本文選題：漢賦 + 女性形象��； 參考：《寧夏大學》2017年碩士論文

【摘要】：女性形象是漢賦人物圖譜的一個重要組成部分,這些女性形象的出現(xiàn)同時也豐富了漢賦內在的審美意蘊。漢賦對于女性形象的描寫獨具特色,既繼承了前代文學中對女性描摹的模式,又運用漢賦大全深細的鋪陳方式,用賦體的語言結構來描摹女性之美。正是由于漢賦中女性形象是構成漢賦獨特審美意蘊的有機組成要素猶如明珠般閃耀,因此,解構漢賦中女性形象之美并進而全面深刻認知漢賦整體審美特征,也就成為本文的研究關注點。我們對漢賦中女性人物形象的探究包括以下四個部分:第一章論述漢賦中的女性形象的分類構成與其產生的社會基礎。漢賦中出現(xiàn)的女性形象大致可以分成宮闈女子、舞女、寡婦、棄婦等七類女性形象。漢賦中這些女性形象的出現(xiàn)與漢代時期社會的繁榮背景密不可分,在這樣的時代背景下,漢人積極用世的心態(tài)使得他們的創(chuàng)作兼具頌世與諷諫的特色,而漢代歌舞宴會盛行,女性作為其中不可缺少的娛樂因素而成為漢代文人關注的對象。第二章探討漢賦中女性形象的特點與創(chuàng)作的藝術手法。漢賦中的女性形象大部分都外貌完美,具有類型化的形象特征。漢代文人在對女性進行描摹的時候都采用了一些獨特的藝術手法�；蛱搶嵪嚅g,或微觀細節(jié)全方位的刻畫,追求描寫上的面面俱到,體現(xiàn)在語言上反復鋪陳渲染、韻散相間等特點。這些手法使得漢賦中的女性形象更加豐滿而突出。第三章主要探討漢賦作家對女性的審美心態(tài)。從兩漢辭賦看來,兩漢賦家對女性形象的審美是不盡相同的,主要體現(xiàn)在對于自然美與修飾美的審美差異上,但是這種差異卻都表現(xiàn)出賦家將女性物化的審美傾向。再次,通過分析兩漢兩性賦家的作品,將其進行比較我們能夠看出其中體現(xiàn)出的明顯的性別差異。另外,縱觀兩漢關于女性的辭賦作品,賦作中對女性的態(tài)度也體現(xiàn)出由貶抑到褒揚的明顯變化,而這種變化與兩漢儒家思想的盛行與式微是有一定的聯(lián)系的。第四章論述漢賦中女性形象的文學史意義。漢賦中對女性形象的描寫無疑是豐富了我國古代文學中的人物形象,同時也是用韻散相間的賦體語言塑造人物形象的成功嘗試。而這一切的成就,都深刻地影響了我國后世學詩詞小說等文學。漢賦中對于女性形象的刻畫與描摹,給后世詩詞小說中描寫女性人物以深刻的啟示。
[Abstract]:Female image is an important part of the figure map of Han Fu. The appearance of these female images also enriches the inherent aesthetic implication of Han Fu. The depiction of female image in Han Fu has its own characteristics. It not only inherits the model of depicting women in the previous literature, but also describes the beauty of women with the language structure of Fu. It is precisely because the female image in the Han Fu is an organic element which constitutes the unique aesthetic implication of the Han Fu, it shines like a pearl. Therefore, the beauty of the female image in the Han Fu is deconstructed and the overall aesthetic characteristics of the Han Fu are fully and profoundly recognized. It has become the research focus of this paper. Our research on female characters in Han Fu includes the following four parts: the first chapter discusses the composition and social basis of the classification of female characters in Han Fu. The images of women in Han Fu can be divided into seven types: women in palace chamber, dancers, widows, abandoned women and so on. The appearance of these female images in the Han Fu is closely related to the prosperous background of the society in the Han Dynasty. Under this background, the Han people actively use the world mentality to make their creation have the characteristics of eulogizing the world and satirizing the remonstrance, while the singing and dancing banquets are popular in the Han Dynasty. As an indispensable entertainment factor, women became the object of attention of the scholars in the Han Dynasty. The second chapter discusses the characteristics of female images and artistic techniques in Han Fu. Most of the female images in Han Fu are perfect in appearance and have type image characteristics. The literati of the Han Dynasty used some unique artistic techniques to describe women. Or the empty reality, or micro-detail all-round depiction, the pursuit of all aspects of the description, reflected in the language of repeated rendering, rhyme scattered and other characteristics. These techniques make the female image of Han Fu more full and prominent. The third chapter mainly discusses the aesthetic mentality of Han Fu writers to women. From the perspective of the ci Fu of the Han Dynasty, the aesthetic appreciation of the female image of the two Han Fu writers is different, mainly reflected in the aesthetic difference between the natural beauty and the modified beauty, but this difference shows the aesthetic tendency of the Fu writers to materialize the female. Thirdly, by analyzing the works of both sexes in Han Dynasty, we can see the obvious gender difference. In addition, throughout the Han Dynasty on women's ci Fu works, Fu's attitude towards women also reflects a marked change from derogatory to praise, and this change is related to the prevalence and decline of Confucianism in the Han Dynasty. The fourth chapter discusses the literary significance of female image in Han Fu. The description of female images in Han Fu is undoubtedly a successful attempt to portray characters in ancient Chinese literature. All these achievements have deeply influenced Chinese literature such as poetry and fiction. The depiction and portrayal of female images in Han Fu gives a profound enlightenment to the depiction of female characters in poetry novels of later generations.
【學位授予單位】：寧夏大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.22

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本文編號：1881846