發(fā)布時間：2018-05-05 22:56

  本文選題：概念隱喻 + 《詩經(jīng)》�。� 參考：《東北師范大學(xué)》2015年碩士論文

【摘要】：《詩經(jīng)》是中國第一部詩歌總集,總計305篇,分成“風(fēng)”“雅”“頌”三部分。《詩經(jīng)》語言風(fēng)格自然優(yōu)美。長期以來,通過中國語言學(xué)家對西方“概念隱喻”的理解研究和把握,當(dāng)我們再仔細翻閱《詩經(jīng)》時,我們發(fā)現(xiàn),在《詩經(jīng)》中也蘊藏著極其豐富的隱喻表達。所以,《詩經(jīng)》不僅是華夏文化的瑰寶,也在為語言學(xué)、修辭學(xué)以及文學(xué)研究提供了寶貴資源�；仡櫼延械难芯渴妨�,筆者發(fā)現(xiàn),從認知語言學(xué)角度出發(fā)分析古典詩歌,國內(nèi)可參考的案例研究較少。因此,以《詩經(jīng)》作為語料,從認知語言學(xué)角度出發(fā),結(jié)合概念隱喻的相關(guān)理論,通過不同的視角的解讀和鑒賞得出《詩經(jīng)》的概念隱喻體系,將是認知語言學(xué)理論在《詩經(jīng)》解讀層面的一次全新嘗試。“概念隱喻”這一理論最初是由美國語言學(xué)家George Lakoff和Mark Johnsen提出,本文沿用了他們的理論觀點,分析《詩經(jīng)》中的隱喻,通過始源域和目標域的整理,提煉其中的文化內(nèi)涵,最終試圖得出先秦文化中的隱喻共同性。開篇第一章節(jié),是概念隱喻和《詩經(jīng)》的介紹,通過對概念隱喻三種分類的理解,即:結(jié)構(gòu)隱喻、方位隱喻和實體隱喻,確定在《詩經(jīng)》中選取的概念標準,并著重闡述了本文的研究意義。第二章節(jié),是《詩經(jīng)》典型的隱喻類型,通過對《詩經(jīng)》的文本閱讀篩選,歸納出四個重要的始源域:植物、動物、昆蟲和氣候。這些始源域由出現(xiàn)頻率較高的概念組成,反映出先民的思維方式,因此,具有普遍的代表性。通過實例分析,筆者總結(jié)得出始源域到目標域的映射過程。第三章節(jié),是論述《詩經(jīng)》中的隱喻認知分析。植物、動物、昆蟲和氣候,構(gòu)成了一個如同生態(tài)系統(tǒng)的始源域,而他們映射的目標域就是抽象的、難于理解的概念。從始源域到目標域之前,有著清晰的思維脈絡(luò),可以總結(jié)的意象圖式。這也證實了,隱喻不僅僅是可歸納總結(jié)得出的語言形式,更加是一種人類廣泛具備的思維認知方法。通過始源域逐個分析,展現(xiàn)隱喻的發(fā)展變化。第四章節(jié),闡述《詩經(jīng)》中的隱喻成因,從三方面闡述:1.隱喻具有生成新意義的能力;2.始源域和目標域間的相似,引發(fā)的經(jīng)驗遷移;3.語言的多義性造就了隱喻,思維的整合性形成了隱喻和轉(zhuǎn)喻。第五章節(jié),是本文的結(jié)論部分,揭示了《詩經(jīng)》的概念隱喻系統(tǒng),驗證了認知隱喻的內(nèi)涵,即:抽象思維大部分是隱喻性的。本文是在認知語言學(xué)理論內(nèi),對《詩經(jīng)》進行的創(chuàng)新性研究,希望能為將來的語用學(xué)研究,提供一個新的角度。
[Abstract]:The Book of songs is the first poetry collection in China, which consists of 305 poems, which are divided into three parts: wind, elegance and praise. The language style of the Book of songs is natural and beautiful. For a long time, through the study and understanding of western conceptual metaphor by Chinese linguists, we find that there are abundant metaphorical expressions in the Book of songs when we go through the Book of songs. Therefore, the Book of songs is not only a treasure of Chinese culture, but also a valuable resource for linguistics, rhetoric and literary studies. Reviewing the existing historical data, the author finds that there are few case studies on classical poetry from the perspective of cognitive linguistics. Therefore, taking the Book of songs as the corpus, starting from the perspective of cognitive linguistics, combining with the relevant theories of conceptual metaphor, through the interpretation and appreciation of different angles of view, this paper concludes the conceptual metaphor system of the Book of songs. It will be a new attempt of cognitive linguistics theory in the interpretation of the Book of songs. The theory of "conceptual metaphor" was originally put forward by American linguists George Lakoff and Mark Johnsen. This paper follows their theoretical views, analyzes the metaphors in the Book of songs, and refines the cultural connotations through sorting out the origin and target domains. Finally, the author tries to find out the metaphorical commonality in pre-Qin culture. The first chapter is the introduction of conceptual metaphor and the Book of songs. Through the understanding of three categories of conceptual metaphor, namely, structural metaphor, orientation metaphor and substantive metaphor, the author determines the conceptual criteria to be selected in the Book of songs. The significance of this paper is emphasized. The second chapter is the typical metaphorical types of the Book of songs. Through reading the texts of the Book of songs, we conclude four important origin domains: plants, animals, insects and climate. These origination domains are composed of the concepts of high frequency, which reflect the thinking mode of the ancestors. Therefore, they are generally representative. Through the example analysis, the author summarizes the mapping process from the source domain to the target domain. The third chapter discusses the metaphorical cognitive analysis in the Book of songs. Plants, animals, insects, and climate form an ecosystem origin domain, and the target domain they map to is an abstract, incomprehensible concept. From the origin domain to the target domain, there is a clear thinking context, can be summed up image schema. It also proves that metaphor is not only a generalizable language form, but also a widely available cognitive method. Through the analysis of the origin domain, the development and change of metaphor are revealed. The fourth chapter expounds the causes of metaphor in the Book of songs, and expounds the causes of metaphor from three aspects: 1. Metaphor has the ability to generate new meanings. The similarity between the origin domain and the target domain leads to the transfer of experience. The polysemy of language makes metaphor, and the integrality of thinking forms metaphor and metonymy. The fifth chapter, which is the conclusion of this paper, reveals the conceptual metaphor system of the Book of songs and verifies the connotation of cognitive metaphor, that is, abstract thinking is mostly metaphorical. This paper is an innovative study of the Book of songs in the theory of cognitive linguistics in the hope that it can provide a new perspective for the future study of pragmatics.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.22

【參考文獻】

相關(guān)期刊論文 前4條

1 丁巖堂;;從認知語言學(xué)角度看隱喻的性質(zhì)及功能[J];重慶科技學(xué)院學(xué)報(社會科學(xué)版);2009年04期

2 余璐;;認知隱喻理論的類典型分析[J];湖南醫(yī)科大學(xué)學(xué)報(社會科學(xué)版);2008年06期

3 李文萍;;《隱喻》中的概念隱喻認知[J];遼寧師范大學(xué)學(xué)報(社會科學(xué)版);2011年02期

4 魏在江;;隱喻的語篇功能——兼論語篇分析與認知語言學(xué)的界面研究[J];外語教學(xué);2006年05期

相關(guān)碩士學(xué)位論文 前1條

1 張慶霞;《詩經(jīng)》婚戀詩的文化解讀[D];東北師范大學(xué);2007年

，

本文編號：1849641