本文選題：時(shí)空背景 + 現(xiàn)代性�。� 參考：《南方文壇》2017年04期

【摘要】：正雖然朱山坡的小說(shuō)屢屢多變,且看似風(fēng)格迥異,但若仔細(xì)分析便會(huì)發(fā)現(xiàn),他的小說(shuō)始終都有一個(gè)小鎮(zhèn)的時(shí)空背景貫穿始終,《懦夫傳》如此,《爸爸,我們?nèi)ツ睦铩啡绱?其近作《風(fēng)暴預(yù)警期》(2016)也是如此。當(dāng)然,這并不是說(shuō)他的小說(shuō)脫離了小鎮(zhèn)時(shí)空便無(wú)法展開(kāi),而是想指出,他偏愛(ài)小鎮(zhèn),他總是把他的小說(shuō)的主人公置于小鎮(zhèn)的來(lái)處或去處,小鎮(zhèn)既是他的小說(shuō)的主人公的落腳地,也是他的小說(shuō)的主人公一直念茲在茲地想要逃離的地方。就像《風(fēng)暴預(yù)警期》中的主人公
[Abstract]:Although Zhu Hillside's novels are often changeable and seem to differ in style, a careful analysis of his novels reveals that his novels always have a small town's space-time background running through it, "the Story of cowards" so, "Dad, where shall we go?" The same is true of its latest book, Storm warning period (2016). This, of course, is not to say that his novels cannot be unfolded without a small town, but rather to point out that he prefers small towns, where he always places the protagonists of his novels where they come and go, which is the place where the protagonists of his novels are based. It is also the place where the protagonist of his novel has been trying to escape. Like the protagonist in the Storm warning period.
【作者單位】： 浙江師范大學(xué)人文學(xué)院;復(fù)旦大學(xué)中文系;
【分類號(hào)】：I207.42

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