本文選題：主體創(chuàng)作身份 + 蘭臺(tái)文人�。� 參考：《中南民族大學(xué)》2015年碩士論文

【摘要】：本論文旨在運(yùn)用主體創(chuàng)作身份理論解析蘭臺(tái)文人創(chuàng)作的異同以及出現(xiàn)這種異同的原因。蘭臺(tái)文人并不是一個(gè)嚴(yán)格意義上的文學(xué)團(tuán)體,他們只是由于共同參加了“同題而作”和“應(yīng)詔而作”的帝國(guó)文學(xué)活動(dòng)而獲得了相同的蘭臺(tái)職官身份——但我們認(rèn)為蘭臺(tái)職官身份的獲得對(duì)于蘭臺(tái)文人之后的文學(xué)創(chuàng)作活動(dòng)產(chǎn)生了巨大的影響。本文擬將每位蘭臺(tái)文人整個(gè)生命歷程的文學(xué)活動(dòng)作為總體研究對(duì)象,分析主體創(chuàng)作身份的變化對(duì)每一位蘭臺(tái)文人文學(xué)創(chuàng)作所產(chǎn)生的影響。論文第一章通過(guò)介紹主體創(chuàng)作身份理論和蘭臺(tái)文人集團(tuán)的特點(diǎn)解釋運(yùn)用該理論研究蘭臺(tái)文人創(chuàng)作的可行性。第二章先分析蘭臺(tái)的由來(lái)及蘭臺(tái)職官的身份內(nèi)涵,再結(jié)合每一位蘭臺(tái)文人的生命歷程分析他們各自的創(chuàng)作身份結(jié)構(gòu)。第三章是“通過(guò)身份看作品”——即對(duì)比蘭臺(tái)文人創(chuàng)作身份中的異同,分析由身份的異同所帶來(lái)的創(chuàng)作文本的異同。第四章是“通過(guò)作品看身份”——即以是否獲得蘭臺(tái)身份為分界點(diǎn),將具有典型意義的蘭臺(tái)文人的前期作品和后期作品分別進(jìn)行對(duì)比研究,透視具體文本中的“隱含”信息所反映出的不同創(chuàng)作者創(chuàng)作身份內(nèi)涵的異同。
[Abstract]:The purpose of this thesis is to analyze the similarities and differences of Lantai literati's works and the reasons for them by using the theory of subjective creative identity. The Lantai literati are not a strictly literary group. They got the same official status only because they participated in the imperial literary activities of "the same title" and "doing according to the edict"-but we think that the acquisition of the official status of the Lantai official is of great significance to the literature of the Lantai literati. The activities of learning and creation have had a great impact. This paper takes the literary activity of the whole life course of each Lantai literati as the overall research object, and analyzes the influence of the change of the subject's creative identity on the literary creation of every Lantai literati. The first chapter explains the feasibility of using this theory to study the creation of Lantai literati by introducing the theory of the subject's creative identity and the characteristics of Lantai Literati Group. The second chapter first analyzes the origin of Lantai and the identity connotation of Lantai officials, and then analyzes their creative identity structure combined with the life course of each Lantai literati. The third chapter is "looking at works through identity"-namely contrasting the similarities and differences in the literary identities of the literati, and analyzing the similarities and differences of the creative texts brought about by the similarities and differences of identity. The fourth chapter is "see identity through works"-that is, whether to obtain the identity of Lantai as the demarcation point, the typical Lantai literati's earlier works and later works are respectively compared and studied. This paper analyzes the similarities and differences of the connotations of creative identities of different creators reflected by the "hidden" information in specific texts.
【學(xué)位授予單位】：中南民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I206.2
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本文編號(hào)：1855860