本文選題：漢族作家 + 藏地小說　； 參考：《南京師范大學》2017年碩士論文

【摘要】：藏地自古就是中國不可分割的一部分,作為一種獨特的文化資源,藏地在新中國成立伊始就不斷被漢族作家書寫。當代漢族作家的藏地小說是當代漢族作家創(chuàng)作的將文本旨意指向藏地的文明形態(tài)的小說。這是漢族作家在觀察體驗藏族社會生活的過程中,以在藏地生活者為藝術形象,以在藏地發(fā)生的故事為情節(jié)展開的小說創(chuàng)作。文學作為人思想觀念的反映,與相應時代的經(jīng)濟水平、社會政治變革密不可分。邁入新世紀,伴隨著中國加入WTO、青藏鐵路的開通,藏地以開放的姿態(tài)迎接著八方來客,這也使?jié)h族作家的藏地小說創(chuàng)作呈現(xiàn)出與以往不同的文學品格。全文分為緒論、正文的四個章節(jié)與結(jié)語。緒論中整理了新世紀之前當代漢族作家藏地小說創(chuàng)作的三個階段,分析三個階段因作家的身份背景、所處時代的政治經(jīng)濟狀況的不同,藏地小說所呈現(xiàn)出的不同特征。進而探討了新世紀以來漢族作家藏地小說“新”在何處——新的作家群體、新的藏地面貌、新的創(chuàng)作訴求。論文第一章梳理了新世紀漢族作家藏地小說創(chuàng)作的四種新走向,由此考察小說背后的創(chuàng)作動機與訴求。第二章以自然為核心,探討了在新世紀自然不再是背景式的存在,而是經(jīng)過漢族作家的感性想象具有了 “神性”色彩,以及漢族作家通過人與動物的交往張揚動物的主體性。第三章展現(xiàn)了在新世紀全球化的語境下,藏地作為文化交匯地帶所出現(xiàn)的信仰沖突與和諧共生、血脈交融與跨國對話。第四章探討新世紀漢族作家在藏地價值觀影響下的精神追求與寫作姿態(tài)。藏地輪回的生死觀念使他們更注重內(nèi)心世界的探詢,并也深刻地體現(xiàn)在他們的敘事中;他們用“靜觀”的方式關照自我、關注本質(zhì),整體上呈現(xiàn)出“慢寫作”的特點;“流浪”成為漢族作家藏地寫作的獨特關注與資源。結(jié)語中總結(jié)了藏地作為一種寫作策略和創(chuàng)作資源對當代文學創(chuàng)作的意義,以及新世紀漢族作家藏地小說創(chuàng)作的不足之處。新世紀漢族作家的藏地小說無論是創(chuàng)作人數(shù)還是小說數(shù)量都比較多,論文分析了在他們?yōu)槭裁匆桦x內(nèi)地文化書寫他者文化,藏地在自然、文化層面給漢族作家提供了寫作資源,這些資源又是如何在文本中得以呈現(xiàn)的。同時,探討了藏地小說創(chuàng)作作為一種寫作姿態(tài)和寫作精神的文學追求對拓寬文學寫作資源,在全球化時代挖掘當代中國文學內(nèi)在活力的意義。
[Abstract]:Tibetan land has been an inseparable part of China since ancient times. As a unique cultural resource, Tibetan land has been written by Han writers since the founding of New China. The Tibetan novels of contemporary Han writers are novels written by contemporary Han writers that point the text to the civilized form of Tibet. In the process of observing and experiencing Tibetan social life, this novel is composed of people living in Tibet as artistic image and stories occurring in Tibet as the plot. Literature, as a reflection of human ideology, is closely related to the economic level and social and political changes of the corresponding times. In the new century, with China's entry into the WTO, the opening of the Qinghai-Tibet Railway, Tibet welcomes the visitors from all directions with an open attitude, which also makes the Tibetan novel creation of Han Chinese writers show a different literary character than before. The full text is divided into the introduction, the text four chapters and the conclusion. In the introduction, the author arranges the three stages of the contemporary Han writers' Tibetan novels before the new century, and analyzes the different characteristics of the Tibetan novels because of the writer's identity background, the different political and economic conditions of the times in which the writers live and the different characteristics of the Tibetan novels. Then it discusses where the novel "New" of Han Chinese writers has been written since the new century-new writers' groups, new Tibetan features, and new creative demands. The first chapter combs the four new trends of Tibetan novel creation of Han nationality writers in the new century, and investigates the motive and demand behind the novel. The second chapter, taking nature as the core, discusses that nature is no longer the background existence in the new century, but has the color of "divinity" through the perceptual imagination of Han nationality writers, and the Han nationality writers promote the subjectivity of animals through the communication between human beings and animals. In the context of globalization in the new century, the third chapter shows the conflict of belief and harmony, the blending of blood and the transnational dialogue. Chapter four discusses the spiritual pursuit and writing posture of Han writers in the new century under the influence of Tibetan values. The concept of life and death of Tibetan reincarnation makes them pay more attention to the inquiry of inner world and also deeply reflect in their narration, they take care of themselves in the way of "watching quietly", pay attention to the essence, and present the characteristics of "slow writing" on the whole; Vagrancy has become a unique concern and resource for the writing of Han writers in Tibet. The conclusion sums up the significance of Tibetan region as a writing strategy and creative resource to contemporary literary creation, as well as the deficiency of Tibetan novel creation of Han nationality writers in the new century. In the new century, the number of Tibetan novels written by Han writers in the new century is quite large, both in terms of the number of writers and the number of novels. The paper analyzes why they should be alienated from the mainland culture to write about the other's culture, and that the Tibet is in the nature. At the cultural level, Han writers are provided with writing resources, and how these resources are presented in the text. At the same time, this paper probes into the significance of the literary pursuit of Tibetan novel creation as a writing posture and writing spirit to broaden the literary writing resources and to excavate the inner vitality of contemporary Chinese literature in the era of globalization.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42

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