本文選題：《邊城》　切入點(diǎn)：花燈戲　出處：《四川師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：在戲曲領(lǐng)域,從文學(xué)文本改編創(chuàng)作的戲曲作品有很多�！哆叧恰肥巧驈奈南壬罹叽硇缘慕�(jīng)典小說。圍繞小說《邊城》改編的藝術(shù)形式有舞劇、電影、歌劇等等,改編策略各有千秋�；魬蚴敲耖g小戲,主要活躍于中國(guó)的川、貴、湘、滇等地方。本次創(chuàng)作改編的花燈戲劇本《翠翠》屬于湖南湘西花燈戲,主要結(jié)合了湘西的本土文化、本土戲劇特色。該劇本力圖在忠實(shí)于小說原作人物、情節(jié)、意蘊(yùn)的前提下,結(jié)合湘西的民歌、神異的民俗、熱烈的民風(fēng)、淳善的民心,采用花燈戲的藝術(shù)形態(tài),表現(xiàn)出一種“一見傾心”、“因歌定情”的民族獨(dú)特情愛,通過種種巧合、誤會(huì)的情節(jié)設(shè)置來刻畫鮮明生動(dòng)的人物形象,揭示特定歷史條件下人物的際遇和命運(yùn),將三代人的理想情愛追求,直觀、豐富、審美地組接成湘西花燈戲,在戲曲舞臺(tái)上譜寫出《翠翠》至死不渝的悲壯愛情。這是對(duì)小說文本所做的常規(guī)式但具創(chuàng)新性的藝術(shù)創(chuàng)作嘗試。本文共四章,第一章選題緣由,主要闡釋選題背景、改編現(xiàn)狀、改編意義;第二章創(chuàng)作思路,主要從創(chuàng)作前期調(diào)研到具體創(chuàng)作過程中的主題設(shè)置、人物設(shè)置、場(chǎng)次設(shè)計(jì)、沖突設(shè)置等方面進(jìn)行闡釋;第三章創(chuàng)新點(diǎn),主要從配角的設(shè)置、矛盾沖突的設(shè)置、情節(jié)的設(shè)置進(jìn)行創(chuàng)新;第四章創(chuàng)作價(jià)值,主要從劇本的藝術(shù)價(jià)值和文學(xué)價(jià)值兩方面進(jìn)行分析。
[Abstract]:In the field of opera, there are many operas adapted from literary texts. "Border Town" is the most representative classic novel of Mr. Shen Congwen. The artistic forms of the adaptation around the novel "Border Town" are dance plays, movies, operas, and so on. The adaptation strategies are different. Lantern plays are small folk dramas, mainly active in Sichuan, Guizhou, Hunan, Yunnan and other places in China. This creation and adaptation of the lantern drama "Cui Cui" belongs to Hunan Xiangxi flower lantern drama, which mainly combines the native culture of Xiangxi. The play tries to adopt the artistic form of lantern drama under the premise of being faithful to the characters, plot and implication of the original novel, combining with the folk songs of Xiangxi, the different folk customs of God, the warm folk style and the good people's heart. Showing a kind of "love at first sight" and "love by song", the unique love of the nation is characterized by various coincidences and misunderstandings to depict vivid characters and reveal the fate and fate of the characters under certain historical conditions. Three generations of people's ideal love pursuit, intuitive, rich, aesthetic group into Xiangxi flower lantern drama, This is a conventional but innovative attempt of artistic creation on the stage of drama. This article consists of four chapters, the reason of the first chapter, the main explanation of the background of the selected topic, the adaptation of the present situation. Chapter II creative ideas, mainly from the preliminary investigation to the specific creation of the process of theme setting, character settings, scene design, conflict settings and other aspects; chapter III innovation, mainly from the supporting role of the setting, The creation value of Chapter 4th is mainly analyzed from two aspects: the artistic value and the literary value of the script.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.36

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 周寧;朱玉寧;;回歸戲劇本體——重讀譚霈生戲劇理論[J];四川戲劇;2013年09期

2 鄺桃林;;湘西民俗文化旅游產(chǎn)品開發(fā)問題與對(duì)策[J];商場(chǎng)現(xiàn)代化;2013年09期

3 張池;;盤瓠之舞——漫水花燈戲探究[J];南陽(yáng)理工學(xué)院學(xué)報(bào);2012年03期

4 欒杰;張倩倩;;少數(shù)民族特色民俗文化產(chǎn)業(yè)化實(shí)踐模式研究——以湘西土家族“西蘭卡普”織錦為例[J];懷化學(xué)院學(xué)報(bào);2011年09期

5 何玉人;;花燈戲生態(tài)特征論[J];藝術(shù)百家;2010年06期

6 覃雯;;旅游目的地民俗文化資源營(yíng)銷創(chuàng)新研究——以湘西地區(qū)旅游演藝產(chǎn)品為例[J];財(cái)經(jīng)問題研究;2010年04期

7 楊鳳;周道平;蔣作文;;區(qū)域民俗文化與體育旅游開發(fā)——以湘西自治州為例[J];山東體育科技;2010年01期

8 劉濤;;評(píng)譚霈生的戲劇情境說[J];齊魯藝苑;2009年02期

9 劉景慧;劉冰清;;論民俗文化旅游發(fā)展中存在的問題與對(duì)策——以大湘西為例[J];邵陽(yáng)學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2008年01期

10 熊曉輝;;湘西花(花燈戲)儺(儺戲)音樂拾零[J];湖北民族學(xué)院學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2006年01期

相關(guān)重要報(bào)紙文章 前6條

1 畢，

本文編號(hào)：1558262