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由身心入城到精神返鄉(xiāng)—論90年代以來李佩甫小說中的城市書寫

發(fā)布時(shí)間:2018-03-24 18:24

  本文選題:李佩甫 切入點(diǎn):入城 出處:《河南師范大學(xué)》2016年碩士論文


【摘要】:對(duì)于豫籍作家而言,鄉(xiāng)土與權(quán)力是其孜孜不倦的言說對(duì)象。李佩甫,作為一名具有代表性的河南作家,他的作品曾致力于對(duì)豫中平原上鄉(xiāng)村美好情感的謳歌,權(quán)力傾軋下萬物生靈生存情態(tài)的勘探。但20世紀(jì)90年代以來,隨著城市化進(jìn)程的加快,城市以其迅急之勢(shì)裹挾著鄉(xiāng)村向現(xiàn)代化的道路上奔馳,鄉(xiāng)村亦在城市強(qiáng)勢(shì)的“擁抱”與“親吻”中以半推半就之勢(shì)彰顯著迎合與拒斥的姿態(tài)。作為一名觸摸時(shí)代脈搏的敏感作家,李佩甫試圖打破評(píng)論家對(duì)河南作家及作品“得益于鄉(xiāng)土又受制于鄉(xiāng)土、厚重有余而靈動(dòng)不足”的評(píng)價(jià),開辟新的創(chuàng)作空間,將創(chuàng)作的重心逐漸從鄉(xiāng)村轉(zhuǎn)向城市。他感知著城市作為物質(zhì)文明場(chǎng)域的強(qiáng)勢(shì)之攻,開始觀照城市對(duì)鄉(xiāng)村進(jìn)城者的吸引、城市作為現(xiàn)代物質(zhì)文明的表征對(duì)進(jìn)城者和在城者的形塑與異化,以及城市的日常景觀與文化內(nèi)涵,表現(xiàn)城市化進(jìn)程下人類尋求理想家園的奮斗歷程。本論文擬以進(jìn)城者“身心向城——生存在城——渴望離城”這一動(dòng)態(tài)過程為線索,透視李佩甫有關(guān)城市書寫的小說文本,以期在吸納、借鑒現(xiàn)有研究成果的基礎(chǔ)上,梳理并探究進(jìn)城者在城市的“前因后果”,表現(xiàn)作家在城市書寫中所流露出的真切的內(nèi)心體驗(yàn),反映創(chuàng)作主體背后內(nèi)隱的心理訴求與情感記憶。緒論部分主要闡釋本論文的選題緣由、研究現(xiàn)狀、研究目的與意義、及城市書寫視角的歸納與概念的界定。第一章身心向“城”的本真訴求。就“城”的文化內(nèi)涵而言,城市并非單純意義上地理空間的城市,對(duì)于未曾進(jìn)入城市的人來說,它還意味著一種理想的生活、一個(gè)綺麗絢爛的夢(mèng)想。因此,本章第一節(jié)欲從城市的內(nèi)涵:物質(zhì)之城與精神之城來行文,物質(zhì)之城代表著飛速發(fā)展的城市經(jīng)濟(jì),跳躍著高樓大廈、霓虹街道的空間符號(hào);精神之城不僅承載著無數(shù)人對(duì)城市的熱愛與向往,也寄予了作家對(duì)解決農(nóng)村走向城鎮(zhèn)化這一人類學(xué)命題的思考與體悟。第二節(jié)主要從三個(gè)意象“螞蟻、燈、女人”來勾勒出進(jìn)城者由“想進(jìn)城”到“進(jìn)入城”這一動(dòng)態(tài)的主體訴求。第二章生存在城的景觀描摹。首先,對(duì)都市日常生活中欲望化的風(fēng)景進(jìn)行描寫,并對(duì)都市中充滿隔膜的人際關(guān)系進(jìn)行描摹;其次,將關(guān)注的焦點(diǎn)重新聚焦于進(jìn)城者身上,表現(xiàn)進(jìn)城者積極融入城市以及融入之后的自我迷失。再者,在對(duì)前兩節(jié)概括總結(jié)的基礎(chǔ)上,從理論層面對(duì)都市文化中的消費(fèi)文化與權(quán)力文化進(jìn)行探究。第三章渴望離城的精神返鄉(xiāng)。主要敘述在城者離城歸土的夢(mèng)想與渴望。他們一方面享受著城市物質(zhì)文明的優(yōu)越,另一方面人性的異化使其產(chǎn)生了返鄉(xiāng)的意圖與沖動(dòng),但是返鄉(xiāng)之后卻遭遇著家園失落的困窘。作為事實(shí)行為和情感平衡的懷鄉(xiāng),成為了無可逃避的精神焦慮。第四章“入城-返鄉(xiāng)”模式的原因探析。主要從以下幾個(gè)方面來挖掘作家創(chuàng)作背后的深層原因與心理訴求,包括文學(xué)史上關(guān)于城市和鄉(xiāng)村敘述傳統(tǒng)的浸染、城鄉(xiāng)“兩棲”經(jīng)驗(yàn)的雜糅、對(duì)于人類精神生存的憂慮以及固守傳統(tǒng)抑或認(rèn)同現(xiàn)代的矛盾創(chuàng)作心理的映射。結(jié)語部分以李佩甫城市書寫的得與失為例,對(duì)現(xiàn)代化背景下,文學(xué)如何書寫城市這一命題進(jìn)行思考。
[Abstract]:For Henan writers, and the local authority is diligently speech object. Li Peifu, as a representative of the Henan writer, his works have been dedicated to singing the praises of the Henan plain village good feelings, living creatures exploration. But the modal power relations since 1990s, with the city to speed up the process the city, with its potential Xunji coerced the country to the modernization of the country in the city Benz, also a strong "hug" and "kiss" to highlight the potential of half hearted attitude and rejection. To touch the pulse of the times as a sensitive writer, Li Peifu attempts to break the critic for the Henan writers and works "benefit in the local vernacular and subject to evaluation, rather than heavy smart lack", opened up new creative space, will create the focus gradually from the country to the city. He perceived a city As the material civilization field strong attack, began looking into the city to attract rural migrant, as the city and the city in the city's shape and the dissimilation of modern material civilization, the daily landscape and cultural connotation as well as the city, the history