本文關(guān)鍵詞： 唐代新駢文 李白 美感特質(zhì) 書(shū)體駢文 送序駢文　出處：《廣西師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版)》2017年05期 　論文類(lèi)型：期刊論文

【摘要】：從四杰及燕、許二公的論述和作品可知,唐代新駢文自有其審美追求。李白駢文創(chuàng)作,實(shí)際上是自覺(jué)地踐行四杰等人的文學(xué)革新主張和審美觀念。其書(shū)體駢文分為求人薦引者、求人開(kāi)脫罪名者、借以自明其志者三類(lèi)。各因其功用、作者所處地位、話語(yǔ)內(nèi)容而產(chǎn)生相應(yīng)的美感特質(zhì)和文學(xué)效應(yīng)。贈(zèng)序有以詩(shī)序充當(dāng)者,有以獨(dú)立文體為贈(zèng)序者。其美感特質(zhì)主要出自人物形象的描繪和情感的抒發(fā)。人物形象,一為送別對(duì)象,一為作者自己;其抒情性,緣于作者以詩(shī)為文,不掩情性。
[Abstract]:From the exposition and works of four heroes and Yan, Xu Ergong, we can know that the new parallel prose of Tang Dynasty has its own aesthetic pursuit. Who pleads for exoneration, so as to show himself that there are three kinds of people who wish to do so. Each has its own aesthetic characteristics and literary effects because of its function, the position of the author and the content of the discourse. There are those who take the independent style as the preface. Their aesthetic characteristics mainly come from the depiction of the character image and the expression of emotion. The character image is the farewell object and the author himself; the lyricism is caused by the author taking the poem as the text and not concealing the emotion.
【作者單位】： 武漢大學(xué)文學(xué)院;
【分類(lèi)號(hào)】：I207.22

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