1950年代小說知識階層公與私的倫理—對《人民文學(xué)》作品的考察
本文選題:知識階層 + 公/私領(lǐng)域。 參考:《揚(yáng)州大學(xué)》2017年碩士論文
【摘要】:從知識階層公與私的倫理關(guān)系入手,考察1950年代《人民文學(xué)》中的小說,知識階層的私人交往顯示出階段性的特征,其家庭婚姻、戀愛、友朋等私域性的交往關(guān)系受國家層面的政治決策影響,公共領(lǐng)域的政治倫理,壓制了私領(lǐng)域倫理的話語權(quán),新型的人際關(guān)系在這一時期得到特別地推崇。新型人際關(guān)系背后隱藏的往往是新型的倫理生態(tài)和文化生態(tài),掌控五十年代文學(xué)發(fā)展的正是社會主義革命寫作倫理和社會主義建設(shè)的現(xiàn)實文學(xué)。社會主義革命寫作倫理放大了文學(xué)對于私領(lǐng)域倫理的拒斥力量,世俗敘事在五十年代發(fā)生斷層,私人關(guān)系的公共化成為其顯著特點。傳統(tǒng)世俗敘事的“斷”與延安文藝的“庚續(xù)/創(chuàng)新”對之后的中國文學(xué)發(fā)展、作家創(chuàng)作習(xí)慣產(chǎn)生深遠(yuǎn)的影響,成為這一時期文學(xué)在文學(xué)史上的重要作用。本論文由緒論、本論三章和結(jié)論構(gòu)成。論文的緒論部分闡明論文緣起,梳理相關(guān)的概念和歷史背景。第一章重點關(guān)注這一階段文學(xué)敘事中人的生活內(nèi)容的“私”的質(zhì)素的存在形態(tài)和轉(zhuǎn)變特點。以時間為縱向線索,以具體的社會事件為點,分階段考察知識分子私人交往的階段性樣貌,以社會事件、社會政策為重點導(dǎo)向,總結(jié)出知識分子“階級+婚姻家庭”“黨性+工作”和“革命+生產(chǎn)”的私領(lǐng)域人際關(guān)系轉(zhuǎn)變方式。同時觀照此時期知識階層私人交往的“異端”,力求從多方面考察1950年代知識分子私領(lǐng)域的面貌。第二章重點關(guān)注社會主義文學(xué)事業(yè)中“公”質(zhì)素的結(jié)構(gòu)性關(guān)系的建設(shè)與鞏固?(編輯)、作家、作品的批評與自我批評,極大地控制著文學(xué)創(chuàng)作的思路和方法,助力社會主義革命寫作倫理的建設(shè)。新中國成立后的十年之中,社會主義革命寫作倫理主要囊括了“斗爭”的倫理和“教育”的倫理,這兩個方面又指向了刊物與作家、作家與作品、作品與讀者、讀者與刊物的關(guān)系。在此寫作倫理的指導(dǎo)之下,作家通過將知識階層置于對比語境以及設(shè)置“知識分子記錄者”這一文本角色,完成社會主義建設(shè)的現(xiàn)實文學(xué)的實踐。第三章在前文論述的基礎(chǔ)上,討論知識階層生活敘事中確立公/私倫理關(guān)系所產(chǎn)生的文學(xué)意義。1950年代《人民文學(xué)》的小說,整體上呈現(xiàn)出去“私”為“公”的趨勢,暗藏一條私人關(guān)系公共化的脈絡(luò),證實了這一時期世俗敘事的停滯與消解。與此同時發(fā)生的,是解放區(qū)文學(xué)政治倫理的“賡續(xù)”和社會主義文學(xué)的全面“創(chuàng)新”。新中國成立后,在延安初步實踐的工農(nóng)兵方向的文學(xué)寫作迅速在全國范圍內(nèi)蔓延,新中國文學(xué)依舊繼承毛澤東《講話》精神,對于“親”的重新定義,對“同志”關(guān)系的新解讀以及“物”的階級屬性化成為此時期政治倫理作用于文學(xué)的“創(chuàng)新”成果。
[Abstract]:Starting with the ethical relationship between the public and the private of the intellectual class, this paper examines the novels in people's Literature in the 1950s. The private communication of the intellectual class shows the characteristics of stages, such as family marriage and love. The private communication relations such as friends and friends are influenced by the political decision at the national level. The political ethics of the public domain suppresses the discourse power of the private domain ethics, and the new type of interpersonal relationship is specially respected in this period. Behind the new interpersonal relationship are often the new ethical ecology and cultural ecology, and it is the socialist revolutionary writing ethics and realistic literature that control the development of literature in the 1950s. The ethics of socialist revolutionary writing magnifies the resistance of literature to the ethics of the private sphere, and secular narration breaks down in the 1950s, and the publicization of private relations becomes its prominent feature. The "break" of the traditional secular narrative and the "continuity / innovation" of Yan'an literature and art had a profound influence on the development of Chinese literature and writers' creative habits, which became the important role of literature in the history of literature in this period. This paper consists of introduction, three chapters and conclusions. The introduction of the paper explains the origin of the paper, combing the related concepts and historical background. The first chapter focuses on the existence and transformation characteristics of the private content of human life in this stage of literary narration. Taking time as a vertical clue, taking specific social events as a point, examining the stage appearance of intellectuals' private exchanges in stages, focusing on social events and social policies, It sums up the transformation way of personal relationship between intellectuals "class marriage and family", "party work" and "revolutionary production". At the same time, according to the "heresy" of the intellectual private communication in this period, we try to investigate the facets of the intellectual private field in the 1950s. The second chapter focuses on the construction and consolidation of the structural relationship of "public" quality in the cause of socialist literature. The criticism and self-criticism of publications (editors, writers, works) greatly control the ideas and methods of literary creation and help the construction of socialist revolutionary writing ethics. In the ten years after the founding of New China, the ethics of socialist revolutionary writing mainly included the ethics of "struggle" and "education", which pointed to publications and writers, writers and works, works and readers. The relationship between readers and publications. Under the guidance of the writing ethics, the writer completes the realistic literature practice of socialist construction by putting the intellectual stratum in the context of contrast and setting up the role of "intellectual recorder". The third chapter discusses the literary significance of the establishment of the relationship between public and private ethics in the narration of life of the intellectual class on the basis of the previous exposition. In the 1950s, the novel "people's Literature" presents the trend of "private" becoming "public" as a whole. A thread of publicization of private relations is hidden, which confirms the stagnation and deconstruction of secular narration in this period. At the same time, it is the continuity of political ethics of literature in liberated areas and the overall innovation of socialist literature. After the founding of the people's Republic of China, literary writing in the direction of workers, peasants and soldiers, which was initially practiced in Yan'an, spread rapidly throughout the country.New Chinese literature still inherited the spirit of "speech" from Mao Zedong, and redefined "pro". The new interpretation of the relationship between "comrades" and the class attribute of "things" is the result of "innovation" of political ethics in this period.
【學(xué)位授予單位】:揚(yáng)州大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:I207.42
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