wang Xiaobao's image, and when the media power permeates literature itself, Wang Xiaobao's literary meaning has been rewritten. In the context of consumer culture, Wang Xiaobao is back to the public and back to business, but the meaning of his works is leaps and bounds, one of the main reasons that Wang Xiaobao can be widely recognized. In the revelry and promotion of Wang Xiaobao's works, the works of Wang Xiaobao become the classic of contemporary group selection, but at the same time, the meaning of Wang Xiaobao's works has been reduced to a certain extent. In the third chapter, the acceptance of Wang Xiaobao in the elite readership of the college is examined from the degree of elite acceptance. How is Wang Xiaobao being evaluated and explained in the course of the study of the college batch review, What changes have taken place in these criticisms in the course of the study; it is necessary to examine Wang Xiaobao's dynamic interpretation process from a macro perspective, to extract representative contemporary literary history and literary selected samples, and to investigate the literary status of Wang Xiaobao on the pedigree of time, so as to explore the changes in the status of Wang Xiaobao's literature. Fourth Chapter: the formation of Contemporary Classics is the result of two-way interaction between popular acceptance and elite acceptance. Wang Xiaobao's acceptance of contemporary literature is the result of the joint role of various participation mechanisms and power discourse. On the basis of the first two chapters, this part analyses the literary acceptance of Wang Xiaobao in the perspective of consumer culture from the perspective of classical construction. Points: summing up the full text and drawing conclusions.
【學位授予單位】：西南交通大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I206.7

【參考文獻】

相關期刊論文 前10條

1 黃發(fā)有;;當代文學批評的方法論思考[J];當代文壇;2017年02期

2 謝納;宋偉;;何謂經典 如何建構——“走向經典的中國當代文學”學術論壇述評[J];當代作家評論;2017年01期

3 劉乃季;王健;卓然;;“文學經典問題”的發(fā)生學探源[J];文藝爭鳴;2014年09期

4 黃平;夏曉瀟;;王小波年譜初編[J];文藝爭鳴;2014年09期

5 張川平;;現(xiàn)代個人主體的確立及其文學表達——以王小波為例[J];河北師范大學學報(哲學社會科學版);2013年06期

6 趙勇;;王小波與當代文學的關系——答《人物》雜志社記者問[J];當代文壇;2012年04期

7 陳曉明;;重讀王小波的《我的陰陽兩界》[J];中國現(xiàn)代文學研究叢刊;2011年12期

8 張榮翼;;媒體權力和文學的關系[J];江西社會科學;2011年08期

9 文紅霞;;大眾文化傳媒與中國新時期文學的經典化[J];南方文壇;2010年05期

10 劉劍;趙勇;;經典化與大眾化:海子詩歌接受中的兩種趨向[J];探索與爭鳴;2009年11期

，

本文編號：2067061