本文選題：乾嘉時(shí)期　切入點(diǎn)：蘇詩(shī)批評(píng)　出處：《內(nèi)蒙古師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：蘇軾是中國(guó)文化史上的奇才巨匠,是宋代最偉大的文學(xué)家,是宋詩(shī)的開創(chuàng)者之一,他的詩(shī)歌被后世稱為“蘇詩(shī)”。清代是封建王朝的最后一個(gè)時(shí)代,是中國(guó)文化的總結(jié)時(shí)期,清代的蘇詩(shī)研究是繼宋代之后蘇詩(shī)研究的又一繁盛時(shí)期。本文選取清代乾嘉這一重要的轉(zhuǎn)折時(shí)期,擬從“清乾嘉時(shí)期蘇軾詩(shī)歌批評(píng)”這一角度,根據(jù)乾嘉文人對(duì)蘇詩(shī)批評(píng)的相關(guān)論述,綜合前人對(duì)蘇詩(shī)研究的成果,結(jié)合乾嘉時(shí)期詩(shī)壇總體的學(xué)術(shù)風(fēng)氣,分析、概括、總結(jié)這一特定歷史時(shí)期蘇詩(shī)批評(píng)所呈現(xiàn)出來的新特點(diǎn)、新風(fēng)貌,進(jìn)而發(fā)現(xiàn)這一時(shí)期不同的詩(shī)歌評(píng)論家在對(duì)蘇詩(shī)研究過程中反映出的獨(dú)特的詩(shī)學(xué)思想。正文第一部分論述了清乾嘉時(shí)期在研究蘇詩(shī)時(shí)所關(guān)注的焦點(diǎn):蘇軾博才多學(xué),又有曠達(dá)的心態(tài)和豐富靈活的想象力,表現(xiàn)在詩(shī)歌里形成了蘇詩(shī)獨(dú)特的藝術(shù)風(fēng)貌,此外,詩(shī)人對(duì)詩(shī)歌藝術(shù)手法技巧的掌握達(dá)到心手相應(yīng)的純熟境地。此時(shí)的詩(shī)論家對(duì)蘇詩(shī)中豪放、自然的藝術(shù)風(fēng)格尤為贊賞,對(duì)蘇詩(shī)中的手法技巧也作了深入探討。同時(shí),作為宋詩(shī)的代表,蘇詩(shī)對(duì)宋詩(shī)新面貌的形成作出了重大貢獻(xiàn),此時(shí)詩(shī)論家通過將詩(shī)人與前代及同時(shí)代優(yōu)秀詩(shī)人相比,肯定了蘇詩(shī)在詩(shī)史上的地位。第二部分主要通過分析詩(shī)論家對(duì)蘇詩(shī)關(guān)注較多的內(nèi)容,進(jìn)一步研究乾嘉時(shí)期詩(shī)論家們的詩(shī)學(xué)傾向。乾嘉時(shí)期學(xué)術(shù)文化發(fā)達(dá),詩(shī)學(xué)流派眾多,眾多詩(shī)學(xué)流派研究蘇詩(shī)時(shí)以自己的詩(shī)學(xué)思想為基礎(chǔ),同時(shí)也反映出此時(shí)詩(shī)壇總體的詩(shī)學(xué)傾向。通過探究乾嘉時(shí)期的蘇詩(shī)批評(píng),我們不難發(fā)現(xiàn)此時(shí)的蘇詩(shī)批評(píng)無(wú)不滲透著詩(shī)論家們對(duì)學(xué)問的崇尚,對(duì)創(chuàng)新求變的推崇及對(duì)藝術(shù)表現(xiàn)的重視,而從整體上忽略了對(duì)蘇詩(shī)思想內(nèi)容上的追求與觀照,這也反映出了乾嘉時(shí)期以求學(xué)、尚變、重形式為主的詩(shī)學(xué)傾向。第三部分主要探討乾嘉時(shí)期蘇詩(shī)批評(píng)繁盛的原因。乾嘉時(shí)期蘇詩(shī)批評(píng)出現(xiàn)新的熱潮,研究蘇詩(shī)的隊(duì)伍十分龐大。究其原因,首先,此時(shí)的統(tǒng)治者推崇蘇詩(shī);其次,詩(shī)壇總體上宗宋的詩(shī)學(xué)風(fēng)尚也直接影響了蘇詩(shī)在乾嘉時(shí)期的批評(píng)傳播;復(fù)次,社會(huì)有名望有學(xué)識(shí)的名士有崇尚蘇詩(shī)的文化風(fēng)氣。以上這些因素共同促成了乾嘉時(shí)期蘇詩(shī)批評(píng)大盛的局面。
[Abstract]:Su Shi is a great wizards in the history of Chinese culture, one of the greatest writers in Song Dynasty and one of the pioneers of Song poetry. His poetry was called "Su poem" by later generations. The Qing Dynasty was the last time of the feudal dynasty and the summation period of Chinese culture. The study of Su poetry in Qing Dynasty is another prosperous period of Su poetry research after Song Dynasty. This paper chooses the important turning period of Qing Dynasty Qianjia, from the angle of "Su Shi's poetry criticism in Qing Dynasty Qianjia period". According to the relevant exposition of the scholars of Qianjia on the criticism of Su poetry, synthesizing the achievements of previous studies on Su poetry, combining with the general academic atmosphere of the poetry circle in Qianjia period, analyzing and summarizing, summing up the new characteristics of the criticism of Su poetry in this particular historical period, The first part of the text discusses the focus that Su Shi paid attention to in the study of Su poetry in the Qianjia period of Qing Dynasty. There is also a broad-minded mentality and rich and flexible imagination, which has formed the unique artistic style of Su poetry in poetry, in addition, The poet's mastery of poetic techniques and techniques has reached the corresponding level of proficiency in his heart. At this time, poeticians were particularly appreciative of the natural artistic style of Su's poems, and also deeply discussed the techniques and techniques in Su's poems. As the representative of Song poetry, Su poetry made a great contribution to the formation of the new appearance of Song poetry. At this time, poetry theorists compared the poets with the outstanding poets of the previous generation and their contemporaries. The second part mainly through the analysis of the poetry theorists pay more attention to Su poetry, and further study the poetic tendency of poetry theorists in the Qianjia period. The academic culture developed during the Qianjia period, the poetic schools are numerous, the second part is mainly through the analysis of the content that the poetic theorists pay more attention to, and further study the poetics tendency of the poetry theorists in the Qianjia period. Many schools of poetics study Su's poetry on the basis of his own poetic thoughts, and at the same time reflect the general poetic tendency of the poetry circle at this time. It is not difficult to find that the Su poetry criticism at this time permeates the poetry theorists' respect for learning, the esteem for innovation and the importance of artistic expression, while neglecting the pursuit and reflection of Su poetry's ideological content as a whole. This also reflects the poetic tendency of the Qianjia period to study, change and emphasize the form. The third part mainly discusses the reasons for the prosperity of the Soviet poetry criticism during the Qianjia period. There is a new upsurge in the Soviet poetry criticism during the Qianjia period. The research team of Su poetry is very large. First, the rulers of this time respected Su poetry; secondly, the poetic style of the Song Dynasty in general also directly affected the criticism and dissemination of Su poetry during the Qianjia period. These factors contributed to the prosperity of Su poetry criticism in Qianjia period.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22

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