發(fā)布時間：2018-05-03 01:01

  本文選題：節(jié)奏整合 + 擬樂府��； 參考：《吉林大學社會科學學報》2017年03期

【摘要】：六言必以節(jié)奏的整合才成為穩(wěn)定的句式,這是確定六言句式與六言體詩起源的依據(jù),所以不能追溯為《詩》中六言散語,也與《騷》語六言不侔。六言句式出于漢樂府,建安時始有文人創(chuàng)制,以五句而每句押韻的組詩形式為常。六言與五、七言在齊梁同時接受聲律規(guī)范,始有隔句用韻相對,從而形成六言格律的雛形。但六言以三個雙音節(jié)奏不能導致五、七言律體各聯(lián)的粘連,因而不具嚴格的格律規(guī)范,按其平仄交替之理可推四式。由于六言不具單音節(jié)以為著力鍛煉,所以造語必以“自在”為尚,這是衡量六言體詩高下最為重要的標準。
[Abstract]:It is the basis of determining the origin of six-character sentence pattern and six-character poem, so it can not be traced back to "six words" in "poem", nor "Sao" language "six words". Six-character sentence from Han Yuefu, Jian an only literati to create, with five sentences rhyme for the form of poetry. Six words, five, seven characters accept the sound regulation simultaneously in Qi Liang, only then has the intersentence to use the rhyme opposite, thus forms the rudiments of the six character rhythm. However, six words with three double rhythms can not lead to the conglutination of five and seven characters, so they do not have strict rules, according to the principle of alternating between flat and narrow, they can be pushed into four forms. Because six words do not have monosyllabic thought that exerts oneself to exercise, therefore the language must regard "at ease" as still, this is the most important criterion to measure the six-character poem.
【作者單位】： 貴州師范大學文學院;

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本文編號：1836253