現(xiàn)實(shí)詩(shī)辨與詩(shī)性正義——論詩(shī)歌的現(xiàn)實(shí)感與當(dāng)代經(jīng)驗(yàn)
發(fā)布時(shí)間:2018-06-16 07:02
本文選題:社會(huì)劇變 + 愛(ài)默生 ; 參考:《南方文壇》2017年05期
【摘要】:正任何人都不擁有這片風(fēng)景。在地平線(xiàn)上有一種財(cái)產(chǎn)無(wú)人可以擁有,除非此人的眼睛可以使所有這些部分整合成一體,這個(gè)人就是詩(shī)人!獝(ài)默生社會(huì)劇變提供了新的時(shí)代景觀(guān),新媒體和自媒體催生的詩(shī)歌現(xiàn)場(chǎng)正在詩(shī)歌生態(tài)、內(nèi)部機(jī)制和動(dòng)力體統(tǒng)上發(fā)生著震蕩。與此相應(yīng),有一個(gè)疑問(wèn)也正在加深——物化主義、經(jīng)濟(jì)利益、消費(fèi)閱讀的支配法則下詩(shī)人應(yīng)該經(jīng)由詞語(yǔ)建構(gòu)的世界對(duì)誰(shuí)說(shuō)話(huà)和發(fā)聲?這與歌德的自傳《詩(shī)與真》以及西蒙娜·薇依在1941年夏天所吁求的作家要對(duì)時(shí)代的種種不幸負(fù)責(zé)發(fā)生了切實(shí)地呼應(yīng)。毋庸置疑,詩(shī)人通過(guò)個(gè)人化的歷史想象力、求真
[Abstract]:No one has the view. There is a property on the horizon that no one can own, unless one's eyes are able to integrate all these parts into one, the poet. -Emerson 's social upheaval provides a new landscape of the times. New media and poetry born from the media are in the poetic ecology, internal mechanism and dynamic system are shaking. Accordingly, there is a growing question of who the poet should speak and speak to through the world constructed by words under the rules of materialism, economic interests, and consumption and reading. This echoes Goethe's autobiography Poems and Truth and Simone Vivian's call in the summer of 1941 for a writer to be responsible for the misfortunes of his time. There is no doubt that poets seek truth through their personal historical imagination
【作者單位】: 中國(guó)作家協(xié)會(huì)創(chuàng)研部;首都師范大學(xué)中國(guó)詩(shī)歌研究中心;
【分類(lèi)號(hào)】:I207.2
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本文編號(hào):2025819
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