發(fā)布時(shí)間：2018-03-03 14:42

  本文選題：“80后”作家　切入點(diǎn)：城市敘事　出處：《山東理工大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：“80后”對城市生活有著更為復(fù)雜而真實(shí)的體驗(yàn),他們能夠大膽、公開地融入甚至參與建構(gòu)城市生活,并表達(dá)對城市的熱愛�！�80后”作家由于對商品化社會的理解和體認(rèn)更加深刻,在對物化現(xiàn)實(shí)的表現(xiàn)上,不再僅僅停留于社會寫實(shí)的層面,而進(jìn)入一種更為抽象的層面,表現(xiàn)社會的結(jié)構(gòu)性真實(shí),依賴熟稔而自然生成的城市品味來描摹城市的風(fēng)土人情,以帶有“城市人”的眼光和心態(tài)來對自己的城市展開敘事。引言部分主要梳理“80后”作家的城市敘事。以考究“80后”名稱的由來為主要內(nèi)容,“80后”這一稱謂對于研究“80后”作家的時(shí)代背景,文化源流,成長經(jīng)歷等方面,直至對“80后”作家形成整體的準(zhǔn)確認(rèn)知都具有重要的指導(dǎo)意義。第一章由三部分組成,主要論述“80后”作為與城市化進(jìn)程同齡的一代人,他們的作品中展現(xiàn)出來的獨(dú)一無二的成長經(jīng)歷和他們對于城市準(zhǔn)確的觸覺,以此剖析“80后”作家作品中體現(xiàn)出來的“偽成長”的敘事方式,展現(xiàn)“80后”作為新近步入社會的“準(zhǔn)成年人”的焦慮情緒,以及“80后”作家作品中透露出來的對于青春、校園、童年等記憶的留戀,并由此寄托出的對于成長的抗拒與排斥。第二章主要論述“80后”作家的作品中將“外來者”對于都市的欲望,轉(zhuǎn)化為其對于身體的欲望和在身體里生發(fā)出的欲望�！�80后”作家小說中的“性”開始單純地變成一種生理現(xiàn)象而不再是文化或政治現(xiàn)象,他們不再將其視之為禁忌,總體看來,她們對待性的態(tài)度都是開放的�！靶浴辈辉偈巧衩亍⒉豢擅枋龊脱哉f的,它是青春的標(biāo)志,是生活中的一種滿足和調(diào)劑,與“性”有關(guān)的身體不再沉重,它本身就是生活和意義。第三章由“鄉(xiāng)愁的現(xiàn)實(shí)激發(fā)”“鄉(xiāng)愁的情感表達(dá)”“鄉(xiāng)愁的深層內(nèi)蘊(yùn)”三部分組成,主要展現(xiàn)“80后”城市敘事作品中對于城市寄居者這一特殊存在的深入剖析,展示“80后”作家作品中表現(xiàn)出的底層人民入城之后為完成最基本的生存目標(biāo)而面對的種種艱難困苦,這是寄居者萌生“鄉(xiāng)愁”的現(xiàn)實(shí)激發(fā)點(diǎn)。而另一種“鄉(xiāng)愁”的產(chǎn)生主體是“80后”作家筆下真正以城市為家的新一代城市人,他們雖然也在經(jīng)受城市的排擠,但仍以愛的姿態(tài)面對城市,義無反顧地鄙棄鄉(xiāng)土之根。第四章由“精神迷城的具體顯現(xiàn)”和“文人本色的內(nèi)在驅(qū)使”兩部分組成,第一部分主要從“80后”作家作品出發(fā),感受其作品中所表現(xiàn)出的因?yàn)樯硖幊鞘卸壬木駥用娴睦ьD與迷茫,分析其作為知識分子對于時(shí)代的感知與剖析。第二部分主要從作家自身的文人身份出發(fā),分析“80后”作家對于社會的責(zé)任意識與勇于承擔(dān)的精神。結(jié)語主要是在總結(jié)正文對“80后”作家城市敘事研究的基礎(chǔ)上,歸納概括出“80后”作家城市敘事的意義所在,并指出其現(xiàn)階段已顯露出的局限和亟需解決的問題,以期為“80后”作家城市敘事的未來發(fā)展作出摸索與探究。本文以“80后”作家整體作為研究對象,以“城市敘事”作為研究角度,選取“80后”作家群體內(nèi)具有代表性的作家及作品加以分析,進(jìn)一步深化對“80后”作家這一文壇新興力量的關(guān)注與剖析,進(jìn)而彌補(bǔ)前期對“80后”作家研究的不足,形成對“80后”作家更為全景式的研究圖景,在一定程度上完善當(dāng)代文學(xué)研究體系和史學(xué)建構(gòu)。
[Abstract]:"80" of city life is more complex and real experience, they can boldly, openly into even participate in the construction of city life, and the expression of love for the city. "80" writer due to the commercialization of social understanding and understanding more deeply, on materialized reality show, not only stay in the social realistic level, into a more abstract level, the structural performance of the real society, rely on the familiar and natural taste of the city to describe the city with local customs and practices, "city people" vision and attitude to the city narration. The introduction part mainly combs the city narrative "80" writer. In the name of the origin of elegant "80" as the main content, "80" the title for the study of "80" writer's background, cultural origin, growth experience and so on, until the "80 "Has an important guiding significance to form the overall writer accurate cognition. The first chapter consists of three parts, mainly discusses the" 80 "as a generation process and the city of the same age, show their works in the one and only the growth of experience and for their city accurate touch, in order to analyze" reflected 80 "writer in the works of" pseudo growth "in the narrative way, show the" anxiety of 80 "as a newly entering the society" adult "and" 80 ", revealed in the works of writers for youth, campus, the nostalgia of childhood memories, and thus give to the resistance and rejection of growth. The second chapter this" 80 "writer," foreign "to the city's desire into its desire for the body and in a body born desire." 