本文選題：古代意象　切入點：直觀性　出處：《內蒙古社會科學(漢文版)》2017年03期 　論文類型：期刊論文

【摘要】：意象是中國古代文論的核心范疇之一。中國古代意象具有直觀性、形上性、結構性三個重要特征,三者構成一個完整的體系。直觀性表現(xiàn)為讀者"皎然在目"的欣賞直觀與作者"應目會心"的創(chuàng)構直觀。形上性表現(xiàn)為作品超越性的"哲學意義"與作者對人生、歷史、宇宙的形上思考。整體性表現(xiàn)為意象是由言、象、意三個層面契合成一體,并且每一層面都是有內有外、有顯有隱的結構體。這三個特征的產(chǎn)生有著深厚的哲學基礎,它們根植于意象的哲學源頭《周易》《老子》《莊子》中的象論。正因為意象的這三個特征,古代文論從意象論發(fā)展為意境論有著必然性,這也揭示了中西意象之間的重要差異。
[Abstract]:Image is one of the core categories of ancient Chinese literary theory. The three constitute a complete system. Intuitionism is the appreciation intuition of the reader "Jiao ran in the eye" and the creation of the author's "understanding of the eye", and the metaphysical expression is the transcendent "philosophical significance" of the work and the author's view of life and history. Metaphysical thinking of the Universe. The wholeness is represented by the integration of the three levels of speech, image and meaning, and each of them has an internal and external structure with a hidden structure. These three characteristics have a profound philosophical foundation. They are rooted in the image theory in the philosophical source of imagery, the Book of changes, and Zhuangzi. It is precisely because of these three characteristics that the development of ancient literary theory from image theory to artistic conception theory is inevitable, which also reveals the important difference between Chinese and western images.
【作者單位】： 湖南師范大學文學院;
【基金】：國家社科基金項目“《樂記》文本、理論與注釋史研究”(編號:15BZW001)
【分類號】：I206.2
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本文編號：1570504