發(fā)布時(shí)間：2018-05-11 00:17

  本文選題：王思任 + 游記小品文��； 參考：《山東師范大學(xué)》2015年碩士論文

【摘要】：明中后期，，伴隨著資本主義的萌芽、商品經(jīng)濟(jì)的發(fā)展，文人對(duì)外出游玩的興致愈加濃厚。于是，一大批游記作家如雨后春筍般涌現(xiàn)出來(lái)，公安派的袁宏道、竟陵派的鐘惺、以及小品文的集大成者張岱，都是這個(gè)時(shí)期的代表人物，本文的研究對(duì)象王思任，也是其中不可或缺的游記圣手。王思任一生仕途偃蹇，政事之余，他便將身心投入到祖國(guó)的大好河山中，足跡遍布大江南北。他對(duì)山水的癡迷程度，與其他熱愛(ài)山水的文人相比，毫不遜色。在出游途中，王思任寫(xiě)下了許多膾炙人口的游記作品，其作品反映了王思任獨(dú)具匠心的語(yǔ)言風(fēng)格和審美趣味，字里行間還體現(xiàn)了他對(duì)于旅游的認(rèn)識(shí)以及獨(dú)特的山水文化觀念。王思任的游記小品文，對(duì)當(dāng)時(shí)的文壇，產(chǎn)生了不可忽視的影響。 本人以王思任的游記小品文為研究對(duì)象，分別從以下四個(gè)方面展開(kāi)論述： 引言部分主要是對(duì)王思任的相關(guān)研究進(jìn)行綜述，簡(jiǎn)要介紹了王思任在晚明文壇的影響和在清朝銷(xiāo)聲匿跡的原因，以及二十世紀(jì)初新文化運(yùn)動(dòng)興起時(shí)對(duì)他的關(guān)注。這部分的重點(diǎn)是建國(guó)之后對(duì)王思任的研究，主要包括對(duì)其生平、文學(xué)思想、小品文、詩(shī)歌和戲劇觀的研究情況以及本文在此基礎(chǔ)之上的研究空間。 第一章主要介紹晚明游記小品文的發(fā)展背景，將王思任的游記小品文置于古代散文的發(fā)展脈絡(luò)中進(jìn)行整體的源與流的分析。本章主要包括三節(jié)，一是晚明的社會(huì)概況，分別從政治、經(jīng)濟(jì)、思想三方面進(jìn)行闡述；二是介紹晚明社會(huì)的旅游風(fēng)氣和士人的好游心態(tài)，在大環(huán)境的影響下，王思任順應(yīng)當(dāng)時(shí)社會(huì)風(fēng)氣的潮流，熱愛(ài)出游；三是古代游記的發(fā)展脈絡(luò)，分為明代之前的游記發(fā)展與明代游記發(fā)展兩部分，重點(diǎn)介紹晚明游記小品文的發(fā)展。 第二章是主要介紹王思任的旅游觀念及山水文化態(tài)度，一是對(duì)旅游的認(rèn)識(shí)，包括旅游的本質(zhì)和旅游類(lèi)型的分類(lèi)，論述了王思任在出游途中體現(xiàn)出的以探險(xiǎn)為樂(lè)的冒險(xiǎn)精神，注重景觀自然性與人文性的和諧統(tǒng)一。本章的最后，論述了王思任好“雅游”、“自適”的山水態(tài)度。 第三章是王思任游記小品文的內(nèi)容。按其游覽景致的性質(zhì)不同，本章分為了山水記、人文記和主題游記三部分。 第四章是王思任游記小品文的創(chuàng)作淵源以及其作品審美趣味的賞析。本章是全文的重點(diǎn)章節(jié)，其作品創(chuàng)作主要受《世說(shuō)新語(yǔ)》以及徐渭的影響，兩者一個(gè)帶來(lái)“清”，一個(gè)帶來(lái)“謔”；對(duì)王思任作品進(jìn)行審美趣味的賞析時(shí)，主要是從兩方面進(jìn)行，一是意境之美，一是語(yǔ)言之美。 第五章論述王思任游記小品文的影響，一是對(duì)晚明小品文的集大成者張岱的影響，主要體現(xiàn)在“諧”、“趣”、“俗”三個(gè)方面；二是對(duì)文壇的影響，一方面是對(duì)晚明文壇的影響，另一方面是對(duì)近代新文化運(yùn)動(dòng)的意義。 最后的結(jié)語(yǔ)在對(duì)全文進(jìn)行總結(jié)的基礎(chǔ)上，提出了研究王思任游記小品的意義和價(jià)值。
[Abstract]:In the middle and late Ming Dynasty, with the budding of capitalism and the development of commodity economy, scholars became more and more interested in going out and playing. As a result, a large number of travel writers sprang up like bamboo shoots. Yuan Hongdao of the Public Security School, Zhong Xing of the Jingling School, and Zhang Dai, the masterpiece of the essay, were all representatives of this period. Wang Siren, the object of this paper, Also is one of the indispensable travels of the holy hand. Wang Siren spent his life in politics, he put his mind and body into the great rivers and mountains of the motherland, with footprints all over the river and south. His obsession with mountains and rivers, compared with other people who love mountains and rivers. On the way out, Wang Siren wrote many famous travel works, which reflected Wang Siren's original language style and aesthetic taste, and also reflected his understanding of tourism and unique landscape culture. Wang Siren's travel essays had an unnegligible influence on the literary world at that time. I take Wang Siren's travel essays as the object of study, and discuss them from the following four aspects: The introduction summarizes Wang Siren's research, briefly introduces the influence of Wang Siren in the literary world of the late Ming Dynasty