本文選題：宋湘 + 詩(shī)歌理論�。� 參考：《西北師范大學(xué)》2015年碩士論文

【摘要】：宋湘是清代乾嘉時(shí)期嶺南著名詩(shī)人。他于清初“嶺南三大家”后,卓然崛起,自成一家,與同時(shí)期詩(shī)人黎簡(jiǎn)雙峰并峙,成為乾嘉時(shí)期嶺南詩(shī)壇上光彩奪目的雙子星座。其論詩(shī)主張以“真性情”寫(xiě)詩(shī),反對(duì)因襲模擬,提倡風(fēng)格多樣化。這些主張雖比較接近于袁枚的“性靈說(shuō)”,但兩者又有明顯的區(qū)別:宋湘雅,袁枚俗。宋湘詩(shī)論的全面性與豐富性雖然無(wú)法與袁枚的“性靈說(shuō)”相提并論,但在某些見(jiàn)解的深刻性及公允性上卻高于袁枚的“性靈說(shuō)”。宋湘的詩(shī)歌創(chuàng)作實(shí)踐了他的論詩(shī)主張,《紅杏山房集》共存詩(shī)一千余首,多以關(guān)注民生、抒懷感慨、詠史懷古、贈(zèng)答唱和等為主題,真實(shí)地反映了當(dāng)時(shí)的社會(huì)現(xiàn)實(shí)和詩(shī)人的生活經(jīng)歷,在不同的體裁、題材中表現(xiàn)出不同的風(fēng)格特色。在藝術(shù)手法上,宋湘擅長(zhǎng)以散文和古詩(shī)之法作詩(shī),慷慨豪邁,富有“雄直”之氣,是清代嶺南詩(shī)壇的杰出代表。本文由六個(gè)部分組成:緒論部分對(duì)自清代中期以來(lái)的宋湘研究進(jìn)行梳理回顧,明確本文的研究思路。第一章主要介紹宋湘的生平經(jīng)歷與交游情況,使讀者對(duì)宋湘其人有一個(gè)全面了解。第二章通過(guò)分析比較宋湘與袁枚論詩(shī)主張的異同,對(duì)其詩(shī)歌創(chuàng)作理論作進(jìn)一步探析。第三章主要以品析宋湘的詩(shī)歌為主,深入探討其不同類型詩(shī)歌的意蘊(yùn)。第四章主要對(duì)宋湘詩(shī)歌在體裁、風(fēng)格、修辭手法等方面,所表現(xiàn)出的獨(dú)特藝術(shù)特色進(jìn)行論述。結(jié)語(yǔ)部分,歸納總結(jié)宋湘在清代文學(xué)史上的地位和影響。
[Abstract]:Song Xiang is a famous poet of Lingnan in Qianjia period of Qing Dynasty. After "three great Lingnan schools" in the early Qing Dynasty, Zhuo Ran rose up and became a Gemini constellation in Lingnan poetry circle in Qianjia period. His poems advocate writing poems with "true temperament", oppose imitation, and advocate variety of styles. Although these propositions are close to Yuan Mei's "spirit theory", there are obvious differences between them: song Xiangya, Yuan Mei vulgar. Although the comprehensiveness and richness of Song Xiang's poetic theory can not be compared with Yuan Mei's theory of "spirit of nature", it is higher than Yuan Mei's theory of "spirit of nature" in the depth and fairness of some opinions. Song Xiang's poetry works put into practice his theory of poetry. "the House of Red Hingsing Mountain" has more than 1,000 co-existing poems, with the themes of concern for the people's livelihood, expression of feelings, nostalgia of history, gift of singing and singing in answer, and so on. It reflects the social reality of the time and the poet's life experience, and shows different styles and characteristics in different genres and themes. In terms of artistic techniques, Song Xiang was good at writing poems in prose and ancient poetry, generous and heroic, full of "Xiong straight", and was an outstanding representative of Lingnan poetry in Qing Dynasty. This paper consists of six parts: the introduction part reviews the research of Song Xiang since the middle of Qing Dynasty, and clarifies the research ideas of this paper. The first chapter mainly introduces Song Xiang's life experience and friends, so that readers have a comprehensive understanding of his people. The second chapter analyzes and compares the similarities and differences between Song Xiang and Yuan Mei, and makes a further analysis of their poetry creation theory. The third chapter mainly analyzes the poetry of Song Xiang, and probes into the implication of different types of poetry. The fourth chapter mainly discusses the unique artistic characteristics of Song Xiang poetry in genre, style, rhetoric and so on. The conclusion part summarizes the position and influence of Song Xiang in the history of Qing Dynasty literature.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.22

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