發(fā)布時間：2018-06-24 13:02

  本文選題：宋詞 + 巴蜀詞�。� 參考：《南京師范大學》2017年碩士論文

【摘要】：本文的研究對象是宋代詞人作于巴蜀地域的詞,創(chuàng)作主體按籍貫分為巴蜀籍與非巴蜀籍。而在眾多男性巴蜀詞的對比下,宋代女性詞人所作的巴蜀詞獨具特色,她們筆下的詞是女性情感的直接外化,是女性詞人我手寫我心的產(chǎn)物,是女性復雜細膩而隱微之內(nèi)心世界的展現(xiàn)。宋代女性詞人的詞作,題材較為狹隘,情感內(nèi)涵既純粹又顯褊狹,在一定程度上,不及其他地域及明清時代女性詞人筆下的詞。宋代巴蜀節(jié)序詞也比較有特色,主要以元宵詞、七夕詞、中秋詞、重陽詞四大節(jié)序詞為主,詞中不僅涉及宋代巴蜀地域元宵節(jié)、七夕節(jié)、中秋節(jié)、重陽節(jié)的民俗活動,更有詞人們由四大節(jié)序而產(chǎn)生的諸多情感,諸如對元宵節(jié)張燈夜游繁華熱鬧場面背后,窮苦百姓付出慘痛代價事實的揭露等等。黃庭堅貶謫到遠離政治中心的巴蜀之地,剛開始是郁悶無奈,到后來慢慢與當?shù)匕傩�、官員等融為一體,漸漸喜歡巴蜀的山水,心情也不再是“萬里投荒,一身吊影”的慘淡和無望,而是愈加豁達樂觀,其詞風也發(fā)生了相應變化。巴蜀的自然山水之物,常常成為山谷筆下吟詠描寫的對象,在山谷的筆下,巴蜀有了美麗可愛的一面,而不再是當年貶謫巴蜀之地的詩人們所描摹的窮山惡水,蠻荒之地。京鏜是南宋名臣之一,其治理巴蜀的幾年里,巴蜀得以大治。京鏜的巴蜀詞不僅描繪了其鎮(zhèn)守巴蜀期間巴蜀的風貌、自然風光、節(jié)日風俗,又有其與友人之間的詩詞唱和交游活動的記敘,更在巴蜀詞中表達了思歸念遠等等情思,其詞中對典故的運用、以議論入詞及對疊字的運用都體現(xiàn)了其高超的文學修養(yǎng)和對文字的爐火純青的駕馭能力。
[Abstract]:The research object of this paper is the ci word written in Bashu area in Song Dynasty, and the creative subject is divided into Bashu nationality and non-Bashu nationality according to their place of origin. Under the contrast of many male Bashu ci poems, the Bashu ci poems made by female ci writers in Song Dynasty have their own characteristics. The words they write are the direct externalization of female emotion and the product of female poets' handwriting of my heart. Is the female complex delicate and hidden inner world of the show. The ci works of female poeticians in Song Dynasty are narrow in subject matter, both pure and narrow in emotional connotation. To some extent, they are inferior to the words written by female poets in other regions and in the Ming and Qing dynasties. The preface words of Bashu Festival in Song Dynasty also have their own characteristics. They are mainly Yuanxiao words, Qixi Festival words, Mid-Autumn Festival words and double Yang words. They are not only related to the folklore activities of Lantern Festival, Qixi Festival Festival, Mid-Autumn Festival and Double-ninth Day in Bashu region of Song Dynasty. There are more words about the feelings produced by the four major sections, such as the revelation of the fact that the poor people pay a heavy price behind the bustling scenes of the Lantern Festival lantern. Huang Tingjian was relegated to the Bashu land far from the political center. At first, he was depressed and helpless. Later, he slowly merged with the local people and officials and gradually liked the mountains and rivers of Bashu, and his mood was no longer "casting desolation for thousands of miles." The melancholy and hopeless, but more open-minded and optimistic, its ci style has also changed accordingly. The natural landscape of Bashu is often the object of the description in the valley. In the valley, Bashu has a beautiful and lovely side, and is no longer the destitute and savage land described by the poets of the relegated land of Bashu. Beijing boring is one of the famous officials of the Southern Song Dynasty. The Beijing-boring Bashu ci not only describes the style, natural scenery, holiday customs during the Bashu period, but also has a description of the poems and communication activities between them and their friends, and also expresses in the Bashu ci poems the feelings of thinking, returning, thinking, and so on. The use of allusions in his ci, the use of argumentative words and the use of reduplicated characters embody his superb literary accomplishment and his ability to master the characters.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.23

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本文編號：2061615