本文選題：揚(yáng)雄 + 述作��； 參考：《中華文化論壇》2017年09期

【摘要】：揚(yáng)雄著述大體可分為兩部分:一是成書(shū),一是散篇。成書(shū)包括《太玄》《法言》《方言》《蜀王本紀(jì)》,除《蜀王本紀(jì)》外,余則保存較完整;散篇情況比較復(fù)雜:一是完篇流傳,二是殘篇,三是存目。另一方面,揚(yáng)雄在著述活動(dòng)中崇尚模擬,這一行為之產(chǎn)生與其獨(dú)有的"述作"觀念有關(guān)。揚(yáng)雄在"述作"問(wèn)題上提出在義理方面是"述",是繼承;在文辭上是"作",是創(chuàng)新。這是一個(gè)不同于他人而又很有意思的說(shuō)法,顯現(xiàn)揚(yáng)雄在文獻(xiàn)創(chuàng)制上的一種新的認(rèn)知態(tài)度。對(duì)于揚(yáng)雄的效仿,應(yīng)該看到他效仿的主要是經(jīng)典的體式,或者說(shuō)文體,至于內(nèi)容則大體出于他個(gè)人的創(chuàng)制。在文體方面揚(yáng)雄在效仿之同時(shí)也有創(chuàng)造,從而為后來(lái)的文體生成積累可貴的實(shí)踐經(jīng)驗(yàn)。
[Abstract]:Yang Xiong's writings can be divided into two parts: one is a book, the other is scattered. The book includes "Taixuan" < Dharma > < dialect > < Shu Wang Ben Ji ", except" Shu Wang Ben Ji ", the remaining preservation is relatively complete, and the situation of scattered articles is more complicated: first, the complete text spread, the second is the remnant article, and the third is the existence of the object. On the other hand, Yang Xiong advocates imitation in his writing activities, which is related to his unique idea of "writing". Yang Xiong puts forward that in the aspect of righteousness and theory, he is "narration" and inheriting, while in terms of speech, he is "doing" and innovating. This is a different and interesting statement, showing Yang Xiong's new cognitive attitude in literature creation. For Yang Xiong's imitation, it should be seen that his imitation is mainly classical style, or stylistic style, and the content is generally originated from his own creation. In stylistic aspect, Yang Xiong imitated and created, thus accumulating valuable practical experience for later stylistic generation.
【作者單位】： 湖州師范學(xué)院文學(xué)院;
【基金】：2017年國(guó)家社科基金一般項(xiàng)目“兩漢語(yǔ)類文獻(xiàn)生成及文體研究”(項(xiàng)目編號(hào):17BZW079)階段性成果之一
【分類號(hào)】：I206.2
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本文編號(hào)：1879425