本文選題：田九齡 + “時調(diào)”　； 參考：《湖北民族學(xué)院學(xué)報(哲學(xué)社會科學(xué)版)》2017年05期

【摘要】：田舜年以為田九齡詩沾染時調(diào)而選刊,嚴首升也以為其間落時蹊、未去陳言。二人論詩重視真性情的自然抒發(fā),受到明清之際批判前后七子文學(xué)復(fù)古思想的影響。在二人看來,田九齡的"時調(diào)"表現(xiàn)在以下方面:一是作詩僅限漢魏盛唐,二是擬古,三是應(yīng)酬之作較多。如果從民族文學(xué)發(fā)展的角度來看,田九齡的"時調(diào)"是其融入主流文學(xué)的表征,是土家族、漢族文學(xué)交流的結(jié)果。因此其詩也得到了吳國倫的肯定。
[Abstract]:Tian Shun-nien thought that Tian Jiu-ling's poems were contaminated with time and selected periodicals. Yan Shousheng also thought that there was a time between them and did not go to Chen Yan.The poems attached importance to the natural expression of the true temperament and were influenced by the retro thoughts of the Seven Literatures before and after the criticism of the Ming and Qing dynasties.In the view of the two, Tian Jiuling's "time tone" is manifested in the following aspects: first, poetry is limited to Han and Wei dynasties, second is to imitate ancient times, and third, there are more works on entertainment.From the point of view of the development of national literature, Tian Jiuling's "time tone" is the symbol of his integration into mainstream literature and the result of literature exchange between Tujia and Han nationality.Therefore, his poems also got the affirmation of Wu Guolun.
【作者單位】： 湖北民族學(xué)院文學(xué)與傳媒學(xué)院;
【基金】：國家社會科學(xué)基金西部項目“明代文人流寓西南研究”階段成果(項目編號:17XZW015)
【分類號】：I206.2

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