本文選題：《檀香刑》 + 懲罰�。� 參考：《中國文學(xué)研究》2017年02期

【摘要】：《檀香刑》并不止于"展示"酷刑,而是通過展示達(dá)到對酷刑的批判。就酷刑展示的實質(zhì)而言,這是"懲罰"圖像對"罪行"的隱喻。進(jìn)一步分析表明,懲罰圖像生成于執(zhí)刑表演的過程,但執(zhí)刑表演還包括伴隨懲罰圖像的"聲音"。聲音與圖像的理想關(guān)系是"唱和",即前者體現(xiàn)出后者的"懲戒"效果與"審美"效果;然而在"檀香刑"的執(zhí)刑中,聲音與圖像之間卻是一種"解構(gòu)"關(guān)系,孫丙及其貓腔最終解構(gòu)了檀香刑圖像的隱喻意義。
[Abstract]:Sandalwood torture is not only a demonstration of torture, but also a critique of torture. In terms of the essence of torture, it is a metaphor for crime in the image of punishment. Further analysis shows that the punishment image is generated from the execution process, but the execution performance also includes the "sound" accompanying the punishment image. The ideal relationship between sound and image is "singing harmony", that is, the former reflects the latter's "disciplinary" effect and "aesthetic" effect, but in the execution of "sandalwood punishment", there is a "deconstruction" relationship between sound and image. Sun and his cat finally deconstructed the metaphorical meaning of sandalwood.
【作者單位】： 江蘇第二師范學(xué)院文學(xué)院;
【基金】：江蘇省社科基金青年項目“《水滸傳》小說成像研究”(15ZWC002) 江蘇高校哲學(xué)社會科學(xué)研究項目“文學(xué)成像及其語圖符號學(xué)方法研究”(2016SJD750006) 國家社科基金重點(diǎn)項目“文學(xué)圖像論”(12AZW005)的階段性研究成果
【分類號】：I207.42
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本文編號：2009192