本文選題：林語堂 + 自然��； 參考：《南昌大學》2017年碩士論文

【摘要】：生態(tài)美學這一概念是由20世紀90年代我國學者借鑒西方環(huán)境美學的相關理論提出的,它試圖解決人與自然、人與他人、人與自身的沖突與矛盾,實現(xiàn)多方面關系的和諧和平衡。經(jīng)過不斷的探索研究,不少生態(tài)學者發(fā)現(xiàn)20世紀現(xiàn)代作家的相關作品中蘊含著豐富的生態(tài)智慧資源,主張從中華民族的優(yōu)秀文化遺產(chǎn)中吸收營養(yǎng),汲取智慧,借以發(fā)展完善當代生態(tài)美學理論的內(nèi)涵。作為20世紀的偉大文學大師林語堂學貫中西,對中西方的文化都有獨特的見解,他所提倡樹立的生態(tài)自然觀、人生觀、社會觀和文化觀有助于改變我們固有的思維方式和行為方式,實現(xiàn)整體的統(tǒng)一和諧。已經(jīng)有一些學者對林語堂的生態(tài)美學思想做過挖掘、整理和總結的工作,但在廣度和深度上仍然有繼續(xù)研究的空間。本文立足于林語堂生態(tài)美學思想的內(nèi)涵和文化淵源,試圖較全面深刻地論述闡釋林語堂的生態(tài)美學思想,以求發(fā)掘其思想中可供借鑒的當代意義,從思想觀念層面上積極回應當今社會普遍關注的生態(tài)問題。本文在文本結構上主要分為三章:第一章主要追溯了林語堂生態(tài)美學思想的產(chǎn)生過程,論述林語堂思想從啟蒙現(xiàn)代性到審美現(xiàn)代性,從人文主義到生態(tài)主義的過渡。第二部分主要闡釋了林語堂生態(tài)美學思想的內(nèi)涵,論述了林語堂融入自然的精神向往、本真性靈的審美追求、中西融合的文化情懷。第三部分主要闡述了林語堂生態(tài)美學思想的文化淵源。他的生態(tài)美學思想吸收了基督教文化“平等博愛”等生態(tài)觀念,借鑒了道家文化“道法自然”等生態(tài)資源,汲取了儒家文化“中庸中和”等生態(tài)智慧。
[Abstract]:The concept of ecological aesthetics was put forward by Chinese scholars in 1990s. It tries to solve the conflicts and contradictions between man and nature, between human beings and others, between human beings and themselves, and to achieve harmony and balance in many aspects.Through continuous exploration and research, many ecologists have found that the relevant works of modern writers in the 20th century contain abundant resources of ecological wisdom. They advocate absorbing nutrition and wisdom from the excellent cultural heritage of the Chinese nation.In order to develop and perfect the connotation of contemporary ecological aesthetics theory.Lin Yutang, a great literary master in the 20th century, has a unique view of Chinese and Western cultures. He advocates the ecological view of nature and outlook on life.Social and cultural views are helpful to change our inherent mode of thinking and behavior, and to realize the unity and harmony of the whole.Some scholars have excavated, sorted and summarized Lin Yutang's ecological aesthetics, but there is still room for further study in breadth and depth.Based on the connotation and cultural origin of Lin Yutang's ecological aesthetic thought, this paper tries to expound the ecological aesthetic thought of Lin Yutang in a more comprehensive and profound way, in order to explore the contemporary significance of his thought which can be used for reference.To respond positively to the ecological problems concerned by the society from the ideological level.The text structure of this paper is divided into three chapters: the first chapter mainly traces the emergence process of Lin Yutang's ecological aesthetic thought and discusses the transition from enlightening modernity to aesthetic modernity and from humanism to ecologism.The second part mainly explains the connotation of Lin Yutang's ecological aesthetic thought, discusses the spiritual yearning of Lin Yutang's integration with nature, the aesthetic pursuit of true spirit, and the cultural feelings of Chinese and Western integration.The third part mainly expounds the cultural origin of Lin Yutang's ecological aesthetics.His ecological aesthetic thought absorbs the ecological concept of "equality and fraternity" in Christian culture, draws lessons from the ecological resources of Taoist culture, such as "Taoism and nature", and draws on the ecological wisdom of Confucian culture, such as "the mean and the middle".
【學位授予單位】：南昌大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I206

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