本文選題：日本學(xué)者 + 白居易�。� 參考：《華東師范大學(xué)》2017年碩士論文

【摘要】：白居易研究歷來為日本漢學(xué)界研究所重視,尤其是20世紀(jì)80年代后,白居易"獨(dú)善"這一層面,成為新的研究熱點(diǎn),體現(xiàn)其"獨(dú)善"精神的"閑適詩(shī)"研究成果有了豐厚的積累,與此同時(shí),國(guó)內(nèi)學(xué)者有關(guān)白居易"閑適詩(shī)"的研究成果也很豐富。但是中日學(xué)界在該領(lǐng)域的研究視角及其側(cè)重點(diǎn)有所不同,國(guó)內(nèi)學(xué)者的研究多從大處著眼,長(zhǎng)于宏觀研究;日本學(xué)者的研究多從小處挖掘,注重細(xì)節(jié)。因此,有必要梳理和辨析日本學(xué)者有關(guān)白居易"閑適詩(shī)"研究的代表性成果及其研究視角和主要見解。本論文聚焦于白居易"閑適詩(shī)"的創(chuàng)作原因、創(chuàng)作分期及其思想意蘊(yùn),運(yùn)用"文獻(xiàn)整理和閱讀"的方法,研究中注意比較中日學(xué)者在該領(lǐng)域提出的學(xué)術(shù)見解及其方法,并以國(guó)內(nèi)學(xué)者有關(guān)白居易"閑適詩(shī)"的研究成果為參照,結(jié)合筆者的辨析和提出的見解,對(duì)日本學(xué)者白居易"閑適詩(shī)"研究作整體的再研究。全文以"閑適詩(shī)"內(nèi)涵、白居易"閑適詩(shī)"的創(chuàng)作原因及其創(chuàng)作分期、白居易"閑適詩(shī)"的內(nèi)容與風(fēng)格為研究層次,論述中注重對(duì)白居易"閑適詩(shī)"創(chuàng)作的外部原因與內(nèi)部原因作綜合考察。關(guān)于"閑適詩(shī)"的內(nèi)涵與劃分標(biāo)準(zhǔn),日本學(xué)者多從"閑而適"兩個(gè)方面展開論述,論述中既有對(duì)"閑"之美學(xué)意義的探究,又有對(duì)"適"的文化精神的溯源,不同于國(guó)內(nèi)學(xué)者僅以詩(shī)中是否具有"閑適"情趣作為劃分"閑適詩(shī)"的標(biāo)準(zhǔn)。日本學(xué)者認(rèn)為,"閑適"情趣雖是劃分"閑適詩(shī)"的重要依據(jù),但也需充分關(guān)注白居易的主觀創(chuàng)作意圖,因?yàn)樵诓糠?閑適詩(shī)"中,詩(shī)人的政治傾向蘊(yùn)含于"閑適"情趣之中。關(guān)于"閑適詩(shī)"的創(chuàng)作原因,日本學(xué)者較多關(guān)注詩(shī)歌創(chuàng)作的外部原因,并將白居易的"諷喻詩(shī)"以及詩(shī)人性格作為參照展開論述。關(guān)于白居易"閑適詩(shī)"的創(chuàng)作分期,日本學(xué)者通過對(duì)白居易"窮境意識(shí)"轉(zhuǎn)變的周密考察,對(duì)其"閑適詩(shī)"創(chuàng)作階段作了有別于國(guó)內(nèi)白居易研究界的劃分。關(guān)于白居易"閑適詩(shī)"創(chuàng)作的思想基礎(chǔ),日本學(xué)者能夠基于對(duì)白居易"閑適詩(shī)"的細(xì)讀,致力于闡釋白居易對(duì)儒、釋、道三家思想的接受,探討白居易基于對(duì)三家思想的融會(huì)貫通而形成的"中隱"思想。本文通過對(duì)日本學(xué)者白居易"閑適詩(shī)"研究成果的再研究,注重闡析其學(xué)術(shù)價(jià)值與研究局限,旨在為國(guó)內(nèi)學(xué)界拓展與深化白居易"閑適詩(shī)"的研究,提供學(xué)術(shù)參考。
[Abstract]:The study of Bai Juyi has always been attached importance to by the Japanese Sinology Research Institute, especially since the 1980s, the "independence and goodness" aspect of Bai Juyi has become a new research hotspot. The research results of "leisure poetry", which embodies its spirit of "being alone and good", have a rich accumulation, at the same time, the domestic scholars' research results about Bai Juyi's "leisure poems" are also very rich. However, the Chinese and Japanese scholars in this field of research perspective and focus are different, domestic scholars mostly from the big focus, good at macro research; Japanese scholars from small mining, pay attention to details. Therefore, it is necessary to sort out and discriminate the representative achievements of the study of Bai Juyi's "leisure poems" by Japanese scholars and their research perspectives and main opinions. This paper focuses on the reasons for the creation of Bai Juyi's "idle poems", the stages of creation and their ideological implication, and applies the method of "document sorting and reading" to compare the academic opinions and methods put forward by Chinese and Japanese scholars in this field. Based on the domestic scholars' research results on Bai Juyi's "leisure poems", and combining the author's analysis and opinions, the author makes a general re-study of the Japanese scholar Bai Juyi's "leisure poems". The content of "leisure poem", the reason of Bai Juyi's "leisure poem" and its stages, and the content and style of Bai Juyi's "leisure poem" are taken as the research level. In this paper, we pay attention to the external and internal reasons of Bai Juyi's leisure poetry creation. As to the connotation and division standard of "leisure poem", Japanese scholars discuss it from two aspects: "leisure and fit", in which the aesthetic meaning of "leisure" is explored, and the cultural spirit of "fit" is traced back to the source. Different from domestic scholars, they only use "leisure" in poetry as the criterion of dividing "leisure poetry". Japanese scholars believe that "leisure" is an important basis for the division of "leisure poetry", but it is also necessary to pay full attention to Bai Juyi's subjective creative intention, because in some "leisure poems", the poet's political tendency is contained in "leisure" interest. Japanese scholars pay more attention to the external reasons of poetry creation and expound Bai Juyi's allegory poem and poet's character as reference. On the stage of the creation of Bai Juyi's "leisure poems", Japanese scholars have made a careful investigation of the transformation of Bai Juyi's "poverty consciousness", and made a distinction between the stage of its "leisure poetry" and the domestic Bai Juyi research circle. On the ideological basis of Bai Juyi's creation of "leisure poems", Japanese scholars are able to interpret the acceptance of the Confucian, Buddhist and Taoist schools of thought by Japanese scholars on the basis of careful reading of Bai Juyi's "leisurely Poems". This paper probes into Bai Juyi's "hidden" thought based on his understanding of the three schools of thought. Through the re-study of the research results of Japanese scholar Bai Juyi's "leisure poetry", this paper focuses on its academic value and research limitations, aiming at providing academic reference for the domestic academic circles to expand and deepen the study of Bai Juyi's "leisure poetry".
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22

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