and the reasons for his disappearance in the Qing Dynasty, as well as the attention paid to Wang Siren when the new cultural movement rose in the early 20th century. This part focuses on the study of Wang Siren after the founding of the people's Republic of China, including his life, literary thoughts, essays, poetry and drama, as well as the research space of this paper. The first chapter mainly introduces the development background of travel essays in the late Ming Dynasty, and puts Wang Siren's travel essays into the development context of ancient prose to analyze the source and flow of the whole. This chapter mainly includes three sections: first, the social situation of the late Ming Dynasty, respectively, from the political, economic, and ideological aspects; second, it introduces the tourism ethos of the late Ming society and the good traveling mentality of the scholars, under the influence of the great environment. Wang Siren followed the trend of social atmosphere at that time and loved traveling; third, the development of ancient travel notes was divided into two parts: the development of travel notes before Ming Dynasty and the development of travel notes of Ming Dynasty, with emphasis on the development of essays on travel notes in late Ming Dynasty. The second chapter mainly introduces Wang Siren's concept of tourism and the attitude of landscape culture. One is the understanding of tourism, including the nature of tourism and the classification of tourism types, and discusses Wang Siren's adventurous spirit of adventure on his way out. Pay attention to the harmony and unity of landscape naturalness and humanism. At the end of this chapter, the author discusses Wang Siren's attitude of "Ya you" and "self-adaptation". The third chapter is the content of Wang Siren's travel essays. According to the nature of the scenery, this chapter is divided into three parts: landscape, Humanities and theme Journey. The fourth chapter is the origin of Wang Siren's travel essays and the appreciation of his aesthetic taste. This chapter is the key chapter of the full text. The creation of his works is mainly influenced by "Shi Shuo Xin Yu" and Xu Wei. Both of them bring "Qing" and "banter", while appreciating Wang Siren's works of aesthetic taste, Mainly from two aspects, one is the beauty of artistic conception, the other is the beauty of language. The fifth chapter discusses the influence of Wang Siren's essays on his travels. One is the influence on Zhang Dai, the masterpiece of the essays of the late Ming Dynasty, which is mainly reflected in three aspects: "harmony", "interest" and "vulgarity", and the second is the influence on the literary world. On the one hand, the influence on the literary world in the late Ming Dynasty, on the other hand, the significance of the modern new cultural movement. On the basis of summing up the full text, the last conclusion puts forward the significance and value of studying Wang Siren's travel essays.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：I207.62

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