本文選題：黃曉陽(yáng) + 官場(chǎng)小說(shuō)　； 參考：《牡丹江師范學(xué)院》2015年碩士論文

【摘要】：黃曉陽(yáng)的《二號(hào)首長(zhǎng)》、《二號(hào)首長(zhǎng)2》、《二號(hào)首長(zhǎng)3》、《高手過(guò)招》、《陽(yáng)謀高手》分別于2011年5月、9月、12月、2012年2月及4月陸續(xù)呈密集梯隊(duì)出版,先是在公務(wù)員階層以及國(guó)企高管層引發(fā)強(qiáng)烈反響,后來(lái)轟動(dòng)效應(yīng)如漣漪般擴(kuò)散,被許多人稱之為“官場(chǎng)教科書(shū)”,《二號(hào)首長(zhǎng)1》僅出版一年就達(dá)到了120萬(wàn)冊(cè)的市場(chǎng)銷量以及在盜版市場(chǎng)的瘋狂表現(xiàn),將整個(gè)出版江湖攪得風(fēng)起云涌。該書(shū)被亞洲周刊評(píng)為2011年度十大中文小說(shuō)之一,名列第三,成為近年來(lái)最叫座的官場(chǎng)小說(shuō),不能不令人嘆為觀止。在官場(chǎng)小說(shuō)如此之多的今天,黃曉陽(yáng)的官場(chǎng)小說(shuō)能如此受追捧和關(guān)注,不能不說(shuō)其必然有他的過(guò)人之處。本文在考察前人和同類研究的基礎(chǔ)上,從整體上對(duì)黃曉陽(yáng)的官場(chǎng)小說(shuō)進(jìn)行全面的梳理、剖析和闡述,從細(xì)讀黃曉陽(yáng)官場(chǎng)小說(shuō)的文本入手,通過(guò)對(duì)其官場(chǎng)小說(shuō)的主題思想、人物塑造、敘事藝術(shù)等方面做一些深度的開(kāi)掘和探究,以期對(duì)黃曉陽(yáng)的官場(chǎng)小說(shuō)有更全面的把握、更客觀的評(píng)價(jià)和更準(zhǔn)確的定位。論文共分為三章。第一章黃曉陽(yáng)官場(chǎng)小說(shuō)的主題構(gòu)成。黃曉陽(yáng)推崇的為官之術(shù):“王者伐道,智者伐交,武者伐謀”,在他的官場(chǎng)小說(shuō)中充滿了理性與哲學(xué)的思考、智慧與權(quán)謀的運(yùn)籌、規(guī)則與秩序的微妙、邪惡與正義的較量、靈魂的墮落與救贖,權(quán)力的博弈和制衡,這些問(wèn)題的展示與剖析就構(gòu)成了黃曉陽(yáng)官場(chǎng)小說(shuō)的主題。第二章黃曉陽(yáng)官場(chǎng)小說(shuō)的人物塑造。黃曉陽(yáng)的官場(chǎng)小說(shuō)之所以能夠博取廣大讀者的強(qiáng)烈追捧,是因?yàn)槠渥髌分兴茉炝艘幌盗杏醒腥?豐滿真實(shí)的典型人物。黃曉陽(yáng)將這些人物刻畫(huà)成極具特點(diǎn)、性格矛盾沖突明顯、異常引人注目的介于黑白之間的灰色人物,既非大是大非的贊揚(yáng)批判,也非清廉與貪污的類型比較,較之以前官場(chǎng)小說(shuō)的人物形象塑造有很大的超越,使之更接近現(xiàn)實(shí)世界,同時(shí)更加的生動(dòng)真實(shí)。這些典型人物的刻畫(huà),具有深刻的思想性和較為廣泛的代表性。第三章黃曉陽(yáng)官場(chǎng)小說(shuō)的敘事藝術(shù)。黃曉陽(yáng)用深入的筆觸探究官場(chǎng)內(nèi)部權(quán)力爭(zhēng)斗的真相和官本位文化的本質(zhì)與表征,使他的官場(chǎng)小說(shuō)進(jìn)入了一個(gè)新的表現(xiàn)領(lǐng)域。他用獨(dú)特的敘事視角、模式和方法集中描繪了官場(chǎng)的原生態(tài),以引起整個(gè)社會(huì)的關(guān)注和思考,祈望文學(xué)來(lái)喚起民眾的正義和良知,同時(shí)作家適應(yīng)社會(huì)發(fā)展不斷迎合讀者的審美趣味和消費(fèi)心態(tài)的變化,商業(yè)化的包裝與宣傳進(jìn)一步擴(kuò)大了其官場(chǎng)小說(shuō)的社會(huì)影響力,呈現(xiàn)出新時(shí)期以來(lái)官場(chǎng)小說(shuō)較為成熟的狀態(tài)。
[Abstract]:Huang Xiaoyang's "second head", < second Chief Officer 2 >, < second Chief Officer 3 >, "Master Master", "Yangmou Master" were published in dense echelons in May, September, December, February, and April, 2012, respectively. First there was a strong reaction at the civil service level and at the top of the state-owned enterprise, and then the sensational effect spread like a ripple. Many people call the "official textbook", "second Chief 1" published in just one year to reach 1.2 million copies of the market sales and in the piracy market crazy performance, the entire publication of the quagmire. The book was named by Asia Weekly as one of the top ten Chinese novels in 2011, ranking third and becoming the most popular official novel in recent years. With so many officialdom novels today, Huang Xiaoyang's officialdom novels are so popular and concerned that they must have his own advantages. On the basis of investigation of predecessors and similar studies, this paper makes a comprehensive analysis, analysis and elaboration of Huang Xiaoyang's