百花時(shí)期的同人刊物:以《探求者》為例
發(fā)布時(shí)間:2018-03-04 03:22
本文選題:探求者 切入點(diǎn):文學(xué)體制 出處:《文藝爭(zhēng)鳴》2017年11期 論文類型:期刊論文
【摘要】:正1956年,"百花齊放,百家爭(zhēng)鳴"的方針實(shí)施后,中國(guó)作家協(xié)會(huì)曾多次召開文學(xué)期刊工作會(huì)議以促進(jìn)文藝繁榮,受此推動(dòng),在高度同質(zhì)化的公共話語(yǔ)空間中曾一度消歇的同人刊物重又浮出歷史地表,在百花時(shí)期的期刊改革中形成頗有規(guī)模的"同人"回潮。但"雙百"方針自身的限度、新中國(guó)成立后文學(xué)體制的束縛以及隨即而來(lái)的"反右"斗爭(zhēng),令百花時(shí)期的同人刊物未及成器,便多夭亡。而江蘇的同人刊物《探求者》雖未真
[Abstract]:In 1956, after the implementation of the policy of "letting a hundred flowers blossom and a hundred schools of thought contend", the Chinese Writers' Association held several conferences on the work of literary periodicals to promote the prosperity of literature and art. In the highly homogenized public discourse space, the publication of the same person, which had once ceased to exist, has emerged from the historical surface again, and has formed a quite large-scale "concomitant" trend in the reform of periodicals during the hundred Flowers period, but the limits of the "double hundred" policy itself. The shackles of the literary system after the founding of New China and the "anti-right" struggle that ensued from the founding of the people's Republic of China resulted in the death of many of the publications of the same people in the hundred flowers period.
【作者單位】: 南京大學(xué)文學(xué)院中國(guó)新文學(xué)研究中心;
【分類號(hào)】:I206.7
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