發(fā)布時(shí)間：2018-04-19 02:25

  本文選題：石鐘山 + 小說(shuō)創(chuàng)作　； 參考：《曲阜師范大學(xué)》2017年碩士論文

【摘要】：石鐘山是中國(guó)當(dāng)代頗具影響力的小說(shuō)家、劇作家。迄今為止,石鐘山已有20多部小說(shuō)被改編成影視作品并屢獲大獎(jiǎng),這為他贏得巨大聲譽(yù)的同時(shí)也帶來(lái)了財(cái)富收入。但是這些非�！敖凶钡淖髌穮s并未贏得評(píng)論專(zhuān)家的廣泛認(rèn)可。在專(zhuān)業(yè)讀者和評(píng)論家看來(lái),石鐘山算不上一流作家,其“成功”主要是因?yàn)橹袊?guó)戲劇產(chǎn)業(yè)的低層次以及中國(guó)受眾的低素質(zhì),而石鐘山的作品恰好適應(yīng)了這種狀況。由此可以發(fā)現(xiàn),從接受美學(xué)出發(fā),強(qiáng)調(diào)受眾地位和作用、迎合受眾需要,這既是石鐘山初期作品文學(xué)上與商業(yè)上獲得成功的原因,又是其近期作品文學(xué)上產(chǎn)生模式化弊病的原因。文學(xué)作家如果刻意迎合受眾就會(huì)誤入歧途、走向媚俗,所以,盡管接受美學(xué)為研究者提供了一個(gè)很好的研究視角,但它也有自身的不足與局限性,在研究作品時(shí),不能只運(yùn)用單一的研究方法,還必須進(jìn)行換位思考,只有這樣才能避免產(chǎn)生偏頗�？傆[石鐘山的作品可以發(fā)現(xiàn),其創(chuàng)作的變化存在階段性,其中以小說(shuō)《父親進(jìn)城》改編拍攝電視劇《激情燃燒的歲月》為關(guān)鍵節(jié)點(diǎn),在此之前石鐘山小說(shuō)創(chuàng)作的藝術(shù)性呈上升趨勢(shì),在情節(jié)結(jié)構(gòu)設(shè)置、題材主旨選擇和人物形象塑造方面都比較成功;但自此之后,其作品的文學(xué)性與藝術(shù)性逐漸下滑,出現(xiàn)了小說(shuō)情節(jié)結(jié)構(gòu)模式化、題材主旨妥協(xié)化、人物形象扁平化等弊病。總的來(lái)說(shuō),石鐘山的小說(shuō)還停留在“故事型小說(shuō)”的層面,忽略了對(duì)“哲理化”與“心理化”的書(shū)寫(xiě)與對(duì)現(xiàn)代、后現(xiàn)代創(chuàng)作技法的探究與運(yùn)用,這是一種“電影化想象”造成的局限,妨礙了小說(shuō)創(chuàng)作藝術(shù)質(zhì)量的提升。由此可見(jiàn),石鐘山的小說(shuō)是成也“電影化想象”,敗也“電影化想象”。其實(shí),石鐘山創(chuàng)作上出現(xiàn)的問(wèn)題是當(dāng)代作家中的一個(gè)普遍現(xiàn)象,只不過(guò)在石鐘山身上表現(xiàn)得更為突出,更具有代表性和典型性。因此,本文把這種以石鐘山為代表的、受眾叫好、圖書(shū)暢銷(xiāo),卻得不到專(zhuān)家高度認(rèn)可的現(xiàn)象,稱(chēng)為“石鐘山現(xiàn)象”。石鐘山作為一位比較成功的作家,其作品尚且如此,由此可知,中國(guó)當(dāng)下的小說(shuō)和影視劇的質(zhì)量實(shí)在令人堪憂(yōu)。在銷(xiāo)量、票房、收視率等市場(chǎng)經(jīng)濟(jì)利益的驅(qū)動(dòng)下,無(wú)論是小說(shuō)還是劇本改編都會(huì)出現(xiàn)“同質(zhì)化”“量產(chǎn)性”“類(lèi)型化”現(xiàn)象。在此情形下,作家們需要重樹(shù)經(jīng)典意識(shí),唯有“化大眾”的精品才能提高讀者閱讀品位、國(guó)民審美素養(yǎng),才能使小說(shuō)創(chuàng)作與影視產(chǎn)業(yè)持續(xù)健康發(fā)展。本文對(duì)石鐘山小說(shuō)做總體評(píng)價(jià),并以“石鐘山現(xiàn)象”作為診斷當(dāng)代小說(shuō)和影視劇創(chuàng)作的病理切片,揭出其病癥,引起作家與讀者的注意,是十分具有學(xué)術(shù)價(jià)值和文化意義的課題。論文“緒論”部分闡述石鐘山小說(shuō)的創(chuàng)作概況,提出“石鐘山現(xiàn)象”;正文第一、二、三章分別從情節(jié)結(jié)構(gòu)、題材主旨、人物形象三方面分析石鐘山小說(shuō)的利弊得失�！敖Y(jié)語(yǔ)”提出通過(guò)對(duì)石鐘山小說(shuō)的研究,提醒當(dāng)代作家樹(shù)立“精品意識(shí)”,將“普及”與“提高”、“娛樂(lè)”與“教化”功能有機(jī)結(jié)合起來(lái),而不能一味“大眾化”甚至走向媚俗的地步,這也是廣大觀眾和專(zhuān)業(yè)讀者共同期待的。本論文以石鐘山的小說(shuō)文本和已出版的劇本為主要研究材料,將改編影視劇作為背景材料,并在頁(yè)下注中進(jìn)行影視劇與小說(shuō)原作的對(duì)比,作為對(duì)其影視劇評(píng)論的延伸與補(bǔ)充。
[Abstract]:Shizhongshan Chinese is a contemporary influential novelist and playwright. So far, Shizhongshan has more than 20 novels adapted into film and television works and award-winning, which earned him a great reputation at the same time also brought wealth to income. But these are very well received in the works but did not win wide recognition. In the view of professional experts and readers the critic, Shizhongshan is not a first-class writer, the "success" is mainly because of the low level China drama industry and low quality China audience, while Shizhongshan works just to adapt to this situation. It can be found that, from the perspective of reception theory, emphasizing the role and position of audience, to cater to the audience needs, this is the reason why Shizhongshan early works of literature and commercial success, and the reasons for the recent literature on the production mode of ills. If writers deliberately to cater to the subject The public will go astray, so although kitsch, reception aesthetics provides