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荊楚文化影響下蘇軾在黃州的嬗變研究

發(fā)布時間:2018-06-20 10:22

  本文選題:荊楚文化 + 蘇軾。 參考:《中國礦業(yè)大學》2017年碩士論文


【摘要】:荊楚文化是中國文化發(fā)展史中濃墨重彩的一筆,具有鮮明的特征。宋神宗元豐二年(公元1079年),蘇軾因“烏臺詩案”被貶黃州,這一階段,他的人生態(tài)度、思想境界和文學創(chuàng)作,不可避免地受到荊楚地域文化的影響,均發(fā)生了巨大的嬗變,對荊楚文化傳統既有接受又有開拓。本文對蘇軾黃州時期在荊楚文化影響下的心境狀態(tài)、思想嬗變、文學創(chuàng)作進行了全方位觀照,分析了他在黃州期間的多方變化及其文化活動,全文四個部分的內容為:第一部分簡述荊楚文化與蘇軾之關系。荊楚文化具有悠久的歷史淵源和鮮明的傳統特征,作為其貶謫階段的生活與文化背景,它對蘇軾產生了重要影響。在這些影響下,黃州謫居期間的蘇軾,無論是從生活上、思想上、還是文學創(chuàng)作風格上,都發(fā)生了巨大轉變。第二部分論述了荊楚文化影響下蘇軾在黃州的心境嬗變。貶謫黃州期間,蘇軾經歷巨大的心理創(chuàng)傷后,一方面通過體驗荊楚民俗、寄情荊楚山水的方式來排遣精神上的苦悶寂寥,另一方面轉變自己為官者的身份,以無權者的視角來深入體察黃州底層百姓的生活狀況,并且在荊楚文化代表人物屈原的影響下,始終堅持自己的“愛國重民”信念。第三部分論述了荊楚文化影響下蘇軾在黃州的思想嬗變。黃州謫居之前,蘇軾一直以儒家仕宦思想為核心,堅持積極用世的原則。而獲罪貶謫后,在荊楚文化濃郁的佛家氛圍和道家傳統的熏染下,蘇軾的思想有所轉變,通過對儒道釋三者之間接受程度的再次審視,生活方式開始逐漸朝著參禪問道的方向偏移,最終達到了儒道釋三者的融會貫通,重塑了蘇軾獨有的具有鮮明特征的思想價值體系。第四部分論述了荊楚文化影響下蘇軾在黃州的詞作嬗變。蘇軾因詩獲罪后,很長時間不敢為文為詩,詞便成了蘇軾抒發(fā)內心情感的重要方式之一。以荊楚大地獨特的地理風物特征和文化歷史背景為素材,蘇軾這一時期的詞作創(chuàng)新達到了他一生文藝創(chuàng)作的巔峰,完成了從“宴飲之詞”向“以詩之詞”的轉變,開“豪放詞”之風氣,具有不可忽視的研究價值和意義。
[Abstract]:Jingchu culture is a striking stroke in the history of Chinese culture development, with distinct characteristics. Song Shenzong Yuanfeng two years (AD 1079), Su Shi was demoted to Huangzhou because of "Wutai poem case". At this stage, his life attitude, ideological realm and literary creation were inevitably influenced by Jingchu regional culture, and all of them underwent great changes. Jingchu culture tradition has both acceptance and development. In this paper, the state of mind, ideological evolution and literary creation of Su Shi during the period of Huang Zhou under the influence of Jingchu culture are viewed in all directions, and his various changes and cultural activities during the period of Huang Zhou are analyzed. The four parts are as follows: the first part briefly describes the relationship between Jing Chu culture and Su Shi. Jingchu culture has a long historical origin and distinct traditional characteristics. As the living and cultural background of its relegation stage, Jingchu culture has an important influence on Su Shi. Under these influences, Su Shi, both in life, thought and literary style, changed greatly during his relegation. The second part discusses the transmutation of Su Shi's mood in Huangzhou under the influence of Jingchu culture. During his relegation to Huangzhou, Su Shi experienced great psychological trauma, on the one hand, by experiencing the folk customs of Jingchu, sending feelings to Jingchu mountains and rivers to relieve the spiritual loneliness, on the other hand, he changed his identity as an official. Under the influence of qu Yuan, a representative figure of Jingchu culture, the author observes deeply the living conditions of the people at the bottom of Huangzhou from the perspective of the powerless, and always insists on his belief of "loving the country and valuing the people". The third part discusses the evolution of Su Shi's thoughts in Huangzhou under the influence of Jingchu culture. Before the relegation of Huang Zhou, Su Shi always took the Confucian official thought as the core and insisted on the principle of using the world actively. After being relegated, Su Shi's thoughts changed under the strong Buddhist atmosphere of Jingchu culture and Taoist tradition, and the degree of acceptance between Confucianism, Taoism and Buddhism was re-examined. The way of life began to shift towards the direction of "Shen Chan" gradually, finally reached the integration of Confucianism, Taoism and interpretation, and reshaped Su Shi's unique ideological value system with distinctive characteristics. The fourth part discusses the evolution of Su Shi's ci poems in Huangzhou under the influence of Jing Chu culture. After Su Shi was found guilty of poetry, he did not dare to write poetry for a long time, so ci became one of the important ways for Su Shi to express his inner feelings. Based on the unique geographical features and cultural and historical background of Jingchu earth, Su Shi's ci creation in this period has reached the peak of his literary and artistic creation in his life, and he has completed the transformation from "the word of banquet" to "the word of poetry". It is of great value and significance to open up the atmosphere of "liberating ci".
【學位授予單位】:中國礦業(yè)大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:I206.2

【參考文獻】

相關期刊論文 前1條

1 連超;;蘇軾以佛教治心養(yǎng)氣與其書法之氣的建構[J];文史雜志;2014年01期

相關博士學位論文 前1條

1 許外芳;論蘇軾的藝術哲學[D];復旦大學;2003年



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