of human struggle to seek the ideal home show the city process. This paper intends to the city "to live in the city, city of mind - the desire of the dynamic process from the city" as the clue, the perspective of Li Peifu city writing novels, in order to absorb, based on existing research results, and explore the city were combing the city ", the writer reveals the antecedents and consequences" performance in the city in the writing of real inner experience, psychological and emotional memories reflect the creative subject behind implicit. The introduction part mainly explains the research status of the topic, research purpose and meaning. The meaning, definition and concept and perspective of the city writing. This chapter first appeal body to "city". "City culture, city geographic space is not a simple sense of the city, for the people not to enter the city, it also means that an ideal life, a beautiful gorgeous dream. Therefore, this chapter first abstinence from the connotation of the city: the material and spirit of the city to the city of the city, the material represents the city's rapid economic development, jumping space neon street edifice, symbol; the spirit of the city not only carrying countless people for the city of love and longing, also placed the writer of thinking and understanding to solve the rural urbanization is an anthropological proposition. The second section mainly from the three image of the" ant, lamp, woman "to draw the outline of the city were from" want the city "to" enter the city "the dynamic subject v. For living in the city. In the second chapter, the landscape description. First, the desire of daily life in the city of scenery description and depiction of interpersonal relationship in the city full of diaphragm; secondly, the focus of the city to focus on people, show the city were actively integrate into the city, into the self lost after in summary. Furthermore, based on the first two, to explore the power and culture in the face of urban culture of the consumer culture from the theoretical level. In the third chapter, from the city to spiritual home. Mainly described in the city from the city of dreams and desires to soil. They enjoy the advantages of city civilization, alienation on the other hand the human nature to produce an intention and impulse to return home, but after returning home has suffered a loss of embarrassment. As a matter of fact behavior and emotional balance of nostalgia has become free of mental anxiety can escape. The four chapter is "the analysis of reason into the city - home" mode. Mainly from the following aspects to excavate the deep reasons behind writers and psychological demands, including literature on the history of city and rural narrative tradition, urban and rural "amphibious" experience of hybridity in the human spirit existence anxiety, or stick to the traditional identity mapping the contradiction between the creation psychology. The epilogue to Li Peifu modern city writing of the gain and loss as an example, on the background of modernization, how literature writing this proposition City thinking.

【學(xué)位授予單位】:河南師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2016
【分類號(hào)】:I207.42

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