researchers with a good perspective, but it also has shortcomings and limitations, the research works, not only by using the method of single, must also be empathy, the only way to avoid bias. In Shizhongshan the works can be found in the creation of the change stage, the novel "father to film adaptation of the TV series" > > burning passion for the key nodes, prior art of Shizhongshan's novels have a rising trend, set in the plot structure, theme selection and characters theme shape are relatively successful; but since then, the literary and artistic works gradually decline, the novel plot structure, theme compromise, flat figure and other ills. In general, Shizhongshan The novel is still in "the story novels" level, ignoring the "philosophy" and "psychology" of the writing and the modern, explore and use of postmodern writing techniques, this is a "Cinematic Imagination" caused by the limitations of the creation of the novel, hinder the artistic quality of the lift. Thus Shizhongshan, the novel is also a "Cinematic Imagination", also "Cinematic Imagination". In fact, the creation of Shizhongshan problems is a common phenomenon in the contemporary writers, but in Shizhongshan who is more prominent, more typical and representative. Therefore, this paper put this to as the representative of the Shizhongshan, the audience applauded, best-selling books, but not highly recognized experts, known as the "Shizhongshan phenomenon" in Shizhongshan. As a successful writer, whose works like this, therefore, when under the shadow of fiction and Chinese Depending on the quality of play is really worrying. At the box office, sales, market driven ratings of economic interests, whether novels or script will appear "homogenization" and "production" and "type" phenomenon. In this case, writers need to renew classical consciousness, only the "Popularization" in order to improve the quality of readers taste, national aesthetic qualities, in order to make continuous fiction and film industry healthy development. The overall evaluation of the Shizhongshan novels, and the "Shizhongshan phenomenon" as the diagnosis of contemporary novels and TV drama creation pathology, revealing the disease caused by writers and readers' attention is very the academic value and cultural significance. The creation of the "Introduction" part of Shizhongshan novels, the "Shizhongshan phenomenon"; the first, second and three chapter respectively from the plot structure, theme, Figure three is the analysis of the advantages and disadvantages of Shizhongshan novels. The conclusion is presented through the study of Shizhongshan novels, remind contemporary writers establish the "quality consciousness", "Popularization" and "improve", "entertainment" and "Enlightenment" function organically, and not blindly "Popularization" and even to kitsch this is the point, the majority of the audience and professional readers expect. This thesis takes Shizhongshan novels and published the script as the main material, the television drama adaptation as background material, compared with the original novel in the film and television drama in the bottom of the page, as the extension and supplement of the TV drama review.

【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.42

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