本文選題：社會(huì)邊緣　切入點(diǎn)：男性視角　出處：《華文文學(xué)》2017年03期 　論文類型：期刊論文

【摘要】：本文嘗試比較黃碧云《烈佬傳》四份電腦草稿與最后定本,探索創(chuàng)作過程中種種考量。作者對(duì)本土方言的運(yùn)用非常自覺。無論草稿或定本,均見到廣東方言以至地道粗口不時(shí)摻入。至于女性角色敘寫內(nèi)容的選擇,以至構(gòu)詞表述越趨平淡,同樣見證作者如何不斷調(diào)整固有寫作風(fēng)格,以更貼近角色的性格、經(jīng)驗(yàn)。第一人稱敘述手法于各稿中運(yùn)用之貫徹統(tǒng)一,則在突顯主角的自我意識(shí)�？傮w而言,《烈佬傳》數(shù)易其稿,從內(nèi)容以至文字上的變動(dòng)或不變,是基于創(chuàng)作者對(duì)社會(huì)邊緣弱小的關(guān)顧,一種人文精神。
[Abstract]:This paper tries to compare the < strong > four Yankees Wang Biyun pass a computer and the final draft, to explore the creative process of all kinds of considerations. The utilization of the local dialect is very conscious. No matter the draft or this, were seen in Guangdong dialect and language from time to time. As for the incorporation of authentic female characters writing content selection and word expression the increasingly dull, also witnessed the author how to adjust the natural writing style, closer to the character of the role of experience. The first person narration in the release by carrying out the unified, is highlighted in the protagonist's sense of self. In general, < strong > Yankees pass several drafts, from the content and text changes or unchanged. Is the creator of social care based on weak edge, a kind of humanistic spirit.

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本文編號(hào)：1602923