本文選題：唐詩 + 音樂詩�。� 參考：《吉林大學(xué)》2017年碩士論文

【摘要】：唐為“大唐樂國(guó)”,又稱“大唐詩國(guó)”。唐代以磬樂磬音意象為審美對(duì)象的涉“磬”詩,具有詩歌與音樂的雙重審美意蘊(yùn),蘊(yùn)含著豐沛的詩歌藝術(shù)和音樂藝術(shù)。對(duì)涉“磬”詩的研究,既有利于我們梳理音樂史、文學(xué)史的發(fā)展流程和脈絡(luò),又對(duì)完善唐時(shí)音樂詩的研究體系,有著重要意義。涉“磬”詩在唐詩中是一類獨(dú)特的類型詩,而學(xué)界對(duì)于唐音樂詩中的涉“磬”詩研究相對(duì)較少。鑒于此現(xiàn)狀,論文將研究的對(duì)象集中于磬,使得論文的研究具有了獨(dú)特的價(jià)值和意義。在研究對(duì)象上選擇研究涉“磬”詩,可填補(bǔ)唐音樂詩研究體系中對(duì)磬詩研究的空白;在研究體系上,論文全方位、多維度的構(gòu)建了一個(gè)對(duì)古代音樂詩詞的全新研究體系,希望為后來者提供一個(gè)新的框架。論文的主體分為五個(gè)章節(jié)。第一章梳理了樂器磬的發(fā)展歷史,重點(diǎn)辨析了唐時(shí)磬作為禮器和樂器之磬仍然存在,作為佛教法器大行其道的特點(diǎn),為唐代涉“磬”詩的研究提供一個(gè)邏輯基礎(chǔ)和歷史的背景。第二章為論述各個(gè)時(shí)期的涉“磬”詩。按照詩歌史上的初唐、盛唐、中唐和晚唐四個(gè)時(shí)期,梳理出了涉“磬”詩“發(fā)軔-初盛—極盛-延續(xù)”的發(fā)展脈絡(luò)、探究了涉“磬”詩在不同時(shí)期或重風(fēng)骨之律、或重疏曠之美、或重澹然之樂、或重柔靡之音的美學(xué)特點(diǎn)。第三章則著重從題材內(nèi)容的維度,尋繹各類文本的思想內(nèi)容及藝術(shù)特色,走入詩人們通過磬樂意象刻畫出來的反映了佛教禪理、宮廷禮儀、山水田園、世俗生活或詩人精神生活等層面的豐富多彩的大千世界。第四章將研究的維度放在從文學(xué)的視野,來體味涉“磬”詩中蘊(yùn)含的文化內(nèi)涵特征上。唐磬詩以其空靈意象,集中用于彰顯個(gè)人節(jié)操、烘托空寂氛圍、表達(dá)惆悵思念情懷,具有搖曳多姿的審美內(nèi)涵。第五章為論文研究的最后一個(gè)維度,是從唐涉“磬”詩的藝術(shù)價(jià)值入手,逐一揭示了唐代涉“磬”詩的音樂史料價(jià)值、詩歌文學(xué)價(jià)值和社會(huì)文化價(jià)值。多層面的藝術(shù)價(jià)值,使得唐涉“磬”詩不僅在藝術(shù)上熠熠生輝,并且成為研究我國(guó)音樂史、樂器史、詩歌史和唐代斷代史的不可或缺的一頁。
[Abstract]:Tang Dynasty is called "Great Tang State of Music", also known as "Great Tang Dynasty State of Poetry". The poem of "Qing" in the Tang Dynasty, which regards the image of the chime as the aesthetic object, has the double aesthetic implication of poetry and music, and contains abundant poetic and musical art. The study of "Qing" poems not only helps us to sort out the history of music and the development of literary history, but also plays an important role in perfecting the research system of music poems in Tang Dynasty. The poem of "Qing" is a unique type of poem in Tang poetry, but there are few studies on it in academic circles. In view of the present situation, the research object is concentrated on the chime, which makes the research have unique value and significance. Choosing the "Qing" poem to study on the object of study can fill the blank in the research system of Qing poetry in Tang Dynasty, and in the research system, the thesis constructs a new research system of ancient music poetry in all directions and many dimensions. Hope to provide a new framework for latecomers. The main body of the thesis is divided into five chapters. The first chapter combs the development history of the instrument chime, emphatically discriminates that the chime of the Tang Dynasty as a ritual and musical instrument still exists, as a Buddhist legal instrument, the characteristics of popular, provides a logical basis and historical background for the study of the Tang Dynasty "Qing" poetry. The second chapter deals with the Qing poetry in various periods. According to the four periods in the history of poetry, such as the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty and the late Tang Dynasty, the author sorted out the development of the "Qing" poem, which originated from the beginning of the Chime poem, and explored the law of "Qing" poetry in different periods or in different periods. Or the beauty of the sparse, or the music of the simple, or the aesthetic characteristics of the soft voice. The third chapter focuses on the dimension of the subject matter, seeks out the ideological content and artistic characteristics of various texts, and walks into the reflection of Buddhist Zen principles, palace rituals, landscape pastures and so on, depicted by the poets through the happy images of the Qing Dynasty. Worldly life or poet's spiritual life and other levels of rich and colorful world. The fourth chapter puts the dimension of the study on the cultural connotation of the Qing poem from the perspective of literature. Tang Qing poetry, with its empty image, is focused on displaying personal morality, setting off empty atmosphere, expressing melancholy and yearning feelings, and has a swaying aesthetic connotation. The fifth chapter is the last dimension of the thesis, which starts with the artistic value of the poem "Qing" in Tang Dynasty, and reveals the value of music historical data, poetry literature value and social culture value one by one. Because of the multi-level artistic value, the poetry of "Qing" in Tang Dynasty is not only shining in art, but also an indispensable page in the study of music history, musical instrument history, poetry history and the history of Tang Dynasty.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22

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本文編號(hào)：1783352