毛澤東對(duì)蘇辛豪放詞的繼承與創(chuàng)新
本文選題:毛澤東 + 蘇軾; 參考:《信陽師范學(xué)院》2015年碩士論文
【摘要】:毛澤東不僅是一位偉大的領(lǐng)袖人物,而且對(duì)中國古典詩詞涉獵廣泛,有著濃厚的興趣,閱讀圈點(diǎn)批注了許多中國古典詩詞,并結(jié)合中國革命的雄壯歷程創(chuàng)作了一大批優(yōu)秀詞作。公認(rèn)毛澤東的詞作除個(gè)別外(《虞美人·枕上》),大都?xì)鈩?shì)磅礴,豪氣沖天,屬于典型的豪放派詞風(fēng)。文學(xué)的創(chuàng)作過程始終貫穿著繼承與創(chuàng)新的關(guān)系,詩詞創(chuàng)作也不例外。毛澤東一方面吸納古典文學(xué)中的精華,另一方面又善于注入新的內(nèi)容。他以自己的革命經(jīng)歷為創(chuàng)作源泉,熔鑄時(shí)代特色和個(gè)人豪情,將豪放詞的發(fā)展推向了一個(gè)新高峰。 基于毛澤東對(duì)豪放詞有繼承和創(chuàng)新的特點(diǎn),本文選取豪放詞史上的另外兩位巨擘,蘇東坡和辛棄疾,對(duì)三人的作品加以比較分析,辨析毛澤東作品與后兩者的異同,梳理出毛澤東對(duì)兩位古典詞人創(chuàng)作的因革關(guān)系,充分認(rèn)識(shí)毛澤東詞在豪放詞史上的重要意義,總結(jié)毛澤東的創(chuàng)作經(jīng)驗(yàn),為我們的文學(xué)創(chuàng)作提供借鑒。 本文以辯證唯物主義和歷史唯物主義為指導(dǎo),在大量研讀詩詞文本的基礎(chǔ)上主要運(yùn)用文獻(xiàn)法和比較法相結(jié)合的研究方法,通過對(duì)三人作品尤其是代表作品的具體分析,探究毛澤東作品在寫作背景、題材內(nèi)容、創(chuàng)作手法等方面對(duì)蘇辛豪放詞的繼承和吸收,以及在題材內(nèi)容、意象、風(fēng)格、精神內(nèi)涵等方面對(duì)傳統(tǒng)豪放詞的開拓革新,并進(jìn)一步從時(shí)代特色、個(gè)人情志、湖湘文化、寫作態(tài)度等主客觀方面剖析同中有異,同中有新,新高峰形成的緣由。 本文的創(chuàng)新之處個(gè)人認(rèn)為主要有以下兩點(diǎn):一是把研究視野從常見的思想體系、政治理論成果的研究中抽離出來,分析毛澤東多重身份中容易被人們忽視的作為詩人的一重;二是分析毛澤東的作品時(shí),并沒有孤立地闡述毛澤東作品的藝術(shù)特色與價(jià)值,而是把毛澤東的豪放作品放在豪放詞史的長河中,與另外兩位豪放大家進(jìn)行比較研究,探究毛澤東詩詞創(chuàng)作對(duì)中國古典詩詞的因革,充分領(lǐng)略毛澤東詩詞的藝術(shù)魅力,進(jìn)而對(duì)這位領(lǐng)袖人物有一個(gè)全面深刻的認(rèn)識(shí)。
[Abstract]:Mao Zedong is not only a great leader, but also has a wide range of Chinese classical poetry, has a strong interest, reading circle annotated a lot of Chinese classical poetry, and combined with the magnificent course of the Chinese revolution to create a large number of excellent ci.It is acknowledged that Mao Zedong's ci poems, except for a few (Yu Mei pillow), are majestic and majestic, and belong to a typical style of liberalism.The process of literary creation runs through the relationship between inheritance and innovation, and poetry creation is no exception.Mao Zedong, on the one hand, absorbs the essence of classical literature, on the other hand, he is good at injecting new contents.He took his own revolutionary experience as the source of creation, melting the characteristics of the times and personal pride, which pushed the development of bold words to a new peak.Based on Mao Zedong's inheritance and innovation of bold ci, this paper selects the other two giants in the history of bold ci, Su Dongpo and Xin Qiji, to make a comparative analysis of the works of the three men, and to distinguish the similarities and differences between the works of Mao Zedong and the latter two.Combing out Mao Zedong's relation to the revolution of the creation of the two classical poets, fully understanding the important significance of Mao Zedong's ci in the history of bold ci, summing up the creative experience of Mao Zedong, providing us with reference for our literary creation.Under the guidance of dialectical materialism and historical materialism, based on a large number of studies of poetry texts, this paper mainly uses the method of combining literature and comparative law, through the concrete analysis of the works of three people, especially the representative works.This paper explores Mao Zedong's inheritance and absorption of Su Xin's bold ci in writing background, subject matter content, creative technique and so on, as well as the development and innovation of traditional bold ci in the aspects of subject matter, image, style, spiritual connotation, etc.And further from the characteristics of the times, personal feelings, Huxiang culture, writing attitude and other subjective and objective aspects of the analysis of similarities and differences, the same new, new peak formation reasons.The innovation of this paper is that there are two main points: first, the research field of vision from the common ideological system, political theory research out of the research, analysis of Mao Zedong's multiple identity is easy to be ignored as a poet;Second, when analyzing Mao Zedong's works, he did not explain in isolation the artistic characteristics and value of Mao Zedong's works. Instead, he put Mao Zedong's bold works in the long stream of the history of bold ci, and made a comparative study with the other two bold people.To probe into Mao Zedong's poetry creation to the revolution of Chinese classical poetry, to fully appreciate the artistic charm of Mao Zedong's poetry, and to have a comprehensive and profound understanding of this leader.
【學(xué)位授予單位】:信陽師范學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2015
【分類號(hào)】:I207.23
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 周嘯天;;毛澤東詩詞縱橫談[J];成都師專學(xué)報(bào);1990年02期
2 丁毅;論毛澤東詞的文學(xué)史地位[J];黨的文獻(xiàn);1997年04期
3 邱霖峰;;淺論毛澤東詩詞的豪放[J];黨史文苑;2009年22期
4 楊光祖;毛澤東詩詞閱讀筆記[J];甘肅社會(huì)科學(xué);1999年S1期
5 曾大興;別具手眼,自成一格──毛澤東同志評(píng)點(diǎn)中國古典詩詞[J];廣州大學(xué)學(xué)報(bào)(綜合版);2001年07期
6 楊有山;同中見異的兩種英雄之詞——毛澤東與辛棄疾詞比較研究[J];毛澤東思想研究;2002年04期
7 丁毅;;毛澤東詩詞與中國美學(xué)精神[J];毛澤東詩詞研究叢刊;2000年00期
8 葛景春;毛澤東對(duì)唐宋詩詞的繼承與創(chuàng)新[J];南陽師范學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2004年05期
9 王麗;;毛澤東、蘇軾、辛棄疾豪放詞之比較[J];教育教學(xué)論壇;2012年03期
10 羅浩波;;由時(shí)間、空間及自我談蘇、辛、毛詞對(duì)詞境的延拓——紀(jì)念毛澤東同志誕辰100周年[J];喀什師范學(xué)院學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);1993年02期
相關(guān)博士學(xué)位論文 前1條
1 于永森;論豪放[D];山東師范大學(xué);2010年
,本文編號(hào):1767288
本文鏈接:http://sikaile.net/wenyilunwen/hanyuyanwenxuelunwen/1767288.html