official novels on the whole, begins with a detailed reading of the texts of Huang Xiaoyang's official novels, and through the theme of Huang Xiaoyang's official novels, In order to have a more comprehensive grasp, more objective evaluation and more accurate positioning of Huang Xiaoyang's official novels, some deep excavations and explorations are made in the aspects of character shaping and narrative art. The thesis is divided into three chapters. The first chapter is the theme composition of Huang Xiaoyang's official novels. Huang Xiaoyang's art of becoming an official: "the king of the king, the wise man, the martial man," is full of rational and philosophical thinking, the operation of wisdom and power, the subtlety of rules and order, and the contest between evil and justice in his official novels. The depravity and redemption of soul, the game and balance of power, the display and analysis of these problems constitute the theme of Huang Xiaoyang's official novels. The second chapter is the characterization of Huang Xiaoyang's official novels. Huang Xiaoyang's official novels are popular with readers because of a series of flesh-and-blood, full-bodied and real characters in his novels. Huang Xiaoyang portrays these characters as extremely distinctive, with obvious conflicts of character, and a particularly striking gray figure between black and white. He is neither a major praise nor a criticism of right or wrong, nor a comparison of the types of honesty and corruption. Compared with the former officialdom novels, it has great transcendence, making it closer to the real world, and more vivid and real at the same time. The portrayal of these typical characters has profound ideological content and more extensive representativeness. The third chapter is the narrative art of Huang Xiaoyang's official novels. Huang Xiaoyang used his deep strokes to probe into the truth of the power struggle in the official field and the essence and characterization of the officialdom standard culture, which made his official novels enter a new field of expression. With his unique narrative perspective, he focuses on depicting the original ecology of officialdom in order to arouse the attention and thinking of the whole society and pray for literature to arouse the justice and conscience of the people. At the same time, the writer adapts to the social development and constantly caters to the changes of the readers' aesthetic taste and consumption mentality. The commercial packaging and propaganda further expands the social influence of his official novels and presents a more mature state of the official novels in the new period.
【學(xué)位授予單位】：牡丹江師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.42

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相關(guān)碩士學(xué)位論文 前1條

1 張廣忠;王躍文官場(chǎng)小說(shuō)創(chuàng)作研究[D];山東大學(xué);2010年

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本文編號(hào)：2012087