本文選題：傅山 + 戲曲創(chuàng)作��； 參考：《山西師范大學(xué)》2017年碩士論文

【摘要】：傅山是處于明清交際時(shí)期的文人士大夫,也是一位博學(xué)多長的知識分子。一生,詩、書、文、佛、醫(yī)等樣樣精通,被稱為“三晉巨匠”。他自己的作品多收錄在《霜紅龕集》中,后人集其所作而成《傅山全書》。書中涵蓋了傅山先生畢生的學(xué)術(shù)論著,涉及文學(xué)、藝術(shù)、醫(yī)學(xué)等多方面的成就,存世的戲曲作品有《紅羅鏡》、《齊人乞食》和《八仙慶壽》。由于時(shí)代的特殊,加之先生的戲曲作品多為諷喻之作,所以傅山的作品沒有得到大范圍的流傳,知道他寫戲曲作品的人也為數(shù)不多,所以研究的學(xué)者也很少。江山易主,士子沉浮的特殊時(shí)代里,清初的政治條件為傅山的戲曲創(chuàng)作提供了必要的土壤。傅山看透社會本質(zhì),借助戲曲文學(xué)作品來抒發(fā)自己的真情實(shí)感和先進(jìn)的思想價(jià)值觀念,是有著相當(dāng)重要的進(jìn)步性和現(xiàn)實(shí)性的。因此,筆者對傅山先生的三部戲曲作品文本進(jìn)行了深入的研究和探討,通過梳理傅山的生平、交游以及影響他創(chuàng)作的諸多因素來探究他戲曲作品的主題和特色,結(jié)合傅山的大量詩文、雜記和前人的研究成果,力求從更深的層次挖掘傅山戲曲創(chuàng)作的初衷及其中所蘊(yùn)含的觀點(diǎn),擴(kuò)展對傅山先生的研究領(lǐng)域。本文共分為四章。緒論部分對研究目的和意義、相關(guān)成果研究、研究方法和思路進(jìn)行了簡要介紹,正文首先將傅山的生平和交游與他的創(chuàng)作相聯(lián)系,在把握作者成長交游的宏觀視野中,分析個(gè)人成長環(huán)境對于戲曲創(chuàng)作的影響。其次先深入挖掘社會背景和其他學(xué)術(shù)方面對傅山戲曲創(chuàng)作的影響,給我們看到了傅山在戲曲創(chuàng)作中的多樣的文化知識和不俗的能力。繼而通過對三部作品的分別梳理研究,達(dá)到充分地理解,為后文的分析作了鋪墊。最后兩章,通過對傅山先生三部戲曲作品主題和藝術(shù)的整體分析,得到了傅山在戲曲創(chuàng)作所想要表達(dá)的深層問題。這不僅僅是對于社會黑暗的揭露,更是一位進(jìn)步的思想藝術(shù)家對于社會變革的渴望和無奈。字字見血,質(zhì)樸真實(shí)又不失手法的高超�？梢哉f,透過傅山先生的整體戲曲創(chuàng)作,讓我們更多的了解了傅山先生對于戲曲創(chuàng)作個(gè)性的意識形態(tài)。他的反封建思想和革新的世界觀在那個(gè)時(shí)代是難能可貴的,同時(shí)在作品中對語言、賓白、人物形象和結(jié)構(gòu)的準(zhǔn)確把握,也讓我們看到了這位平民大家的魅力所在。
[Abstract]:Fu Shan is a literati and bureaucrat in the period of communication between Ming and Qing Dynasty, and also a learned intellectual. Life, poetry, books, literature, Buddhism, medicine and other proficient, known as the "three Jin Giants." His own works are included in the collection of Frost and Red niches. The book covers the academic works of Fu Shan's life, including his achievements in literature, art, medicine and so on. His opera works include "Red Mirror", "Qi Man begging for Food" and "eight Immortals celebrating his Life". Because of the special times and the fact that his opera works are mostly allegorical works, Fu Shan's works have not been widely circulated, and few people know that he writes his opera works, so few scholars study them. In the special times of changing the masters of rivers and mountains, the political conditions in the early Qing Dynasty provided the necessary soil for Fu Shan's opera creation. It is very important and realistic for Fu Shan to understand the essence of society and express his true feelings and advanced ideas with the help of traditional Chinese opera literature. Therefore, the author makes a deep research and discussion on the text of three opera works of Mr. Fu Shan, and probes into the theme and characteristics of his opera works by combing his life, friends and many factors that affect his creation. Combined with a large number of poems, miscellaneous notes and previous research achievements of Fu Shan, the author tries to excavate the original intention of Fu Shan opera creation and the viewpoints contained therein from a deeper level, and expand the research field of Fu Shan. This paper is divided into four chapters. The introduction part briefly introduces the purpose and significance of the research, relevant research results, research methods and ideas. Firstly, the text links Fu Shan's life and friendship with his creation, and in the macro view of the author's growing up, Analyze the influence of personal growth environment on opera creation. Secondly, the influence of social background and other academic aspects on Fu Shan's opera creation is deeply explored, which gives us a view of Fu Shan's diverse cultural knowledge and good ability in opera creation. Then, through combing the three works, we can get a full understanding and pave the way for the later analysis. The last two chapters, through the overall analysis of the theme and art of Fu Shan's three opera works, get the deep problems that Fu Shan wants to express in his opera creation. This is not only the revelation of social darkness, but also the desire and helplessness of a progressive ideological artist for social change. Word see blood, simple and true without losing the superb technique. It can be said that through Mr. Fu Shan's overall opera creation, we can learn more about Mr. Fu Shan's ideology of opera creation personality. His anti-feudal ideas and innovative worldview were invaluable in that time, and the accurate grasp of language, object, character and structure in his works also showed us the charm of this civilian.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.37

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