本文選題：李佩甫 + 小說創(chuàng)作　； 參考：《河南師范大學(xué)》2017年碩士論文

【摘要】：李佩甫作為河南作家群體中的一個十分優(yōu)秀的代表,他長期致力于挖掘豫中大地鄉(xiāng)村的人和事。本文正是要對李佩甫的小說創(chuàng)作進行分析,從而揭示其獨特的個人風格和作者在作品背后的深刻意圖。對李佩甫小說創(chuàng)作的分析,將從主題分析、人物塑造、意象集群和敘事結(jié)構(gòu)四個方面出發(fā)。首先,文章論述了李佩甫小說的創(chuàng)作背景和創(chuàng)作主題,指出李佩甫在90年代以前,不斷在小說創(chuàng)作上創(chuàng)新求變,而在90年代后,其創(chuàng)作風格逐步穩(wěn)定,開始真正從自己的內(nèi)在思考和創(chuàng)作驅(qū)動力出發(fā)去進行創(chuàng)作,他最為著名的“平原三部曲”,代表了他創(chuàng)作的巔峰。而在整個創(chuàng)作中,李佩甫幾乎所有的作品,其出發(fā)點或者說起始點都是鄉(xiāng)村。有的是直接描寫鄉(xiāng)村中的人和生活,有的則是描寫鄉(xiāng)村的基層管理模式,還有一類,雖然看起來是描寫從鄉(xiāng)村中已經(jīng)走出來的人,描寫他們在城市中的經(jīng)歷,實際上揭露的是這些根在鄉(xiāng)村而人已經(jīng)來到城市的人們內(nèi)心精神世界上的矛盾和寄托的缺失。其次,在人物塑造和人性批判上,李佩甫總體上刻畫了三類人群,也即,鄉(xiāng)村的統(tǒng)治者、鄉(xiāng)村的普通民眾以及從鄉(xiāng)村走向了城市的這部分群體。其小說人物出發(fā)點是鄉(xiāng)村,他們的根在鄉(xiāng)村,但是命運和生活讓他們最終有的仍舊留在鄉(xiāng)村,有的則脫離了鄉(xiāng)村。通過對這些人的刻畫,李佩甫對于他們背后的人性深入批判和分析。但是,批判的背后,是要找到一條解決之路,一條對人性的救贖之路。這是李佩甫的理想,而在不同階段,李佩甫也給出了不同的答案。再次,意象集群是李佩甫小說中一個較為鮮明的特色。李佩甫非常善于運用各種意象,并將意象和小說的故事情節(jié)緊密結(jié)合起來。他所運用的意象,看起來雜亂無章,缺乏規(guī)律,實際上卻是作者有意識創(chuàng)造的產(chǎn)物,并在總體上分為三類:植物意象、動物意象和其他意象。這些意象有它自己的功能,具體為:第一,意象在小說中能夠凸顯主題的寓意功能;第二,意象總攬全局的作用;第三,意象的描述使小說顯現(xiàn)出史詩性的時空跨度。最后,李佩甫在小說創(chuàng)作中,不僅僅是在創(chuàng)作內(nèi)容、情節(jié)的設(shè)置上有著他獨特的個人印記和風格,在整個敘述結(jié)構(gòu)和框架上,也帶給了我們獨特的體驗。本文對他的小說的敘事結(jié)構(gòu)的分析,主要從敘事視角、敘事特點和文本結(jié)構(gòu)三個方面來闡述。李佩甫的敘事視角十分多樣,而再現(xiàn)是其最為突出的敘事特點,在文本結(jié)構(gòu)上,分章分節(jié),小節(jié)又分為不同獨立的小故事,并各自帶有小標題,不僅避免了不同時空和敘事指向上可能造成的結(jié)構(gòu)凌亂,也給了作者更大的自由發(fā)揮空間。
[Abstract]:Li Peifu, as a very outstanding representative of Henan writers, has long devoted himself to excavating people and things in the rural areas of central Henan.This article is to analyze Li Peifu's novel creation so as to reveal his unique personal style and the author's profound intention behind his works.The analysis of Li Peifu's novels will start from four aspects: theme analysis, character shaping, image cluster and narrative structure.First of all, the paper discusses the background and theme of Li Pei-fu 's novels, points out that Li Pei-fu was constantly innovating in the novel creation before the 1990s, but after the 1990s, his writing style was gradually stable.Starting from his inner thinking and creative drive, his most famous trilogy, Plains trilogy, represents the peak of his creation.In the whole creation, almost all of Li Pei-fu 's works, their starting point or starting point are rural.Some describe directly the people and life in the countryside, some describe the grass-roots management model of the countryside, and some, although it seems to describe people who have come out of the countryside, describe their experiences in the city.In fact, it reveals the contradiction and lack of sustenance in the inner spiritual world of the people who are rooted in the countryside and who have come to the city.Secondly, in the aspect of character shaping and human nature criticism, Li Peifu generally depicts three groups of people, that is, the rulers of the countryside, the ordinary people of the countryside and the group that has moved from the countryside to the city.Its characters start from the countryside, and their roots are in the countryside, but fate and life make some of them stay in the country and some leave the country.Through the depiction of these people, Li Peifu deeply criticizes and analyzes the human nature behind them.However, behind the criticism, we must find a way to solve, a road to redemption of human nature.This is Li Pei-fu 's ideal, and at different stages, Li Pei-fu gives different answers.Thirdly, image cluster is a distinct feature in Li Pei-fu 's novels.Li Peifu is very good at using all kinds of images and combines images closely with the story plot of the novel.The images he uses appear to be chaotic and lack regularity, but they are actually the product of the author's conscious creation and are generally divided into three categories: plant images, animal images and other images.These images have their own functions: first, images can highlight the moral function of the theme in the novel; second, the role of the image as a whole; third, the description of the image makes the novel show the historical poetic span of time and space.Finally, Li Pei-fu has his unique personal mark and style in the creation of novels, not only in the content of creation, but also in the whole narrative structure and frame, which also brings us a unique experience.In this paper, the narrative structure of his novel is analyzed from three aspects: narrative perspective, narrative characteristics and text structure.Li Pei-fu 's narrative perspective is very diverse, and reproduction is its most prominent narrative feature. In the structure of the text, it is divided into chapters and sections, and sections are divided into different independent stories, and each with sub-title.It not only avoids the disorder of structure caused by different time and space and narrative direction, but also gives the author more freedom to play.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42

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