80 "writer in the novel The "sex" began to simply become a physiological phenomenon and is no longer a cultural or political phenomenon, they will no longer be regarded as taboo, generally speaking, their attitudes towards sex are open. "" is no longer mysterious, and cannot be described in words, it is a sign of youth, is a meet and swap in life, and the "body" of the longer heavy, it is life and significance. The third chapter is "realistic" nostalgia nostalgia inspired "emotional expression" the deep connotation of "nostalgia" is composed of three parts, mainly to show the "80" city narrative works for the city dweller there is a special in-depth analysis of all kinds of difficulties and hardships after the people at the bottom show show "80" writer into the city to complete the most basic goal of survival and face, this is a sojourner initiation "nostalgia" reality and trigger. The body produces another kind of "nostalgia" is "80" writer to the real city for a new generation of city people, although they also experienced in the city of crowding out, but still love the attitude in the face of city, hesitate to disdain the root of countryside. The fourth chapter is "manifestation of" the spirit of the lost city "scholar character drives" is composed of two parts, the first part mainly from the "80" writer of feelings of embarrassment and confusion because in the city and the initiation of the spirit shown in his works, analyze it as intellectuals for perception and analysis of the times. The second part mainly from the literati identity of the writer the analysis of "80" writer for social responsibility and courage to take the spirit. The main conclusion is summarized in the text on the basis of the "narrative of the 80 writers of the city, summarizes the" 80 "The writer City narrative significance, and points out the limitations and the need at this stage has revealed problems in the future development of" 80 "writer narrative made exploration and explore the city. This paper takes" 80 "writer overall as the research object, with" city narrative "as the research point of view, select the" 80 "writers in representative writers and works of the analysis, further attention and analysis of" 80 "literary writers of this emerging powers, and make up for the previous lack of" 80 "writer on the formation of the 80 writers" more research into the panoramic picture, perfect system and contemporary literature research the construction of history to a certain extent.

【學(xué)位授予單位】：山東理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42

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